An enjoyable, clever, and original tale
The novel kicks off with a cogent historical background that sets the atmosphere of the tale. I can appreciate the considerable research the author must have done to come up with this novel. He captures so much in such a short book.
This is unabashed realism. No one can fault the author for that. The author uses intense sensory detail to reconstruct the scene of a claustrophobic medieval village, particularly the sense of smell. Most of the action occurs at night, enhancing the dark, oppressive environment the cats live in. The fine details are all there: the crevices between the tiles, the shadows, the dirty narrow alleyways, the bonfires, the malodors, and much more. I've got to give it to the author, he has a sharp eye for relevant details. The cats split into two groups based on the shade of their fur for the gripping escape from the dangerous city. Characters’ names, chosen from ancient Greco-Roman mythology/literature, are appropriate as they reflect the personalities of the individual cats. The prose conjures the imposing presence of the cat, Innocent through the other cats' eyes. I think I could make out his dog-like silhouette on the book cover.
The story is narrated in omniscient POV, and the events are largely viewed through the eyes of the talking cats. It’s fascinating to document human behavior through anthropomorphic means. That’s metaphorical narration at its best since it allows satire to seep in. The double meaning of “Le chat” (depending on the human and feline perspective) brought a smile to my face each time I came across it. The author switches to human POV or dialogue at times to fill in the plotholes.
The sense of mystery is palpable. Leander can’t understand why cats who were previously so well treated by humans are suddenly spurned by them. They cannot make sense of the panic, hysteria, violence, aggression, and mistrust of humans. Nor can they understand the strange behavior, like the self-flagellation, the bonfires, and the pile-up of dead bodies, both human and animal. In a way, the behavior of humans is mirrored by that of the cats, dogs, and pigs.
The story, even the harsh aspects, are not at all far–fetched. Cats were worshipped as deities in ancient Egyptian civilization, particularly black cats. Since they were carnivores, Egyptians were grateful for their ability to protect crops from herbivores the cats preyed upon. In medieval times, the black cat was associated with paganism, and various pagan or satanic rites centered around black cats, so in popular culture, they became associated with witchcraft. The author reveals the ignorance, confusion, and cluelessness of humans when trying to understand the origins, causes, and ways of dealing with the killer disease. It was attributed to the work of the devil, so they looked for scapegoats, both human and animal. People with physical deformities or skin diseases or even heathens were turned upon. Cats and dogs were burnt. That may shock the modern mind. But to be fair, in their ignorance and simple-mindedness, they weren’t very far from the truth even though it was for the wrong reasons. Fire is a form of disinfection as is the cremation of organic remains. The main host of the flea vector causing the plague were the rodents. But cats preyed on the rats, and they were hosts of the flea, as were dogs. These animals were not immune to the plague and they could spread it to humans through bites and scratches.
This is a very clever book. It is concise, which is a plus. But, part of me wished the book was longer. The premise was so good, that I felt the author could have included more plot points to propel the story along. For instance, in the epilogue, the author switches to "telling rather than showing" and this brings us to the story's satisfying end too soon. I felt that the end of the successful escapade could have been a prelude to a journey of self-discovery along the lines of “Watership Down” or “The Animals of Farthing Wood”. This exposition, even though it was a joy to read, condensed what could have been narrated in at least another 100 pages, into a few pages.
The cross-genre nature of the book is also a bonus: fantasy, historical fiction, anthropomorphic, young adult fiction, myth & legend, action & adventure rolled in one book—making it appealing to both young and old adult readers.
It’s good that books like this are written. Besides being entertaining, they are also educational. They are an intimation for readers to read further. The seminal book on the bubonic plague is Zeigler’s “The Black Death” which is still in print. You will find that human behavior is no different in response to pandemics throughout the ages, whether it’s Spanish flu, AIDS, or COVID. After all human nature is the same and does not change through the ages.