A really most impressive entry to the art biography shelf of the graphic novel canon, this also goes heavily into potential fiction – and beyond. Matisse and his wife Amelie have travelled to Tangier, leaving a Parisian art world poised on the discovery of Cubism and all that nonsense. He needs the break, which becomes weeks, as to start with all it does is lash it down, the rain drowning out any sense of the colours and light and feel of Morocco. But eventually, with the help of a beguiling local prostitute employed to pose for him, called Zorah, he finds his way into seeing what the location and its effects might lend to his art. And at the same time, an Arabian Nights-styled story, told over multiple modelling sessions, bit by bit might just find its way into our understanding of Zorah...
You'd be hard-pushed to expect a triumvirate of stories – his, hers, and the legend she narrates – to come easily. But this is effortless. It upsets the reader a lot more than expected when it seems we'll never get the final quarter of her tale, but the book never forgets that Matisse, dropping his suit and hat for local garb for his second trip to Tangier, is the character that changes the most over these pages. That said, this is more a fictional episode in the man's life, and there is a case to say this fantasy will not find favour with all of those buying it as an art biography. The style changes depending on whoever is narrating, or if we're seeing his sketches, but it didn't quite convince as a reproduction or being through his eyes. It's certainly worth the look, though, and to repeat the three stories for the price of one is a really welcome achievement. A strong four stars.