I roll my eyes, laugh, and maybe even applaud a little at the absurd meta-ness (I'm not even sure if that's a word) as I read the final paragraphs of HUMAN-SHAPED FIENDS by Chandler Morrison. Standing up out of the recliner I power off my Kindle and dig my phone out of my pocket so I can update my Goodreads progress to show that I've finished reading the novella. Satisfied, I head downstairs to the accompaniment of fireworks booming outside even though it isn't the 4th quite yet, there is still some time before the midnight hour strikes. I fill a glass with water and sit down at the kitchen table, digging my phone out once again and opening a new Google doc, this Google doc, to start writing this review. I think I'll make it a bit meta just like Morrison did with his Splatter Western. My fingers fire back and forth across the digital keyboard of my phone as I start to write this review. This is my second…
...time reading anything from Chandler Morrison. I've previously read DEAD INSIDE which I didn't much care for. That story wasn't for me but I did see the writing potential hidden behind all that shock and awe. That potential in combination with the cover for HUMAN-SHAPED FIENDS had me cautiously optimistic about giving this novella a shot. Can we stop and take a moment to talk about that cover art? Justin T. Coons continues to outdo himself every single time with these Splatter Western covers. Each new one he releases is always my new favorite in the series and this cover is no exception to that rule. I'm not sure what kind of devilish pact down at the crossroads Coons has made for his artistic talents but the man can do no wrong and in my opinion is the best cover artist in the game right now.
Enough of my ramblings though, let's get to actually talking about the story within HUMAN-SHAPED FIENDS. This novella is an interesting combination of part weird, wild, grotesque Splatter Western and part meta commentary of Chandler Morrison inserting himself into the story via interludes where he himself is struggling to write said Splatter Western. I want to talk about those interludes for a moment. While they were an interesting look into Morrison’s mindset (whether any of it was true or purley fiction is another matter) they did distract and pull me somewhat out of the depraved and brutally violent world of 1854 Los Angeles. That being said I was intrigued with Morrison’s struggles to pen this novella, sticking to his brand, and checking off boxes for things (drug abuse, damaged youth, etc.) to insert within the story in order to fulfill what he thinks is expected of him now by his fans. I am curious if fans truly expect the obscene from Morrison or if he has come to expect that of himself?
The Western portions of HUMAN-SHAPED FIENDS are overflowing with wicked people carrying out cruel acts. They are fiends in human shape. There is an evil to be found within everyone who populates these pages. Some habor dark secrets while others flaunt their perversions for all to see. Morrison’s 1854 Los Angeles is a dismal place devoid of the slightest shreds of humanity, making the reader feel as if they have been taken advantage of in some way. Heinously barbaric acts of violence are perpetuated on a whim without a second thought. Blood, guts, gore, and other bodily fluids galore. When the actions of a murderous gang of outlaws collide with the inaction of the drugalleded lovesick sheriff the population’s need for justice quickly escalates into a frenzied thirst for death and destruction. If you are searching for a heaping helping of savagery in your wild west then look no further.
As a brief aside I wanted to mention my favorite character in the novella was simply known as the piano man. I wanted more from this mysterious figure but alas, maybe we will learn more about him in another time and place. The late great Sig Haig would have been the absolute perfect casting in an adaptation.
HUMAN-SHAPED FIENDS by Chandler Morrison makes a daring narrative choice, an author inserting himself into his own story. A ferociously fun yet filthy Splatter Western packed with grotesque absurdity, deplorable characters, ruthless brazen violence, and meta self depreciation that fans have come to, well, seemingly expect from Morrison. I thoroughly enjoyed this depraved ride and am again cautiously optimistic about picking up another book...
...from Morrison. There, I hope that review had enough bite because, you know, that's my brand, I think to myself as I lay my phone down on the table. Standing up I head to the bathroom but stop dead in my tracks as I catch a side eye glimpse of myself in the mirror. My once white tee is stained a dark, almost purplish crimson. Bits of gore and blood, still sticky and wet to the touch, paint my mouth and chin. I hesitantly walk back to the kitchen and that's when I first notice the girl laying on the floor. She's not quite dead yet it seems, her breathing is uneven and shallow. Blood slowly oozes from two ragged holes in the side of her neck. I stare in wonderment at her disheveled form upon the floor. I don't even know who she is or how she came to be dying in my kitchen. Shrugging I step over her body to the sink and wash off my face. I'll have to clean the rest of this mess up later, right now I've got a video review to go film. I smirk thinking, this review definitely has bite now. Gotta give the people what they want.
Video review: Coming soon.