Patricia Cornwell published her last Kay Scarpetta novel, her 24th in the series – “Chaos” – back in 2016. At that time, I was ready to let Kate and her family of supporting characters ride off into the sunset because the books had gotten very formula-matic and repetitive. How many times can a villain supposedly die and then return to rage havoc on our protagonists? Also, the characters were so predictable that they had become caricatures of themselves. The time for a break felt right.
Now, five years later and a couple of other less than stellar novels, Cornwell has returned to her primary series and most popular character, Kay Scarpetta. I was curious to see how Cornwell would pick up the pieces of her most established and well-known characters. I also wanted to see if she stuck to her repetitive plotting patterns and weak endings from the last several books in her series.
“Autopsy” starts off with Kay coming full circle, returning to the position of Chief medical Examiner of the State of Virginia, where she previously served for ten years earlier in her career. Barely 30 days into the new job, she is tasked with cleaning up a failing department and dealing with an extremely bullying secretary. Kay is also trying to identify a recent murder victim, a young lady who was found naked, laying on train tracks, with her throat cut and both hands removed.
It didn’t take long to see that Cornwell kept that that prior writing strategy. The first 138 pages covers the fast-moving re-introduction of characters and the introduction of the murder mystery during the Monday evening following Thanksgiving, 2021. Kay is still Kay, with her actions being driven by others around her, especially those most close to her.
During that evening we are introduced to Kay’s overbearing British secretary, Maggie, who we want to terminate immediately. We find out Pete Marino and kay’s sister, Dorothy, have married and live in the same city. Pete still works with Lucy, Dorothy’s daughter and kay’s niece. Lucy now lives in Kay’s guesthouse, trying to emotionally recover from a devastating loss that is overwhelming her (no spoilers on this one; please read for yourself). And Benton, Kay’s husband, is still working for the U.S. Secret Service as a forensic psychologist and probably some other roles that are never fully explained. We just know that he is in the know when it comes to important things.
By the time you’ve finished page 138, you not only have been brought back up to speed with the Scooby Doo gang and everything going on in their lives, you’re knee deep into the mystery, wondering what secrets the murder victim took to her grave. Speaking of secrets, Cornwell again goes with her typical “everyone has a secret” in the family approach. Before Kay can even get confirmation of her murder victim, Marino, Lucy, and Benton are already way ahead of her, having more information and background than her. Surprise? Not at all. It’s normal for Kay to be the last one to know what’s going on. And that doesn’t even include Kay being poisoned before the night is over (that is called foreshadowing and minor spoiler alert).
As the second day develops over pages 139 through 351, more background and investigation information confirm my prior comments to be true, and expand the murder case to include national security risks that takes Kay and Benton to the White House to advise on a top-secret laboratory on a space station orbiting Earth. The stakes have definitely been upped. Is Kay and her team dealing with an international spy plot or a serial killer?
Then, as expected, the third day covers pages 352 through 390, and a wrap-it-all-up eight-page epilogue closes it out in a weak and disappointing manner that will leave many readers frustrated. I knew within the first fifty pages that the last scene would include the killer attacking Kay in her home. It was a device that Cornwell has used over and over again and the clues were so dang obvious. What was even worse that all although all of the various storylines were wrapped up in the epilogue, there were no way that any reader would have been able to connect the clues to the killer because all of the necessary information needed was not shared until those last eight pages. What a weak ending with no real payoff for the reader after investing almost 400 pages of their time. It was weak and disappointing to say the least.
I realize that I have been a bit sarcastic in my review and that is primarily driven by my personal reaction to the return of Kay Scarpetta. The question for me isn’t really whether she should come back. It’s more about whether Cornwell would create something new and refreshing, rather than rely on her plotting methodology of solving a mystery over a condensed two-to-three-day timeframe, an approach that she established and perfected, then used repetitively over and over again until it just got old. Would the readers be happy with the same old or want something new? To be fair, I can only answer that question for myself.
I think that Cornwell tried to leave Scarpetta alone for a while and try new things, which I totally respect. However, upon returning to her beloved character, I think it was too easy to fall back on her established and proven plotline methodology that was proven to be successful. And why not? That sold for her and pleased most of the fans. And having not had a Scarpetta novel in five years would more than strengthen interest in a new novel. I cannot argue with that.
However, for me, I struggled with the primary characters because they never change. They have been the same for the last umpteen books. Marino is belligerent and disrespectful of everyone he comes into contact with. Dorothy is selfish and ignorant. Lucy is brilliant, yet socially inept. Benton is handsome, quiet, and a great profiler. Kay knows her stuff, but is always challenged in her professional life, constantly having to defend her decisions. My problem is simply this. They never develop, grow, change, or evolve. And that is the case in this new book. It’s been five years and I can still tell how each of them will react and behave. They are way too predictable and obvious. I challenge anyone to name one book in the series in which other members of the family did not know more about one of Kay’s murder investigations than she did herself. There probably is one, but I cannot think of it.
I just had an aha moment. I just realized that Patricia Cornwell’s “Kay Scarpetta” series is very similar to that of Janet Evanovich’s “Stephanie Plum” series. In my opinion (and I am sure I am in the minority with this thought) both series were stellar at one point, and the best at uniquely delivering what they do best, but have now jumped the shark and are on the downswing of their respective life cycles. I know that will spark some series disagreement from other readers and I respect that.
Overall, here is my rating calculation:
Predictable and formulaic plotting – 2 stars
Addition of the creative storyline – plus 1 star
Weak and disappointing ending – minus 1 star
Overall rating – 2 stars
(This is more than the Spirit of Giving should be during the holiday season)