This comprehensive and in-depth study delves into the life and works of one of modern films most celebrated, successful and intriguing auteurs, Christopher Nolan.
‘What is the most resilient parasite? Bacteria? A virus? An intestinal worm? An idea. Resilient…highly contagious. Once an idea has taken hold of the brain it’s almost impossible to eradicate.’ - Cobb, Inception
How has Nolan become this leading director? Is he the new Kubrick? What do audiences get out of his games?
Visually, he offers a steely science-fiction noir with the highlights of big stars and a magician’s flourishes , whether he is tackling Victorian London or the far reaches of outer space. In narrative terms, his films twist and turn, provoking as many questions as they answer .
This book will look to crack open the magic box of Nolan’s twisting universe . As a character, he eludes easy answers. Veteran film author Ian Nathan’s research will lean into deciphering his cryptic pronouncements and motivations alongside the history and making of his films.
Examining both the making of and the inspiration behind his many, many hit films, from The Prestige (2006) to the hugely successful Batman films, through to his mind-bending science fiction works such as Inception (2014) and Tenet (2020).
Filled with fascinating insights and illustrated throughout with cinematography from his visually stunning ouvre, this book offers a unique, important, and unmissable insight into the mind of this most brilliant of directors.
Ian Nathan is the popular, London-based author of Anything You Can Imagine: Peter Jackson and the Making of Middle-earth, The Coen Brothers: The Filmmakers and their Films, Alien Vault, Terminator Vault, and many other books, many of which have really long titles.
He is the former editor of Empire Magazine.
If you live in the UK, you may also know from from the Discovering Film series on Sky Arts television extolling the virtues of classic film stars and directors, and he can also be heard on Talk Radio every Friday afternoon, mostly berating the state of current movies. He is just about younger than this makes him sound.
Christopher Nolan's career should, by any measure of imagination, make for interesting fodder. The combined scope of the eleven films Nolan has directed thus far makes him a compelling figure by himself, and that the narratives explored have provoked as much thought shows just how central he is to filmmaking and film-viewing today.
Unfortunately, Ian Nathan makes few new discoveries about Nolan or his work. The book seems rigorously researched as far as the background of the man and his movies goes, but not knowing the three time spans Dunkirk is framed around is appalling. The writing is unappealing, almost IMDb-esque. And the broader commentary offered is so bland, so obvious that it gets boring fairly quickly. This is essentially a giant listicle written by a Nolan fan, for it not only neglects a deeper examination of the filmmaker's work, it also desists from criticising it.
Thank you, NetGalley and Quarto, for an ARC of this book.
Christopher Nolan, by Ian Nathan, is a well-written and informative look into the work and, in relation to his work, the life of the iconic filmmaker.
Nathan is one of the better writers working in the general category of popular film books, and this volume is every bit as engaging as his other books. Written in a voice that is neither aloof nor overly colloquial, it is like listening to a well-informed friend expound on a subject he knows well. Like any work, it is not grammatically perfect, not a surprise there. But while I noticed (can't help but notice after years of grading and editing everything from freshman essays to dissertations) some awkward (by strict standards) construction, it was not distracting (unless you are one of those who use grammar to show how "smart" you are, poor thing) and maintained the flow of the writing.
As for the subject of the book, Nolan is one of my favorite filmmakers, so I admit to being especially interested in this. This did not disappoint. I am one of those who don't need to know every detail of a celebrity's life, but I do want to know enough to understand how it affects his work. I get that here, with some analysis included. While this is not a book of criticism or analysis, there is enough of that here to make the reader consider and, hopefully, push back a little. One doesn't have to fully disagree with a point to push back, just engage and consider views that might run counter, even if you're not invested in those views.
Another nice balancing act Nolan accomplishes here is discussing the stories behind the productions yet not sensationalizing or getting gossipy with it. These sections are fascinating when considering the tremendous amount of work and cooperation that goes into any film, let alone ones with big stars and complex narratives.
I would recommend this to anyone interested in film, from the casual fan of Nolan's work to the student of film history.
Reviewed from a copy made available by the publisher via NetGalley.
An informative and fun bird’s eye view of one of the greatest directors of all time. Nathan does an excellent job of charting Nolan’s themes and influences across his works, and I loved reading about the development of each story in order. Definitely makes me want to go back and re-watch them all.
One thing to note, is the writing was fairly stilted and had multiple grammatical fragments that went beyond style—however, with non-fiction I primarily look at the content, not so much the writing style.
Would recommend to any fan of Nolan’s!
Special thanks to Netgalley and the publisher for this arc!
I imagine "The Nolan Variations" has a much deeper insight to offer into Nolan's world, or at the very least probably has a unique interview or two. Ian Nathan reads a little too much like a Nolan fanboy, more concerned with popular theories and the idea of things being "Nolanesque" than he is about actually studying the core themes and ideas of Nolan's work. It is at least an easy read, being a glorified coffee table book featuring wonderfully rendered images of Hoytama and Pfister's stunning cinematography.
Ian Nathan's book on Christopher Nolan is a nice addition to his catalogue of books. As with his others, there is a good balance between capturing the filmmaker's output without veering into salaciousness or over-analysis of Nolan's films. The only problem is now wanting to watch each of his films with this sitting beside me.
this very handsome book is both insightful and beautiful to read. More than just a coffee table book, Ian Nathan explores through Nolan's film making the influences and directions he chose to follow. If you are a fan of modern movie making techniques and how Nolan's unique vision puts him on the same level as Kubrick, Spielberg and Ridley Scott, this is definitely one for your collection.
Cristopher Nolan junto con Martin Scorsese fueron los directores que me dieron paso a entrar en este mundo tan maravilloso que es el cine.
Este tipo de libros (aparte de lo increiblemente bonito que es, lo he pillado de inspiración para el TFG) son muy utiles, ya que te dan una info tanto literaria como visual del autor en cuestion que suma siempre mucho.
The deep dive into the making and inspiration behind his films gives an entirely new perspective. An amazing read for all those film makers and story tellers. Throws great insights on Christopher Nolan's work. Now I wanna sit and watch all of his movies once again in this new light.
Great book! Explores a lot of the inspirations of the director, his process and the making of his filmography in a thoughtful and well researched manner.