THE BUTTERFLY HOUSE is supposedly Book #2 in Katrine Engberg’s Korner/Werner series. As soon as I started it, I felt there was I was something missing. Anette Werner has just given birth to a baby girl; at the end of Book #1, “The Tenant”, she wasn’t even pregnant. Jeppe Korner is in a relationship with his co-worker, Sara Saidani; at the end of Book #1, his divorce had disrupted his ability to initiate sexual relationships, and he was addicted to OxyContin. The OxyContin addiction isn’t even mentioned in THE BUTTERFLY HOUSE, although Jeppe has taken up smoking again.
I did some sleuthing, and discovered that although the publisher of the English version identifies THE BUTTERFLY HOUSE as Book #2 in the series, the Danish publisher identifies it as Book #3. We are missing a year from the lives of our valiant warriors. In Danish, Book #2 is titled “Blodmane”. Although the synopsis and most of the reviews of Blodmane are in Danish, there were a couple of reviews in English, and one said: However there were sentences and words used, which made me really uncomfortable to read and are considered hurtful.”
Blodmane appears to involve one of Jeppe’s closest friends, who is gay. He plays a supportive role in “The Tenant” but only briefly appears in THE BUTTERFLY HOUSE and seems to have left Copenhagen. The author, Engberg, is not anti-LGBTQ. This is obvious from the two books I have read. But possibly she created a character who was — probably a villain who used hurtful words. One of Engberg’s strengths is her ability to show us the world that her characters experience, and so see their suffering (or their delusions). So, because she felt that she needed to write those hurtful words to help us understand the pain they caused, the PC Police have decided that we’ll not be allowed to read “Blodmane” in English.
I thought that THE BUTTERFLY HOUSE was much better than “The Tenant”, the first book I read in this series. (Three stars for “The Tenant” and 4.5 stars for this one.) The author wrote better — used a smoother prose structure. She also changed POVs more often. I found these POV changes easy to follow, and they gave me greater insight into the minds of more characters. In “The Tenant”, we primarily saw the world through Jeppe’s eyes; I wrote in my review for that book that I didn’t get much of a feeling for Anette’s nature. In THE BUTTERFLY HOUSE, Anette’s likes/dislikes, her feelings, and especially her stubbornness strongly comes through.
“There are two kinds of people, those who eat to live and those who live to eat…..Anette pushed what was left of the factory-breaded chicken breast around on her plate. You truly don’t know what you’ve got until it’s gone.”
”Childbearing machine, milk cow. When would her body start feeling like her own again?”
“If the bigwigs knew she was heading out by herself to do some investigating in the middle of her maternity leave, she would be suspended on the spot. Luckily they did not.”
We also enter the POVs of three despicable characters — psychiatrist Peter Demant, nurse Trine Bremen, and social worker Simon Hartvig. We know that all are hiding secrets, all are guilty of something, but we don’t know what these secrets entail (although readers may suspect, from the prologue, that Trine is the nurse who is killing patients). Any one of them could be the serial killer that Jeppe and his colleagues are working so hard to catch, but there are a few other suspects on the horizon as well.
The story describes a world where psychologically damaged youth are further damaged by the greedy and selfish. Where the so-called care workers of mentally ill youth, are even more unstable than the youth they are caring for. Where the psychiatrist is probably a psychopath.
So, the book deals with serious problems, but this seriousness is broken up a bit by humorous tidbits.
Jeppe: “A murderer on a cargo bike, only in Denmark!”
The narrative also takes a side trip with Esther de Laurenti, who was a main character in “The Tenant”. This side trip ends up going nowhere, but given the author’s predilection for bringing back characters in subsequent books, I wouldn’t be surprised if Alain/Adam returns.
And, Esther thought … Someday he will make a good story.
This was a fast-paced, action-packed, twisty story that still allowed us to get to know a multitude of characters, their thoughts and feelings. I loved it.