THE BALANCE WHEEL is dedicated “To Charles Scribner With Admiration and Respect.” This was Charles Scribner III, grandson of the publishing house’s founder, who had been President of the firm since 1932 and would die at 61 the year after this novel was published. It was Caldwell’s thirteenth novel for the firm (actually her fourteenth, counting TIME NO LONGER, published in 1941 under the pseudonym Max Reiner) which had launched her in 1937 with DYNASTY OF DEATH (under the sponsorship of the great editor Maxwell Perkins), and her final book for them. Her next five books would be one-offs for several publishers (including two paperback originals), until she began her successful association with Doubleday with THE SOUND OF THUNDER in 1957, a partnership even longer and more successful than the one with Scribner: it would run to 15 books over a period of 21 years and include bestsellers such as DEAR AND GLORIUS PHYSICIAN, A PROLOGUE TO LOVE, TESTIMONY OF TWO MEN, GREAT LION OF GOD, and CAPTAINS AND THE KINGS. (She finally left Doubleday in the late 1970s for the same reason Stephen King and other authors did: a squabble over royalties).
5/07: The novel begins on the eve of World War I, and explores a theme which fascinated Caldwell, one which she had already addressed in previous novels and would continue to point toward in later novels, especially CAPTAINS AND THE KINGS: the continuing industrialization of America, and the ruthless men behind the scenes who plan wars and profit from them. As is usual with Caldwell, sometimes the melodramatics are a bit heavy-handed, the descriptions overly-detailed, and the emotions surging with all kinds of passions. There’s the usual assortment of Caldwell characters, most of them crafty, avaricious, and untrustworthy. But it is an engrossing tale.
5/09: The novel ends about nine months after the close of the first World War, with characters feeling a sense of optimism that "The 'plotters' hadn’t succeeded after all. Germany was apparently settling down in the slow process of accepting a truly democratic government. She would never tolerate tyranny again....the Russians had had their little taste of freedom, and the Bolsheviks would pass as the Czar had passed. Once give a national a sharp vision of liberty, and she would never be content with anything else again. Bolshevism was a temporary nightmare in medieval Russia."
And the novel's last paragraph:
"But Charles did not hear his brother. He was again watching the children. There would be no terror by night for them, no death by day. They had been ransomed. Life and liberty and peace --- these were theirs. For there would be no more war. AD INFINITUM"
But of course the reader knows differently; the novel was [presumably] written after the Second World War and was published in 1951; as Caldwell herself advises the reader in her Foreward: "As for the national and international events recorded in this book, they are absolutely true. The plot against America, both internally and externally, actually did begin as far back as 1910. It goes on, still. Perhaps it will always go on, for we are the last stronghold of freedom in the world...the mighty blow struck at man’s liberty and dignity resounded in the first World War. The blow succeeded, and we witnessed the rise of Hitler and Stalin. The second World War was an even mightier blow, and it succeeded to an enormous extent. We are witnessing the advance of Communism both in Europe and in America."