David Bowles flexes compelling, artful storytelling skills and poetic artistry in They Call Her Fregona, a terrific dialogue-driven novel told in different genres of verse, and narrated by Mexican-American middle-schooler, Güero Casas, a sensitive, lovable, loyal poet and musician with uncommon maturity and integrity. The titular Fregona refers to Güero’s strong, bully-crushing, intelligent girlfriend, Joanna Padilla Benavides.
Suitable for middle school readers and up, They Call Her Fregona is a sequel to one of Bowlesʻ previous books, They Call Me Güero, though I can attest that this novel stands perfectly on its own – no knowledge of the previous book required. Many of the poems also code-switch between Español and English, as many of the characters, including Güero, Joanna, and their families, are bilingual; for non-Spanish speakers, like me, Bowles includes a helpful glossary of terms at the end of the book.
The novel is told in flashback: it is Christmas, and Güero and Joanna are currently separated. Flipping through the pages of his journal, Güero recalls the blooming of their romance as seventh graders experiencing first love, and the journey that he and Joanna have shared over the subsequent months, filled with both joy and sorrow. Trouble began the previous summer, when Narciso “Snake” Barrera, the vindictive grade bully, takes cruel revenge on both Joanna, who’d previously humiliated him, as well as Güero, whose father fired Snake’s father for theft. Snake gets his father to collaborate with a unscrupulous police officer, and the two men report Joanna’s father, Don Adán, who is undocumented, to the authorities. Joanna’s father is subsequently deported, and Güero, Joanna, and their friends and families come together to protest and attempt to find a just resolution to the problem.
Bowles does commendable work providing a culturally immersive experience into Güero and Joanna’s border town community, deftly addressing serious topics, such as immigration, deportation, colonialism, exploitation, cultural and gender identity, linguistic changes regarding pronouns like the singular, gender-neutral “they” and the inclusive “Latinx,” generational differences, pejorative attitudes towards Mexicans and Mexican Spanish, young love, racism, colorism, and social justice. I admired the author’s ability to contextualize these topics naturalistically, avoiding didacticism and preachiness. He also made an effort to diversify his characters and develop them in a genuine, non-diversity-checkbox way. For example, Lupe, one of Güero and Joanna’s close friends, is non-binary and suffers daily misgendering. Güero’s best friend, Bobby Lee, “Lee” for short, is gay and Korean-American, and the child of immigrants. The two buddies, having grown up together, have learned about each other’s cultural traditions, food, and home language, and even created their own private hybrid Korean-Spanish lingo: Hanmegsiko Sogeo. Most of all, They Call Her Fregona possesses so much warmth: it affirms family, friendship, community, and most of all, courage: the bravery to resolve conflict, build relationships, and speak one’s truth. Highly recommended.