The Sordid Socialite (Adventures of Nick & Carter 4)
BY Frank W. Butterfield
Published by the author, 2021
Five stars
It’s 1971. Nick Williams is 49, while Carter Jones is 51. Back in San Francisco after their peripatetic years, they’ve settled into the mansion on Nob Hill, and are finding themselves the darlings of the “radical chic” moment in American socio-political history. Even as they continue to dodge the undesired attention of various government agencies, they are taken up by rich people caught up in the adventure of playing close to the edge. (Whatever that might mean to them.)
As always, there is “the story,” and there’s the “real story.” In this instance, in a book that gets surprisingly dark, these two narrative lines really intertwine in ways that are shocking and revealing. Frank Butterfield is pretty blunt in his negative assessment of our own government’s willingness to do truly evil things in the name of the “greater good.” Nick and Carter, who should be treated as superheroes, really just want to be left alone to live their lives, Instead, they have to resort to bodyguards and subterfuge just to be safe from their own government (but not JUST their own government).
To add emotional complexity here, Nick starts down a road of discovering involving his mother’s family, hitherto entirely unknown to him. Shocking secrets are suddenly cast into the light—secrets that, ironically, strengthen the bond that Nick and his father have forged over the years. Nick discovers, not much to his surprise, that Parnell Williams is not the only difficult person in his bloodline.
We also find Nick still floundering a bit, trying to figure out what to do with himself. Carter is happily ensconced in the book-publishing arm of WilliamsJones, and finds that it is not just a job, but a vocation. The big handsome fireman, in his middle years, has found his calling. Nick, not so much, but his success at producing a television series for Monumental was so successful, Carter urges him to look in that direction. For someone who has always hated television, Nick seems to have found his calling there.
I have to interject here that the television timeslot Nick’s production company is supposed to fill is the one left open by the 1971 cancellation of “Dark Shadows.” I was fifteen when this story takes place, and an avid fan of Dark Shadows. The vividness of Butterfield’s Nick & Carter stories partly stems from my ability to imagine the against the background of my own life at the time. I wonder what the demographic profile of Butterfield’s fan-base is? All I know is that my fondness for Nick & Carter stems from the fact that I can think of them as the gay dads I never had. I loved my mom and dad a lot, but wow, being Nick & Carter’s gay kid…
The book ends with a lot of loose ends—and in fact is the first of an “internal trilogy” with a closely linked plotline. I’m reading the second in this trilogy, “The Useful Uncle,” and the third one is due out later this month. I’ll be there.