What do you think?
Rate this book
Julia Ward Howe, 1819-1910; Volume 2
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
470 pages, Paperback
First published January 1, 1915
4 people want to read
About the author
Maud Howe Elliott
31 books2 followersMaud Howe Elliott (1854 -1948) was an American writer, most notable for her Pulitzer prize-winning collaboration with her sisters, Laura E. Richards and Florence Hall, on their mother's biography The Life of Julia Ward Howe (1916).
She was married to the British artist & illustrator, John Elliott (1858 – 1925) who painted the murals in the Boston Central Library. Her father was Samuel Gridley Howe, founder of the Perkins School for the Blind.
Her other works included A Newport Aquarelle (1883); Phillida (1891); Mammon, later published as Honor: A Novel (1893); Roma Beata, Letters from the Eternal City (1903); The Eleventh Hour in the Life of Julia Ward Howe (1911); Three Generations (1923); Lord Byron's Helmet (1927); John Elliott, The Story of an Artist (1930); My Cousin, F. Marion Crawford (1934); and This Was My Newport (1944).
She was married to the British artist & illustrator, John Elliott (1858 – 1925) who painted the murals in the Boston Central Library. Her father was Samuel Gridley Howe, founder of the Perkins School for the Blind.
Her other works included A Newport Aquarelle (1883); Phillida (1891); Mammon, later published as Honor: A Novel (1893); Roma Beata, Letters from the Eternal City (1903); The Eleventh Hour in the Life of Julia Ward Howe (1911); Three Generations (1923); Lord Byron's Helmet (1927); John Elliott, The Story of an Artist (1930); My Cousin, F. Marion Crawford (1934); and This Was My Newport (1944).
Ratings & Reviews
Friends & Following
Create a free account to discover what your friends think of this book!
Community Reviews
Displaying 1 of 1 review
August 30, 2021
A life well documented
I would never have expected this biography would have spilled over into a second volume, if this biography were merely the story of the Battle Hymn of the Republic. But, as this was a comprehensive retrospect of an extremely active women lovingly assembled by her children who wrote continuously through to her 91st birthday and netted the first ever Pulitzer for History in 1917, perhaps the length is warranted.
As the member of one of America's founding families and the author a descendant of Francis Marion, the Swamp Fox guerilla fighter, The Ward Family was renowned for their participation in banking and contributions to music. Julia was so much more. Married into another prominent family of liberal Christian activist on the forefront of abolition and the global independence movement, an aspect of 19th Century Christianity which saw democracy as a Christian destiny, particularly in rejection to the Mediterranean domination by the Ottoman Empire.
Julia was one of the original founders of the American suffragette movement, founding numerous women's organizations which fought for women's education and voting rights and the right of women to preach. A voracious reader, she taught herself French, Latin, Greek and Italian so as to be able to read the works of the greatest philosophical and religious thinkers of the time in the original. Along with the Greek, Cyprus and Santo Domingo independence movements, she was an early supporter of the toppling of the Russian Empire prior to the advent of Marxism as was the wont of the Liberal Christian Movement.
The second volume focuses on the last half of her life where she stayed extremely active throughout her entire life and celebrated by the leading lights of literature and American politics until the end.
A lovingly compiled history to which I likewise claim a familial connection, though long and gushing without the slightest whiff of criticism or scandal, it is still an amazing snapshot of the period as seen through one of its most significant women of the period.
I would never have expected this biography would have spilled over into a second volume, if this biography were merely the story of the Battle Hymn of the Republic. But, as this was a comprehensive retrospect of an extremely active women lovingly assembled by her children who wrote continuously through to her 91st birthday and netted the first ever Pulitzer for History in 1917, perhaps the length is warranted.
As the member of one of America's founding families and the author a descendant of Francis Marion, the Swamp Fox guerilla fighter, The Ward Family was renowned for their participation in banking and contributions to music. Julia was so much more. Married into another prominent family of liberal Christian activist on the forefront of abolition and the global independence movement, an aspect of 19th Century Christianity which saw democracy as a Christian destiny, particularly in rejection to the Mediterranean domination by the Ottoman Empire.
Julia was one of the original founders of the American suffragette movement, founding numerous women's organizations which fought for women's education and voting rights and the right of women to preach. A voracious reader, she taught herself French, Latin, Greek and Italian so as to be able to read the works of the greatest philosophical and religious thinkers of the time in the original. Along with the Greek, Cyprus and Santo Domingo independence movements, she was an early supporter of the toppling of the Russian Empire prior to the advent of Marxism as was the wont of the Liberal Christian Movement.
The second volume focuses on the last half of her life where she stayed extremely active throughout her entire life and celebrated by the leading lights of literature and American politics until the end.
A lovingly compiled history to which I likewise claim a familial connection, though long and gushing without the slightest whiff of criticism or scandal, it is still an amazing snapshot of the period as seen through one of its most significant women of the period.
Displaying 1 of 1 review