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The Drowned Kingdom #2
The Last of the Atalanteans
A painted mage. An unfaithful queen. A stolen throne. Three lords in disguise. Escaping Atalantyx’s destruction, Prince Othrun has forged alliances with Eltnish kings: former enemy Hert and King Wely, who has promised Othrun a kingdom of his own.
When Wely’s realm was stolen by Wely’s wife, a powerful mage, and Wely’s brother, a feared warlord, Othrun hatched a daring plan to restore the rightful king. The bold scheme involved Othrun entering Lynchun in disguise, risking his life and the life of those with him, to topple the usurpers. But for Othrun’s plot to succeed, he must entrust his Atalanteans into the uncertain hands of Hert—on the cusp of confronting his own political challenges to kingship, while tasked with protecting Othrun’s followers—even as Wely, a captive where he should be king, gambles both crown and the head upon which it sat on Othrun’s survival.
Othrun’s abilities, faith, and trust in his mysterious guardian spirit are soon to be tested. The mage Lysi continues to entangle herself in Othrun’s affairs, tempting him, challenging his beliefs, and threatening to bring his plans to ruin. But Othrun, Lord of the Last of the Atalanteans, does not intend to fail. He will be a king. Or die trying. Othrun will go to battle, and he will triumph against the odds. If not, all will be burned to ashes, consumed in the fires of his ambition. And so, the ancient war banner of Atalantean kings will fly. One last time. A kingdom has fallen. A legend will rise.
When Wely’s realm was stolen by Wely’s wife, a powerful mage, and Wely’s brother, a feared warlord, Othrun hatched a daring plan to restore the rightful king. The bold scheme involved Othrun entering Lynchun in disguise, risking his life and the life of those with him, to topple the usurpers. But for Othrun’s plot to succeed, he must entrust his Atalanteans into the uncertain hands of Hert—on the cusp of confronting his own political challenges to kingship, while tasked with protecting Othrun’s followers—even as Wely, a captive where he should be king, gambles both crown and the head upon which it sat on Othrun’s survival.
Othrun’s abilities, faith, and trust in his mysterious guardian spirit are soon to be tested. The mage Lysi continues to entangle herself in Othrun’s affairs, tempting him, challenging his beliefs, and threatening to bring his plans to ruin. But Othrun, Lord of the Last of the Atalanteans, does not intend to fail. He will be a king. Or die trying. Othrun will go to battle, and he will triumph against the odds. If not, all will be burned to ashes, consumed in the fires of his ambition. And so, the ancient war banner of Atalantean kings will fly. One last time. A kingdom has fallen. A legend will rise.
534 pages, Paperback
First published March 22, 2022
3 people are currently reading
318 people want to read
About the author
P.L. Stuart
6 books563 followersP.L. Stuart was born in Toronto. He holds a university degree in English, specializing in Medieval Literature. P.L. is an assistant editor with Before We Go Blog https://beforewegoblog.com/ . The Drowned Kingdom Saga chronicles flawed and bigoted Lord Othrun's journey towards change, and his rise to power in a new world after the downfall of his homeland, which is based on Plato's lost realm of Atlantis. The Bestselling 'A Drowned Kingdom' is mentioned in the prestigious Kirkus Magazine’s 2021 Indie Issue among “Four Great Examples of the Genre” of fantasy, and won the 2022 Picky Bookworm Award for Best Indie Book Based on Mythology. Book 4 'A Lion's Pride' won Bronze for the Fantasy genre in the esteemed Reader Views 2024 Literary Awards.
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June 1, 2024
My complete review is published at Grimdark Magazine.
A drowned kingdom may rise again in The Last of the Atalanteans, the second volume of P.L. Stuart’s Drowned Kingdom Saga, a dark epic fantasy inspired by the mythology of Atlantis.
The Last of the Atalanteans picks up immediately after the end of P.L. Stuart’s excellent debut novel, A Drowned Kingdom, as Prince Othrun of Atalanyx seeks to rebuild his kingdom in a foreign land following the dramatic submersion of his former island home.
Othrun considers the restoration of his kingdom to be a divine mission, viewing himself as the savior chosen by his one true God. By establishing a new kingdom in pagan lands—through political manipulations and force, if necessary—Othrun might also convert people he considers as heathens to his own monotheistic faith.
As in the first book of the series, The Last of the Atalanteans is a single point-of-view narrative told from Othrun’s first-person perspective. Single point-of-view epic fantasies are a rare breed these days, presumably due to the influence of George R.R. Martin’s A Game of Thrones. When done properly, the focus provided by having a single narrator can bring an unparalleled depth to the psychological analysis of that character.
P.L. Stuart achieves this goal exquisitely in The Last of the Atalanteans. His depiction of Othrun reaches a Dostoevskian depth that also recalls Mark Lawrence’s outstanding characterization of Jorg Ancrath in his Broken Empire trilogy. Both Stuart and Lawrence present complex worlds from characters having tunnel vision; but while Jorg is angry and impulsive, Othrun is calm and methodical in his very ambitious pursuits.
The first half of The Last of the Atalanteans had some minor pacing issues as Othrun and two other lords go on an undercover political mission, but P.L. Stuart absolutely nails the second half of the novel, leading up to one of the strongest finales that I’ve read since Lawrence’s King of Thorns.
Grimdark readers will also love P.L. Stuart’s masterful depiction of gray morality in this series. Othrun has constructed a system of internal logic that, at times, makes him seem like a beacon of rationality in a world gone mad. But readers will recoil in horror as Othrun applies this same system of logic to justify racism, sexism, colonialism, and religious zealotry.
P.L. Stuart demonstrates how irrational and often dangerous conclusions can be drawn from a self-consistent but twisted set of moral codes. In this way, Othrun captures the seductive arguments employed by leaders throughout history, who have used similar tactics to justify evils ranging from oppression and colonialism to slavery and genocide. Shades of Othrun are also evident in many of today’s world leaders, who use a similar morality distortion field to justify their nationalistic pursuits.
Beyond the lead protagonist himself, P.L. Stuart excels at describing Othrun’s complex relationships with other characters. The bond between Othrun and his elderly uncle is a highlight of the book, especially as Othrun learns of the horrific deeds committed by this man whom he so idolizes. These deeds are really just magnified versions of Othrun’s own sins. Holding this mirror up to Othrun’s own morality could be an opportunity for introspection, or it could merely clear the pathway toward greater evil.
Other highlights are the evolving relationships between Othrun and two of the lead female characters. Othrun appears genuine in his feelings for his wife, Aliaz, infatuated by her physical beauty and appreciative of her marital fidelity. But as a woman, Othrun considers Aliaz to be an inherently inferior being: a subject rather than an equal.
However, Othrun’s interactions with Lysi—a feared warrior, powerful mage, and ascending queen of a pagan land—lead him to question these gender stereotypes. With Lysi, Othrun finds someone strong enough to be considered his equal, which he perceives in terms of masculine traits in her character. Othrun is strangely drawn to Lysi while knowing full well the danger that she poses to both his political aspirations and his marriage.
Stuart provides plenty of opportunities for Othrun to grow as a character. Part of the appeal of this second book of the series is seeing whether Othrun will actually take these opportunities to grow in a positive way, or if he will delve deeper into his bigoted thinking and actions.
P.L. Stuart’s writing is immaculate in The Last of the Atalanteans, drawing me in from the very first page. As in A Drowned Kingdom, Stuart’s prose strikes the perfect balance between gravity and accessibility.
Overall, The Last of the Atalanteans is an outstanding follow-up to A Drowned Kingdom and left me eager to dive into Lord and King, the third volume of P.L. Stuart’s planned seven-book Drowned Kingdom Saga.
A drowned kingdom may rise again in The Last of the Atalanteans, the second volume of P.L. Stuart’s Drowned Kingdom Saga, a dark epic fantasy inspired by the mythology of Atlantis.
The Last of the Atalanteans picks up immediately after the end of P.L. Stuart’s excellent debut novel, A Drowned Kingdom, as Prince Othrun of Atalanyx seeks to rebuild his kingdom in a foreign land following the dramatic submersion of his former island home.
Othrun considers the restoration of his kingdom to be a divine mission, viewing himself as the savior chosen by his one true God. By establishing a new kingdom in pagan lands—through political manipulations and force, if necessary—Othrun might also convert people he considers as heathens to his own monotheistic faith.
As in the first book of the series, The Last of the Atalanteans is a single point-of-view narrative told from Othrun’s first-person perspective. Single point-of-view epic fantasies are a rare breed these days, presumably due to the influence of George R.R. Martin’s A Game of Thrones. When done properly, the focus provided by having a single narrator can bring an unparalleled depth to the psychological analysis of that character.
P.L. Stuart achieves this goal exquisitely in The Last of the Atalanteans. His depiction of Othrun reaches a Dostoevskian depth that also recalls Mark Lawrence’s outstanding characterization of Jorg Ancrath in his Broken Empire trilogy. Both Stuart and Lawrence present complex worlds from characters having tunnel vision; but while Jorg is angry and impulsive, Othrun is calm and methodical in his very ambitious pursuits.
The first half of The Last of the Atalanteans had some minor pacing issues as Othrun and two other lords go on an undercover political mission, but P.L. Stuart absolutely nails the second half of the novel, leading up to one of the strongest finales that I’ve read since Lawrence’s King of Thorns.
Grimdark readers will also love P.L. Stuart’s masterful depiction of gray morality in this series. Othrun has constructed a system of internal logic that, at times, makes him seem like a beacon of rationality in a world gone mad. But readers will recoil in horror as Othrun applies this same system of logic to justify racism, sexism, colonialism, and religious zealotry.
P.L. Stuart demonstrates how irrational and often dangerous conclusions can be drawn from a self-consistent but twisted set of moral codes. In this way, Othrun captures the seductive arguments employed by leaders throughout history, who have used similar tactics to justify evils ranging from oppression and colonialism to slavery and genocide. Shades of Othrun are also evident in many of today’s world leaders, who use a similar morality distortion field to justify their nationalistic pursuits.
Beyond the lead protagonist himself, P.L. Stuart excels at describing Othrun’s complex relationships with other characters. The bond between Othrun and his elderly uncle is a highlight of the book, especially as Othrun learns of the horrific deeds committed by this man whom he so idolizes. These deeds are really just magnified versions of Othrun’s own sins. Holding this mirror up to Othrun’s own morality could be an opportunity for introspection, or it could merely clear the pathway toward greater evil.
Other highlights are the evolving relationships between Othrun and two of the lead female characters. Othrun appears genuine in his feelings for his wife, Aliaz, infatuated by her physical beauty and appreciative of her marital fidelity. But as a woman, Othrun considers Aliaz to be an inherently inferior being: a subject rather than an equal.
However, Othrun’s interactions with Lysi—a feared warrior, powerful mage, and ascending queen of a pagan land—lead him to question these gender stereotypes. With Lysi, Othrun finds someone strong enough to be considered his equal, which he perceives in terms of masculine traits in her character. Othrun is strangely drawn to Lysi while knowing full well the danger that she poses to both his political aspirations and his marriage.
Stuart provides plenty of opportunities for Othrun to grow as a character. Part of the appeal of this second book of the series is seeing whether Othrun will actually take these opportunities to grow in a positive way, or if he will delve deeper into his bigoted thinking and actions.
P.L. Stuart’s writing is immaculate in The Last of the Atalanteans, drawing me in from the very first page. As in A Drowned Kingdom, Stuart’s prose strikes the perfect balance between gravity and accessibility.
Overall, The Last of the Atalanteans is an outstanding follow-up to A Drowned Kingdom and left me eager to dive into Lord and King, the third volume of P.L. Stuart’s planned seven-book Drowned Kingdom Saga.
Read
April 17, 2022Sequel to debut novel, A Drowned Kingdom, the story picks up straightaway after Othrun and his close associates embark on an undercover mission to restore a loyal ally to a usurped throne. At stake, the future of Othrun's people, last survivors of a drowned kingdom, and an advanced civilization utterly lost - and the fragile alliance made on strange shores with a pact that promises the displaced survivors a new home.
The tension and suspense and action are framed against the backdrop of the characters involved, and it is here where P. L. Stuart's meticulous attention to detail truly shine.
The author's evolved style is striking, distinct from many another book written in the first person. The unabashed honesty of the main character's point of view clearly depicts his strengths and flaws. The near blind absolute 'self-belief' in their civilized code of honor, the narrow minded aspects tinting their world view, and unself-conscious candor when reflecting on their doubts, inner uncertainties and dismissals make this author's work stand out. The reader sees into Othrun's trials and triumphs with an unabashed sincerity that is human, a king with ambition that slides into hubris, combined with bravery and sacrifice and scheming.
Friends may become enemies, and enemies may grant assistance, while warning builds that there are other forces and even dark mages waiting in the wings.
Few books tackle the inhumanities of war and conflicted ideology with such unabashed force. If you enjoy a tale of heroics and shortfalls, in a well drawn, vivid world with an evident slow burn arc for a lengthy series, give Last of the Atalanteans a try, recommended to start with A Drowned Kingdom, vol I.
The tension and suspense and action are framed against the backdrop of the characters involved, and it is here where P. L. Stuart's meticulous attention to detail truly shine.
The author's evolved style is striking, distinct from many another book written in the first person. The unabashed honesty of the main character's point of view clearly depicts his strengths and flaws. The near blind absolute 'self-belief' in their civilized code of honor, the narrow minded aspects tinting their world view, and unself-conscious candor when reflecting on their doubts, inner uncertainties and dismissals make this author's work stand out. The reader sees into Othrun's trials and triumphs with an unabashed sincerity that is human, a king with ambition that slides into hubris, combined with bravery and sacrifice and scheming.
Friends may become enemies, and enemies may grant assistance, while warning builds that there are other forces and even dark mages waiting in the wings.
Few books tackle the inhumanities of war and conflicted ideology with such unabashed force. If you enjoy a tale of heroics and shortfalls, in a well drawn, vivid world with an evident slow burn arc for a lengthy series, give Last of the Atalanteans a try, recommended to start with A Drowned Kingdom, vol I.
February 17, 2022
Fantasy author P.L. Stuart graces the pages of the second installment of The Drowned Kingdom Saga with bloodshed, deception, and a hero’s search for affirmation in the The Last of the Atalanteans. Stuart deftly spins long allegories of lore and legend into blinding moments of conflict, both internal and physical, as we learn more of Othrun’s past while he journeys forward into battle facing new foes, and forging new alliances.
Full disclosure, I received an Advanced Reader Copy of the book, which in no way influenced my opinion or the contents of this review.
Beginning where the first book left us hanging from a cliff’s edge, we find ourselves immersed in Othrun’s false quest. As Stuart beautifully writes, “A game. A play. Theatre.” A band of liars set to infiltrate the ancient Goldhall and return the throne to King Wely, rightful King of Lynchun.
This is a story of mages and spirits and swordplay, told through the narrow but widening eyes of Othrun. Ost, as he is now known, comes from a bigoted and closed-minded family of rulers now long dead. And while Ost retains these traits, we see in him the ability to grow beyond the values he was saddled with since birth. Stuart tackles some difficult themes here; racism, bigotry, sexism, and shows how a mind can be changed over time as Ost softens to his new and only world. A world he desires to rule.
Parts of this book read like a raid in World of Warcraft. Frantic, visceral sword-fights amongst vast battle scenes where Stuart brilliantly focusses his lens to keep the reader not only engaged, but begging for more. I could read 500 pages of P.L. Stuart’s armed skirmishes, he is a master of medieval conflict. And so he should be. With a degree in English, specializing in Medieval literature, Stuart is well-versed on the subject.
The author treats us to some brilliant prosaic dialogue amongst his furious storytelling. Gems such as, “With the blush of dawn,” and “All good kings are killers, and all kings good killers.” These lines had me physically nodding not only in recognition of great writing, but in agreement with the characters. In these moments I had suspended all disbelief in the face of Stuart’s clear glass prose.
Although the book begins by enveloping the reader in Ost’s and Atalantean history, which as we know is only written by the victor, by the end of Part One, the creeping build up to action hooks the reader as the mammoth arrives in Part Two. From here forward the story continues to increase in momentum through well-written tension-building and violent conflict. By the end of the novel, (spoiler) we are grateful for a moment of calm, and yet left wanting more.
The Last of the Atalanteans is an illuminating insight into a man once bound by tradition and aging beliefs who has lost his history, wiped from the planet by a cruel stroke of nature, and who must adapt to a new culture in order to fulfill his destiny, to rule the sole Kingdom before him.
Full disclosure, I received an Advanced Reader Copy of the book, which in no way influenced my opinion or the contents of this review.
Beginning where the first book left us hanging from a cliff’s edge, we find ourselves immersed in Othrun’s false quest. As Stuart beautifully writes, “A game. A play. Theatre.” A band of liars set to infiltrate the ancient Goldhall and return the throne to King Wely, rightful King of Lynchun.
This is a story of mages and spirits and swordplay, told through the narrow but widening eyes of Othrun. Ost, as he is now known, comes from a bigoted and closed-minded family of rulers now long dead. And while Ost retains these traits, we see in him the ability to grow beyond the values he was saddled with since birth. Stuart tackles some difficult themes here; racism, bigotry, sexism, and shows how a mind can be changed over time as Ost softens to his new and only world. A world he desires to rule.
Parts of this book read like a raid in World of Warcraft. Frantic, visceral sword-fights amongst vast battle scenes where Stuart brilliantly focusses his lens to keep the reader not only engaged, but begging for more. I could read 500 pages of P.L. Stuart’s armed skirmishes, he is a master of medieval conflict. And so he should be. With a degree in English, specializing in Medieval literature, Stuart is well-versed on the subject.
The author treats us to some brilliant prosaic dialogue amongst his furious storytelling. Gems such as, “With the blush of dawn,” and “All good kings are killers, and all kings good killers.” These lines had me physically nodding not only in recognition of great writing, but in agreement with the characters. In these moments I had suspended all disbelief in the face of Stuart’s clear glass prose.
Although the book begins by enveloping the reader in Ost’s and Atalantean history, which as we know is only written by the victor, by the end of Part One, the creeping build up to action hooks the reader as the mammoth arrives in Part Two. From here forward the story continues to increase in momentum through well-written tension-building and violent conflict. By the end of the novel, (spoiler) we are grateful for a moment of calm, and yet left wanting more.
The Last of the Atalanteans is an illuminating insight into a man once bound by tradition and aging beliefs who has lost his history, wiped from the planet by a cruel stroke of nature, and who must adapt to a new culture in order to fulfill his destiny, to rule the sole Kingdom before him.
August 16, 2022
This is my second novel, and I hope I have showed improvement in my writing. That is my (and every writer's) goal - continuous improvement. I hope you enjoy reading THE LAST OF THE ATALANTEANS, and would be grateful if you leave a review. Thank you so much!
March 12, 2022
I received a copy of this book from the author in exchange for a honest review. For those who have been following my reviews know how much I enjoyed A Drowned Kingdom as it made it into my Top 10 reads of 2021. The history, tension, and classical feeling of Book 1, showed me just how talented P.L. Stuart is as a writer. The Last of the Atalanteans takes everything to the next level and had my jaw on the floor ten times over. From battles, to betrayals, and more history about the world and how stories are not always written to speak the truth but the truth of the victor. This will be a spoiler free review but I will be touching on events from Book 1.
We ended the previous novel with Othrun entering Lynchun in disguise with three other lords as Wely’s kingdom has been taken by his Queen and Brother in law. The plan is for Othrun and his comrades to infiltrate the city with Wely as bait and to open the gates for Othrun’s army. The tricky part comes with getting to the city with an escort as some want Wely before the throne to answer for his crimes while others want him dead. All the while, Othrun’s Atalantean army is being lead by Hert whose father Othrun killed in one on one combat. Can Hert be trusted? All of these questions and more just keep building the tension on nail biting scene after another.
To say this sequel is anything less than an absolute triumph would be selling the story short. P.L. Stuart has improved in every single area and the world, politics, and plot really start to take shape. The beginning chapters start in the same vein as Book 1 with a slow buildup but the action comes at you hard and fast. There were several shocking moments I did not see coming and the brutality of the characters on both sides of the conflict will be put on full display. Othrun will quickly realize that this is not the same land he grew up on and he will have to adapt quickly to save not only his people but himself.
The two characters who stole the show for me were Yedwol (Othrun’s Uncle) and Lysi the mage from Book 1. At some point in this novel, you will be seeing a 2 chapter flashback to Yedwol early years fighting in the war and I couldn’t believe what I was reading. It completely changed my perspective of the character and of his children. The other one is Lysi, who if you remember from Book 1 has an affection for Othrun and the future she sees for him. Lets just say that you will see just how cold blooded of a person Lysi can be. She has a hard time taking no for an answer until see gets what she wants. A legend will rise but maybe not the legend we were expecting.
By the ending I was screaming at P.L. for many things but primarily for Book 3 immediately. The Last of the Atalanteans is one of the best sequels I have ever read and I cant wait to continue with this series. The battles and fight scenes will blow you away time and time again. Easily a 10/10 rate for me and you are all in for an absolute treat!
Cheers!
We ended the previous novel with Othrun entering Lynchun in disguise with three other lords as Wely’s kingdom has been taken by his Queen and Brother in law. The plan is for Othrun and his comrades to infiltrate the city with Wely as bait and to open the gates for Othrun’s army. The tricky part comes with getting to the city with an escort as some want Wely before the throne to answer for his crimes while others want him dead. All the while, Othrun’s Atalantean army is being lead by Hert whose father Othrun killed in one on one combat. Can Hert be trusted? All of these questions and more just keep building the tension on nail biting scene after another.
To say this sequel is anything less than an absolute triumph would be selling the story short. P.L. Stuart has improved in every single area and the world, politics, and plot really start to take shape. The beginning chapters start in the same vein as Book 1 with a slow buildup but the action comes at you hard and fast. There were several shocking moments I did not see coming and the brutality of the characters on both sides of the conflict will be put on full display. Othrun will quickly realize that this is not the same land he grew up on and he will have to adapt quickly to save not only his people but himself.
The two characters who stole the show for me were Yedwol (Othrun’s Uncle) and Lysi the mage from Book 1. At some point in this novel, you will be seeing a 2 chapter flashback to Yedwol early years fighting in the war and I couldn’t believe what I was reading. It completely changed my perspective of the character and of his children. The other one is Lysi, who if you remember from Book 1 has an affection for Othrun and the future she sees for him. Lets just say that you will see just how cold blooded of a person Lysi can be. She has a hard time taking no for an answer until see gets what she wants. A legend will rise but maybe not the legend we were expecting.
By the ending I was screaming at P.L. for many things but primarily for Book 3 immediately. The Last of the Atalanteans is one of the best sequels I have ever read and I cant wait to continue with this series. The battles and fight scenes will blow you away time and time again. Easily a 10/10 rate for me and you are all in for an absolute treat!
Cheers!
January 19, 2025
Review originally posted over at
https://fantasybookcritic.blogspot.co...
PL Stuart’s The Last of the Atalanteans is a triumph of genre storytelling, eagerly recommended to fans of Game of Thrones, Sons of Darkness, and all other deliciously dark political fantasies.
Fiercely compelling, the sequel jumps out the gate with a snarling lioness roar, pounding the way onward from the devilish cliffhanger he left us with in A Drowned Kingdom.
Spoilers for A Drowned Kingdom below
Prince Othrun is a man on the edge. Having lost his Kingdom not once but twice, through exile and eradication, he is *not* prepared to lose another chance to seize the birthright he believes is owed. Together with his Atlantean brethren, and heathen allies; the ever faithful King Hert, the slyly treacherous Centi seeking royal redemption, and the deposed King Wely ,the lioncrest himself, Othrun is embarking on an ambitious reclamation of Wely’s divided Kingdom.
Yet as we learnt in A Drowned Kingdom, Othrun is an ignorant, unseemly ignoramus of a man. Why would such an arrogantly ambitious character want to help foreign rulers he sees as backwards and beneath? Well, this book goes a long way to answer such questions.
For Othrun is the type of compelling character that makes for some of the best in fantasy. Othrun is a man in the process of change.
At times this can be excruciating in all the best and wrigglesome of ways, as the reader squirms at some of his openly bigoted statements.
However Othrun is not above ingratiating himself to his potential neighbours, as long as it gets him to the status he believes is rightfully his.
It is through this that he begins to open himself to the possibilities that the people of Acremia were not as he thought. Not wrong though! Oh no, never wrong. But an acceptance of their differences with equinimity. This, in itself, is progress. A complicated man indeed. Perhaps each aspect of himself not fully known, even to himself.
In fact, one could say progress is the theme of the book. I shan't spoil the twisted delights to be found along the way, but I will say that by the end you will feel that this chapter has closed, and a new stage is set to begin. The dust has settled, and yet our characters are not. Such is the genius of PL, to never leave his characters in a comfortable spot for too long, for uncomfortableness makes for great conflict.
OVERVIEW/SYNOPSIS: In The Last of the Atalanteans PL fully delivers on that front (war pun not entirely intended :D)
You of course have the return of the ever great pairing of Lysi and Othrun woven throughout. PL's devilish take on a ‘will they, won't they’ dynamic will leave you squirming in delight. Of course Othrun views all women as beneath the hierarchy of God and man, but in walks the sensual seductress Lysi. Now here is a woman Othrun can admire as an equal, a powerful and political force of nature.
Pared back so she appears at all the right (or perhaps worst!) moments, their dynamic was a true highlight everytime they filled the screen with oozing, electrified energy.
How a heathen can be such a powerful, imposing, and self confident lady is beyond Othrun, causing him to re evaluate how he can maintain his monotheistic beliefs in the face of such tempting power. Accepting help once was bad enough, but can Othrun receive once again, especially with his potential new Kingdom at stake? These are the delicious maggots of doubt worming their way into Othrun’s mind and you'll have to read on to find out how he resolves this one!
Then you have the central conflict of King Wely fighting to retake his rightful Kingdom. With his malicious brother stealing the throne along with his marriage to the mage Syda, Wely has an almost herculean task on his hands, with only a small band of loyal troops, along with Othrun's remaining Atalanteans to enact his daring plans. With his own Kingdom believing him dead, allies will be hard to find and far and few between, especially when one never knows how far friend or foe goes.
Their arduous journey will take them zealously into the heart of the Lioncrest's Kingdom, desperately cobbling together Wely's true believers as Syda's forces relentlessly hunt them down.
At the start PL lights the fuse, and when that bomb explodes, my goodness is it glorious. Battle speeches Shakespearean in their generous grandiosity; bone crunching, blood spewing, nose curlingly, toe curlingly voracious conflict dripping with consequence. Do not hold onto characters too tight my friends, for PL writes with one mighty fist.
With Othrun the star of the show, miscellaneous characters can often take a bit of a backseat. As this is Othrun mythologising his own history, this approach works very well for the story PL is trying to tell, an excellently unreliable narrator. However two characters in particular (aside from Lysi, my magnificent Lysi) got more depth in The Last of the Atalanteans.
First and foremost King Wely, perhaps the most sympathetic character thus far in this woefully sorry saga. One truly understands his struggle, and the deeply personal pain of such a close betrayal. Out of all the characters, despite some personal missteps which led to his downfall, Wely might just be the most centrally ‘good’ of them all. He is a good king, a well liked king, a just king, simply guilty of being a poor husband and a fallible man. Perhaps Centi, his former betrayer and current protector has more in common with him than he dares in his anger to realise. I was desperately hoping beyond hope that Wely would pull through somehow, fully invested in his reclamation and ready to fist pump if the time came. I shan't say if I got what I wanted (and often that';s a dangerous gift for authors to give their readers), but what occurred was fitting to his tale and true to his character. Long live King Wely, the true lioncrest!
Secondly, uncle Yedwol began to worm his way into the narrative. I will say that this one was
much less satisfying due to the heavily expositional nature of his arc. In fact, it did feel a little out
of step with the rhythm PL had previously set, treading water somewhat.
Readers will learn of Yedwol’s less than savoury past, and see how this affects Othrun and his view of kingship. Whilst certainly interesting, it didn't quite feel like the right space for these developments and I was eager for the story to move forward a little after the previous thrusts of momentum. It's a shame because Yedwol is a fantastic character and I look forward to learning even more in the future, it just paled in comparison after the adrenaline of the preceding sections.
By the conclusion PL signals the exciting directions the series will take us next, with the potential for new conflicts appearing on the near horizon tantalising us for more pulse pounding battles and rich examinations of kingship.
Whilst the somewhat episodic nature of each part did leave me slightly wanting at first, by the end I was fully onboard with the way PL is developing his world. An good author's work is never fully what the reader wants or expects, so once I reminded myself to check my expectations at the door and surrendered to PL's exceedingly good writing, I was having a great time. It's just so exciting to see a new Kingdom come into formation! I don't think I've read a fantasy where I've seen one built from nothing. Shades of Bernard Cornwell begin to creep in, with elements of classics such as Le Mort D'Arthur in the structure. Once the inspiration for PL’s unique structure and prose became clear, best read like a medieval tome, I fell in love with it all over again.
CONCLUSION: Startlingly brilliant, PL is helping give fantasy a fresh shot in the arm with his ambitiously crafted A Drowned Kingdom Saga. Readers will delight in the morally grey characters, and marvel at the stirring battles PL effortlessly paints onto the page. Fearless, ferocious fantasy destined to stay atop your TBR and reread piles.
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PL Stuart’s The Last of the Atalanteans is a triumph of genre storytelling, eagerly recommended to fans of Game of Thrones, Sons of Darkness, and all other deliciously dark political fantasies.
Fiercely compelling, the sequel jumps out the gate with a snarling lioness roar, pounding the way onward from the devilish cliffhanger he left us with in A Drowned Kingdom.
Spoilers for A Drowned Kingdom below
Prince Othrun is a man on the edge. Having lost his Kingdom not once but twice, through exile and eradication, he is *not* prepared to lose another chance to seize the birthright he believes is owed. Together with his Atlantean brethren, and heathen allies; the ever faithful King Hert, the slyly treacherous Centi seeking royal redemption, and the deposed King Wely ,the lioncrest himself, Othrun is embarking on an ambitious reclamation of Wely’s divided Kingdom.
Yet as we learnt in A Drowned Kingdom, Othrun is an ignorant, unseemly ignoramus of a man. Why would such an arrogantly ambitious character want to help foreign rulers he sees as backwards and beneath? Well, this book goes a long way to answer such questions.
For Othrun is the type of compelling character that makes for some of the best in fantasy. Othrun is a man in the process of change.
At times this can be excruciating in all the best and wrigglesome of ways, as the reader squirms at some of his openly bigoted statements.
However Othrun is not above ingratiating himself to his potential neighbours, as long as it gets him to the status he believes is rightfully his.
It is through this that he begins to open himself to the possibilities that the people of Acremia were not as he thought. Not wrong though! Oh no, never wrong. But an acceptance of their differences with equinimity. This, in itself, is progress. A complicated man indeed. Perhaps each aspect of himself not fully known, even to himself.
In fact, one could say progress is the theme of the book. I shan't spoil the twisted delights to be found along the way, but I will say that by the end you will feel that this chapter has closed, and a new stage is set to begin. The dust has settled, and yet our characters are not. Such is the genius of PL, to never leave his characters in a comfortable spot for too long, for uncomfortableness makes for great conflict.
OVERVIEW/SYNOPSIS: In The Last of the Atalanteans PL fully delivers on that front (war pun not entirely intended :D)
You of course have the return of the ever great pairing of Lysi and Othrun woven throughout. PL's devilish take on a ‘will they, won't they’ dynamic will leave you squirming in delight. Of course Othrun views all women as beneath the hierarchy of God and man, but in walks the sensual seductress Lysi. Now here is a woman Othrun can admire as an equal, a powerful and political force of nature.
Pared back so she appears at all the right (or perhaps worst!) moments, their dynamic was a true highlight everytime they filled the screen with oozing, electrified energy.
How a heathen can be such a powerful, imposing, and self confident lady is beyond Othrun, causing him to re evaluate how he can maintain his monotheistic beliefs in the face of such tempting power. Accepting help once was bad enough, but can Othrun receive once again, especially with his potential new Kingdom at stake? These are the delicious maggots of doubt worming their way into Othrun’s mind and you'll have to read on to find out how he resolves this one!
Then you have the central conflict of King Wely fighting to retake his rightful Kingdom. With his malicious brother stealing the throne along with his marriage to the mage Syda, Wely has an almost herculean task on his hands, with only a small band of loyal troops, along with Othrun's remaining Atalanteans to enact his daring plans. With his own Kingdom believing him dead, allies will be hard to find and far and few between, especially when one never knows how far friend or foe goes.
Their arduous journey will take them zealously into the heart of the Lioncrest's Kingdom, desperately cobbling together Wely's true believers as Syda's forces relentlessly hunt them down.
At the start PL lights the fuse, and when that bomb explodes, my goodness is it glorious. Battle speeches Shakespearean in their generous grandiosity; bone crunching, blood spewing, nose curlingly, toe curlingly voracious conflict dripping with consequence. Do not hold onto characters too tight my friends, for PL writes with one mighty fist.
With Othrun the star of the show, miscellaneous characters can often take a bit of a backseat. As this is Othrun mythologising his own history, this approach works very well for the story PL is trying to tell, an excellently unreliable narrator. However two characters in particular (aside from Lysi, my magnificent Lysi) got more depth in The Last of the Atalanteans.
First and foremost King Wely, perhaps the most sympathetic character thus far in this woefully sorry saga. One truly understands his struggle, and the deeply personal pain of such a close betrayal. Out of all the characters, despite some personal missteps which led to his downfall, Wely might just be the most centrally ‘good’ of them all. He is a good king, a well liked king, a just king, simply guilty of being a poor husband and a fallible man. Perhaps Centi, his former betrayer and current protector has more in common with him than he dares in his anger to realise. I was desperately hoping beyond hope that Wely would pull through somehow, fully invested in his reclamation and ready to fist pump if the time came. I shan't say if I got what I wanted (and often that';s a dangerous gift for authors to give their readers), but what occurred was fitting to his tale and true to his character. Long live King Wely, the true lioncrest!
Secondly, uncle Yedwol began to worm his way into the narrative. I will say that this one was
much less satisfying due to the heavily expositional nature of his arc. In fact, it did feel a little out
of step with the rhythm PL had previously set, treading water somewhat.
Readers will learn of Yedwol’s less than savoury past, and see how this affects Othrun and his view of kingship. Whilst certainly interesting, it didn't quite feel like the right space for these developments and I was eager for the story to move forward a little after the previous thrusts of momentum. It's a shame because Yedwol is a fantastic character and I look forward to learning even more in the future, it just paled in comparison after the adrenaline of the preceding sections.
By the conclusion PL signals the exciting directions the series will take us next, with the potential for new conflicts appearing on the near horizon tantalising us for more pulse pounding battles and rich examinations of kingship.
Whilst the somewhat episodic nature of each part did leave me slightly wanting at first, by the end I was fully onboard with the way PL is developing his world. An good author's work is never fully what the reader wants or expects, so once I reminded myself to check my expectations at the door and surrendered to PL's exceedingly good writing, I was having a great time. It's just so exciting to see a new Kingdom come into formation! I don't think I've read a fantasy where I've seen one built from nothing. Shades of Bernard Cornwell begin to creep in, with elements of classics such as Le Mort D'Arthur in the structure. Once the inspiration for PL’s unique structure and prose became clear, best read like a medieval tome, I fell in love with it all over again.
CONCLUSION: Startlingly brilliant, PL is helping give fantasy a fresh shot in the arm with his ambitiously crafted A Drowned Kingdom Saga. Readers will delight in the morally grey characters, and marvel at the stirring battles PL effortlessly paints onto the page. Fearless, ferocious fantasy destined to stay atop your TBR and reread piles.
Read
February 17, 2022The below is not a review, but my endorsement, based on the ARC provided by the author:
The Last of the Atalanteans, the second instalment of The Drowned Kingdom Saga is truly a Saga – both in its scale and ways of storytelling. The book forces the reader to face the darkest sides of human nature as “God’s unconditional love” justifies colonialism, mass murder of dehumanised “heathens”… and, above all, unconditional greed. Loyalties change as the laws are used and combined to provide those in power with more power and “explain” why they deserve it. Plots hide underneath plots, casual cruelty is wrapped in kindness, and ethics – flexible. Same as before, PL Stuart touches upon the uncomfortable subjects we prefer not to read about; come here for moral grimdark, not escapism. If reality came cloaked in high fantasy, epic worldbuilding, and compelling drama, it would be a lot like The Last of the Atalanteans.
The Last of the Atalanteans, the second instalment of The Drowned Kingdom Saga is truly a Saga – both in its scale and ways of storytelling. The book forces the reader to face the darkest sides of human nature as “God’s unconditional love” justifies colonialism, mass murder of dehumanised “heathens”… and, above all, unconditional greed. Loyalties change as the laws are used and combined to provide those in power with more power and “explain” why they deserve it. Plots hide underneath plots, casual cruelty is wrapped in kindness, and ethics – flexible. Same as before, PL Stuart touches upon the uncomfortable subjects we prefer not to read about; come here for moral grimdark, not escapism. If reality came cloaked in high fantasy, epic worldbuilding, and compelling drama, it would be a lot like The Last of the Atalanteans.
May 9, 2022
I received an ARC copy of this book in exchange for a fair and honest review. This has not influenced my opinions or views. After reading The Last of the Atalanteans I found it difficult to sum up the style, vibe, and overall feeling of this latest instalment in PL Stuart’s ambitious series with only one word. But I found myself really wanting to. Something in my mind wanted to condense down this massive, sprawling, intricate yet complex world into a few choice letters. And the word I came up with – was masterful.
This is an excellent work, the sort of book that made me feel smarter for reading it. PL Stuart’s prose is intelligent, deliberate, and detailed down to the last molecule of the last letter. While this is an admirable feat of skill, it also makes for a heavy and slow read. This is not to say such a thing is negative merely that it won’t be for everyone.
So to review such a feast of a book in more bite-size chunks, I have broken my thoughts down into smaller sections. Despite a few (completely subjective) criticisms which will be explained further down, The Last of the Atalanteans is an artfully spun epic in which PL Stuart undoubtedly raises the very high bar set for himself in the first book A Drowned Kingdom.
As such my overall score for this book is 8.75/10.
Characters - Othrun, our protagonist, was pretty unlikeable in the first book. By the end of this one, he is completely objectionable. PL Stuart makes no bones about the fact this is his intention, and he does it well, crafting Othrun so that even when, as a reader, I was recoiling in horror at some of his actions and decisions, I wanted to keep reading if only to see him fall. Despite the character’s many failings, PL Stuart does inject enough humanity and self-awareness into Othrun to allow for a small chance of redemption – or at least, enough for us to hope that one day he might grow to become a better person. Or receive a well-deserved comeuppance.
His relationships with other characters are, in this book, stronger than the first and I felt the author did a great job in utilising supporting characters, such as Glathan, (my personal favourite) to keep Othrun slightly more relatable. What is interesting, however, is that while the secondary and incidental characters are well-crafted, there is always an underlying feeling that their reason for existing is merely to serve Othrun. PL Stuart executes this very cleverly, because not only are we seeing the growth of these relationships between Othrun and his counterparts, but we’re also feeling their true value to Othrun.
Female characters do feature more heavily in this book, and PL Stuart does, for the most part, a great job in creating room for the women in this heavily-masculine dominated world, even if the male characters around them continually disrespect and undervalue them. I would like to see more expansion of female roles in future instalments, however, I have
faith that Mr. Stuart has a plan in mind for this.
Plot/World Building - One of the things I weirdly enjoyed about this is Othrun’s absolute lack of a sense of humour. Several events occur in the story ripe for humour and ridiculousness. But Othrun is so serious that it almost feels beneath the dignity of the book to laugh at the thought of this high and mighty prince wading knee-deep through faeces -which made me laugh all the more because I got to laugh AT Othrun and not with him.
The main plot of this book centres on the growing and changing alliances and bonds between Othrun and his newly-met royal allies. There is an awful lot of political machination and no end of moral-flexing from people who mostly show little in the way of morals to flex. There is a good deal of sword-wielding to satisfy those looking for battle scenes, and in typical PL Stuart style, a huge amount of time is dedicated to beautiful prose detailing the histories of those that have gone before Othrun, and how his reverence for the past impacts on his decisions now. The world-building is so solid you can feel the rocks beneath your feet, and I firmly believe PL Stuart has planned this world so meticulously he knows every grain of sand.
Subjective Critique - Lastly, we come to the few critiques I had. Again, please note these are based purely on my viewpoints and do not detract from the overall excellent quality of the book and writing. As mentioned, this book won’t be for everyone. It is relentlessly heavy in some places and requires a certain amount of mental energy to consume. This is not a light beach-side read
to take on holiday. You need to sip it slowly like a fine wine.
I mentioned earlier wanting to see more from the female characters in this world, bringing me to the only slight sticking point I had with this story - Lysi. As the only real female protagonist in this book, Lysi is interesting and intriguing and it’s a whole lot of fun to watch her running rings around Othrun.But she’s a little too perfect for my tastes. There seems to be a common pitfall, particularly in fantasy, where strong female characters have to be en point at all times, and this makes them difficult to relate to. Lysi isn’t just smart – she’s sexy and beautiful and manipulative. She’s a better fighter and quicker with a quip than any man.
And this is where I feel a little frustration - this sense that to compete with an average man the female character must be a perfect woman. Don’t get me wrong, PL Stuart has written a fearsome and exciting character in Lysi, but it feels like she is on a high pedestal and even though I appreciate the reasoning for this is because we are seeing Lysi through Othrun’s very questionable point of view, I’d like to see a grittier depth to her.
In summation, The Last of the Atalanteans shows an extraordinary leap in the author’s skills, making PL Stuart one of the indie authors to watch. While the stormy seas of self-publishing can be unpredictable and changing, I don’t think it would be unrealistic to say that a decade from now, PL Stuart will be a name well-known and much beloved by fans of epic fantasy around the world. I look forward to the next instalment.
This is an excellent work, the sort of book that made me feel smarter for reading it. PL Stuart’s prose is intelligent, deliberate, and detailed down to the last molecule of the last letter. While this is an admirable feat of skill, it also makes for a heavy and slow read. This is not to say such a thing is negative merely that it won’t be for everyone.
So to review such a feast of a book in more bite-size chunks, I have broken my thoughts down into smaller sections. Despite a few (completely subjective) criticisms which will be explained further down, The Last of the Atalanteans is an artfully spun epic in which PL Stuart undoubtedly raises the very high bar set for himself in the first book A Drowned Kingdom.
As such my overall score for this book is 8.75/10.
Characters - Othrun, our protagonist, was pretty unlikeable in the first book. By the end of this one, he is completely objectionable. PL Stuart makes no bones about the fact this is his intention, and he does it well, crafting Othrun so that even when, as a reader, I was recoiling in horror at some of his actions and decisions, I wanted to keep reading if only to see him fall. Despite the character’s many failings, PL Stuart does inject enough humanity and self-awareness into Othrun to allow for a small chance of redemption – or at least, enough for us to hope that one day he might grow to become a better person. Or receive a well-deserved comeuppance.
His relationships with other characters are, in this book, stronger than the first and I felt the author did a great job in utilising supporting characters, such as Glathan, (my personal favourite) to keep Othrun slightly more relatable. What is interesting, however, is that while the secondary and incidental characters are well-crafted, there is always an underlying feeling that their reason for existing is merely to serve Othrun. PL Stuart executes this very cleverly, because not only are we seeing the growth of these relationships between Othrun and his counterparts, but we’re also feeling their true value to Othrun.
Female characters do feature more heavily in this book, and PL Stuart does, for the most part, a great job in creating room for the women in this heavily-masculine dominated world, even if the male characters around them continually disrespect and undervalue them. I would like to see more expansion of female roles in future instalments, however, I have
faith that Mr. Stuart has a plan in mind for this.
Plot/World Building - One of the things I weirdly enjoyed about this is Othrun’s absolute lack of a sense of humour. Several events occur in the story ripe for humour and ridiculousness. But Othrun is so serious that it almost feels beneath the dignity of the book to laugh at the thought of this high and mighty prince wading knee-deep through faeces -which made me laugh all the more because I got to laugh AT Othrun and not with him.
The main plot of this book centres on the growing and changing alliances and bonds between Othrun and his newly-met royal allies. There is an awful lot of political machination and no end of moral-flexing from people who mostly show little in the way of morals to flex. There is a good deal of sword-wielding to satisfy those looking for battle scenes, and in typical PL Stuart style, a huge amount of time is dedicated to beautiful prose detailing the histories of those that have gone before Othrun, and how his reverence for the past impacts on his decisions now. The world-building is so solid you can feel the rocks beneath your feet, and I firmly believe PL Stuart has planned this world so meticulously he knows every grain of sand.
Subjective Critique - Lastly, we come to the few critiques I had. Again, please note these are based purely on my viewpoints and do not detract from the overall excellent quality of the book and writing. As mentioned, this book won’t be for everyone. It is relentlessly heavy in some places and requires a certain amount of mental energy to consume. This is not a light beach-side read
to take on holiday. You need to sip it slowly like a fine wine.
I mentioned earlier wanting to see more from the female characters in this world, bringing me to the only slight sticking point I had with this story - Lysi. As the only real female protagonist in this book, Lysi is interesting and intriguing and it’s a whole lot of fun to watch her running rings around Othrun.But she’s a little too perfect for my tastes. There seems to be a common pitfall, particularly in fantasy, where strong female characters have to be en point at all times, and this makes them difficult to relate to. Lysi isn’t just smart – she’s sexy and beautiful and manipulative. She’s a better fighter and quicker with a quip than any man.
And this is where I feel a little frustration - this sense that to compete with an average man the female character must be a perfect woman. Don’t get me wrong, PL Stuart has written a fearsome and exciting character in Lysi, but it feels like she is on a high pedestal and even though I appreciate the reasoning for this is because we are seeing Lysi through Othrun’s very questionable point of view, I’d like to see a grittier depth to her.
In summation, The Last of the Atalanteans shows an extraordinary leap in the author’s skills, making PL Stuart one of the indie authors to watch. While the stormy seas of self-publishing can be unpredictable and changing, I don’t think it would be unrealistic to say that a decade from now, PL Stuart will be a name well-known and much beloved by fans of epic fantasy around the world. I look forward to the next instalment.
July 23, 2022
I was provided with an ARC of The Last of the Atalanteans (TLOTA). This has not influenced my opinion or views and this is my honest review of the novel. TLOTA is the second book in PL Stuart’s A Drowned Kingdom Saga, which is inspired by the legend of Atlantis and begins with the eponymous A Drowned Kingdom (ADK). ADK ended on a real cliffhanger and this review contains spoilers for ADK, since TLOTA both continues and links back to the events in that previous book. Now all the disclaimers are out of the way, let’s dive into this novel.
TLOTA opens with Othrun risking all on a dangerous mission, heading deep into enemy territory with just a few handpicked followers, intending to reinstate his ally Wely to his rightful place as King of Lynchun. In a race against time to open the gates of Lynchun before Othrun’s army arrives, the first third of the novel is a tense game of cat and mouse, with Othrun unsure who he can really trust.
The novel builds into some amazing battle scenes – some of the best and most realistic I’ve read. Those of you who have read that battle scene on the bridge will know exactly what I’m talking about. It's an absolutely amazing scene and some of Stuart’s best writing. Brilliantly horrible, those events linger long in the mind.
ADK was really all about the world building and establishing Othrun's morally dubious character, who manifested himself as the antagonist in his own novel, a creative masterstroke. There's definitely more action in TLOTA and those battle scenes certainly stand out. Readers can be reassured, though, that Othrun's conflicted character is still there. I think the combination of the intense fight for survival and the visual power of those battle scenes makes those aspects of him less noticeable in this instalment. That said, this book is much more than just sword swinging action – there’s a lot of subtlety and writer craft demonstrated throughout.
Othrun faces his own inner conflict as he balances his lack of legitimacy to actually call himself king with his desire to secure power. He resolves this dilemma by eagerly listening to the seductive words of the Anchali (Othrun’s guardian angel, who I don’t trust an inch):
“It did not matter I was not the heir of Atalan Ninth by right. I was the right man to rule the world. The Anchali had told me so. That was why he had sired me. That was my purpose, and by the Single God, I would fulfil it. If I lived through my great theatre.”
The perplexing nature of the Anchali, whilst sparingly used in this novel, is a great narrative device and it helps invest you in the story.
In a theme that recurs from the first book, we also see Othrun seeking to rewrite history, disguising his origins as an Atalantean exile, ensuring the tale in the official history of his intended new Kingdom of Eastrealm is far more glamorous. Similarly, earlier in the book, the Acremian Queen Lysi accuses Othrun of seeking to sweep away her culture:
“It’s not enough we simply know of your Single God. We must all bind to your Single God, and even that is not enough. You insist on erasing our Goddesses from memory, because according to you, we were always in the wrong to worship our Elementals, or Sanaavian Gods, in the first place. We’re all just lost Acremian heathens, knowing no better. You want to erase our history, our very memory of what you call idolatry. Conversion isn’t enough for you. Repentance isn’t enough. Only eradication suffices. As if there never were pagan gods and goddesses.”
With Atalantyx’s history of colonial conquest and subjugation, the uncomfortable parallels being drawn with our own world history are impossible to ignore. Lysi might be a heathen in Othrun’s eyes but her perspective is far broader than his narrow, superior view of other races and religions.
More generally, the politics of Lynchun are well thought out. Whilst the sheer depth of world building might potentially turn some readers off, for me it’s what gives this story its vibrancy. Stuart has built a living world of kingdoms with believable histories, linked together in a complex dance of dynamic, shifting alliances. Othrun is not above disinheriting his allies if it means he achieves his own objectives. I really liked these elements – all of it felt real and you could draw numerous examples of all these events taking place in history.
Ultimately, TLOTA builds well on ADK, improving on the first book with stronger writing and a more dynamic plot. The many strengths of this book are perhaps also its weaknesses, with its unlikeable central character and dizzyingly complex world building and politics. PL Stuart has clearly made a stylistic choice to build his book on all these elements and readers will respond accordingly, depending on their personal preferences. We certainly spend a lot of time in Othrun's head as the single point of view character (with the exception of one fascinating chapter). His proud, entitled, selfish voice can, at times, be a bit much – again, another deliberate stylistic choice. That said, this is balanced out well by other strongly drawn and diverse supporting characters, skilfully weaved into the story despite the limitations of Othrun’s viewpoint, and Stuart's deft and brutal action scenes.
This leads me on to the element of the book I felt was the least convincing. Despite all her protestations of heartfelt affection, I found it very difficult to believe Lysi really loves Othrun. Perhaps this is because we know Othrun so intimately as a character, all of his flaws ruthlessly exposed. What I find perplexing is Lysi understands all of this too and still falls for Othrun. Maybe she likes ambitious bad boys or perhaps she has his number and is cruelly stringing him along? Only time will tell.
Overall, though, I enjoyed TLOTA, and I’m keen to know where this series goes next. ADK, whilst a strong novel in its own right, was in many ways the extensive prologue to a greater tale (when complete, this series will comprise seven planned novels). In TLOTA it felt like the main story had been established, giving Stuart a strong platform to push on from as he moves into the next instalment (Lord and King, due out in 2023). The final line of The Last of the Atalanteans left me with goosebumps.
If A Drowned Kingdom put the E into epic fantasy, then The Last of the Atalanteans puts the A into ambitious world building, with political intrigue that will absolutely appeal to Game of Thrones fans. PL Stuart has set up an amazing world of incredible depth. Acremia feels like a real place, populated by real, flawed, people. Some of the players are on the main stage but Stuart is clearly holding back a cast of other characters and kingdoms, who will no doubt play a part in future stories. This tale is far from done and the series has plenty of promise.
TLOTA opens with Othrun risking all on a dangerous mission, heading deep into enemy territory with just a few handpicked followers, intending to reinstate his ally Wely to his rightful place as King of Lynchun. In a race against time to open the gates of Lynchun before Othrun’s army arrives, the first third of the novel is a tense game of cat and mouse, with Othrun unsure who he can really trust.
The novel builds into some amazing battle scenes – some of the best and most realistic I’ve read. Those of you who have read that battle scene on the bridge will know exactly what I’m talking about. It's an absolutely amazing scene and some of Stuart’s best writing. Brilliantly horrible, those events linger long in the mind.
ADK was really all about the world building and establishing Othrun's morally dubious character, who manifested himself as the antagonist in his own novel, a creative masterstroke. There's definitely more action in TLOTA and those battle scenes certainly stand out. Readers can be reassured, though, that Othrun's conflicted character is still there. I think the combination of the intense fight for survival and the visual power of those battle scenes makes those aspects of him less noticeable in this instalment. That said, this book is much more than just sword swinging action – there’s a lot of subtlety and writer craft demonstrated throughout.
Othrun faces his own inner conflict as he balances his lack of legitimacy to actually call himself king with his desire to secure power. He resolves this dilemma by eagerly listening to the seductive words of the Anchali (Othrun’s guardian angel, who I don’t trust an inch):
“It did not matter I was not the heir of Atalan Ninth by right. I was the right man to rule the world. The Anchali had told me so. That was why he had sired me. That was my purpose, and by the Single God, I would fulfil it. If I lived through my great theatre.”
The perplexing nature of the Anchali, whilst sparingly used in this novel, is a great narrative device and it helps invest you in the story.
In a theme that recurs from the first book, we also see Othrun seeking to rewrite history, disguising his origins as an Atalantean exile, ensuring the tale in the official history of his intended new Kingdom of Eastrealm is far more glamorous. Similarly, earlier in the book, the Acremian Queen Lysi accuses Othrun of seeking to sweep away her culture:
“It’s not enough we simply know of your Single God. We must all bind to your Single God, and even that is not enough. You insist on erasing our Goddesses from memory, because according to you, we were always in the wrong to worship our Elementals, or Sanaavian Gods, in the first place. We’re all just lost Acremian heathens, knowing no better. You want to erase our history, our very memory of what you call idolatry. Conversion isn’t enough for you. Repentance isn’t enough. Only eradication suffices. As if there never were pagan gods and goddesses.”
With Atalantyx’s history of colonial conquest and subjugation, the uncomfortable parallels being drawn with our own world history are impossible to ignore. Lysi might be a heathen in Othrun’s eyes but her perspective is far broader than his narrow, superior view of other races and religions.
More generally, the politics of Lynchun are well thought out. Whilst the sheer depth of world building might potentially turn some readers off, for me it’s what gives this story its vibrancy. Stuart has built a living world of kingdoms with believable histories, linked together in a complex dance of dynamic, shifting alliances. Othrun is not above disinheriting his allies if it means he achieves his own objectives. I really liked these elements – all of it felt real and you could draw numerous examples of all these events taking place in history.
Ultimately, TLOTA builds well on ADK, improving on the first book with stronger writing and a more dynamic plot. The many strengths of this book are perhaps also its weaknesses, with its unlikeable central character and dizzyingly complex world building and politics. PL Stuart has clearly made a stylistic choice to build his book on all these elements and readers will respond accordingly, depending on their personal preferences. We certainly spend a lot of time in Othrun's head as the single point of view character (with the exception of one fascinating chapter). His proud, entitled, selfish voice can, at times, be a bit much – again, another deliberate stylistic choice. That said, this is balanced out well by other strongly drawn and diverse supporting characters, skilfully weaved into the story despite the limitations of Othrun’s viewpoint, and Stuart's deft and brutal action scenes.
This leads me on to the element of the book I felt was the least convincing. Despite all her protestations of heartfelt affection, I found it very difficult to believe Lysi really loves Othrun. Perhaps this is because we know Othrun so intimately as a character, all of his flaws ruthlessly exposed. What I find perplexing is Lysi understands all of this too and still falls for Othrun. Maybe she likes ambitious bad boys or perhaps she has his number and is cruelly stringing him along? Only time will tell.
Overall, though, I enjoyed TLOTA, and I’m keen to know where this series goes next. ADK, whilst a strong novel in its own right, was in many ways the extensive prologue to a greater tale (when complete, this series will comprise seven planned novels). In TLOTA it felt like the main story had been established, giving Stuart a strong platform to push on from as he moves into the next instalment (Lord and King, due out in 2023). The final line of The Last of the Atalanteans left me with goosebumps.
If A Drowned Kingdom put the E into epic fantasy, then The Last of the Atalanteans puts the A into ambitious world building, with political intrigue that will absolutely appeal to Game of Thrones fans. PL Stuart has set up an amazing world of incredible depth. Acremia feels like a real place, populated by real, flawed, people. Some of the players are on the main stage but Stuart is clearly holding back a cast of other characters and kingdoms, who will no doubt play a part in future stories. This tale is far from done and the series has plenty of promise.
February 22, 2022
The Last of the Atalanteans is the second instalment of The Drowned Kingdom Saga by Canadian Fantasy Author, P.L. Stuart. The epic journey continues for the Second Prince of the lost kingdom of Atalantyx. Having led what is left of the Atalantean race across the Silver Sea to new alliances on the continent of Acremia, which included the kingdom of Carthlughe, the next chapter unfolds for the search of a new kingdom for the Atalanteans. Prince Othrun now prepares for the next step in his journey to forge a new empire. Known as the Silver king, Othrun must align himself with trusted advisors of his fallen Atalantyx, as well as new allies that can help further his cause across the continent of Acremia.
The plot and narrative of The Last of the Atlanteans primary centers around Othrun posing as a warrior of the Kingdom of Lynchun (Land of the Lion). A cunning and daring plan is hatched to sneak Wely into Lionhead, the capitol of Lynchun, to retake his throne by force from his violent brother Orlu.
If you recall, the events of the first installment (book#1) of A Drowned Kingdom led Othrun to Wely, the true King of Lynchun. Banished and hunted by his brother Orlu, rumours spread across the lands like wildfire of Welys death. In an attempt to take back what was rightfully his, Wely aligned himself with Othrun, who now had a formidable force that could threaten any kingdom of Acremia. Wely’s former wife and mage, Queen Syda, was now wife to his devious brother Orlu and was a formidable force that was not to be underestimated. Wely, accompanied by Othrun and elite Atleantean solders disguised as Lynchun warriors loyal to the Silver King, must now embark on a harrowing excursion to retake Lionhead by the inside.
Perhaps not making his true intentions known, Othrun knows allies will be a key component in rebuilding the Atleantean empire. Understanding that gaining a foothold on Acremia is only the first step, the path to this begins with restoring the rightful king of Lionhead to the throne. The goal for the time being is to win over the affections of Wely, The true King of the Kingdom of Lynchun.
However, the battle to re-take Lionhead is only another part of the puzzle. The beautiful, but dangerous now Queen of Nyrimia, Lysi, has a precarious hold over Lord Othrun. She has not forgotten the actions she undertook to help Othrun’s army escape certain doom from her father. She continually taunts and teases Othrun in the hopes of winning his heart to become her King.
Become her King and betray everything Othrun knows to be right to strengthen your alliances, or, stay true to your honour and defy this powerful queen and mage who has made her intentions clear. If you are not with her, you stand against her.
Author P.L. Stuart once again invites readers into a character driven fantasy world of love, lust, scheming and betrayal. Epic narratives give rise to fabulous plotlines, devious characters and incredible world-building that sets the scenes for fantastic battles. The incredible descriptions with such vivid details make you feel like you are right there in the heat of battle, planning attacks and strategies, as well as scheming with Othrun and his company to re-shape their Atalantean empire. I myself, personally love the fresh new take on the Trojan horse operation of bringing down a kingdom from the inside. The Last of the Atalanteans offers readers a build-up to an epic battle that we have been waiting for and it does not disappoint. The masterful foreshadowing of what is to come makes me anxiously await the next instalment of The Drowned Kingdom Saga.
September 24, 2022
Good world building must consider physical geography, cultural history, customs, and mindset of the populations involved, and then place characters within these settings who react realistically as members of their society.
I say this because I found myself thinking of the amount of research author P. L. Stuart must have invested in studying the cultures of Atalantyx and Eltnia; when worlds are realistically portrayed, we should forget sometimes that they are actually fictional worlds.
Consistency is challenging when facing multiple cultures, and P. L. Stuart manages this so well in The Last of the Atalanteans, the second novel in The Drowned Kingdom series.
Strong description carries us into Othrun's world. The battle scenes are vivid and violent, yet not sensationalized; we experience the desperation and the grief, for these battles are not romantic events but horrors for the participants. And as they journey, we feel their anxiety, their dread, their suspicion, their uncertainty. Characters are loyal to their allies, merciless to their enemies. I receive a sense here of the author's medieval background, for events and ambitions here reflect the realities of medieval life -- not a delightful chivalrous romp but a violent and ruthless world in which violence and ruthlessness are often justified by religion.
Othrun, the central character and narrator, has noble and lofty ideals, but he is first of all a warlord. His ambition to convert all people to worship of the single God is an ambition of war. It is always clear, however, that the viewpoints expressed belong to the character, and do not reflect the author's personal world view.
Othrun is not a gentle knight, but his understanding of the world is broadening as he sees more. In his encounters with Lysi, he is learning that female persons are not necessarily helpless, and that sometimes, magic does work. He does not embrace magic, but he no longer denies that it is effective whether he believes in it or not.
The character Yedwol is a strong presence in this novel and is developed with sensitivity. We learn the heavy burden that he has carried all his life, the harsh lessons he has learned ("All good kings are killers, and all kings are good killers"), his prejudices and justifications, his shame and his defiance. Yet, he has loved, he mourns his lost home, and he is loved by many. "His body, an aged vessel, worn out by a lifetime of war and sorrow..." -- in spite of all his past, we are left with a sense of pathos.
I am increasingly intrigued by the character of Lysi; such a range of emotions is unfolding -- but where do her ultimate loyalties lie?
Events build on events, and plots and intrigues unfold. We read on, anticipation building, carried by the momentum of the narrative. Personally, I am not sure that I can wait for spring for the arrival of the Anib queen Undala. Her name might mean "peace," but I recall that in certain cultures, to be at peace means to be victorious in war. I also look forward to learning more of Sila, a quiet character whom Othrun finds so unobtrusive.... I anticipate much from Sila.
This novel carries us deeper into the story of Othrun and his people with consistency and strength. This is good writing and storytelling, and I highly recommend it!
I say this because I found myself thinking of the amount of research author P. L. Stuart must have invested in studying the cultures of Atalantyx and Eltnia; when worlds are realistically portrayed, we should forget sometimes that they are actually fictional worlds.
Consistency is challenging when facing multiple cultures, and P. L. Stuart manages this so well in The Last of the Atalanteans, the second novel in The Drowned Kingdom series.
Strong description carries us into Othrun's world. The battle scenes are vivid and violent, yet not sensationalized; we experience the desperation and the grief, for these battles are not romantic events but horrors for the participants. And as they journey, we feel their anxiety, their dread, their suspicion, their uncertainty. Characters are loyal to their allies, merciless to their enemies. I receive a sense here of the author's medieval background, for events and ambitions here reflect the realities of medieval life -- not a delightful chivalrous romp but a violent and ruthless world in which violence and ruthlessness are often justified by religion.
Othrun, the central character and narrator, has noble and lofty ideals, but he is first of all a warlord. His ambition to convert all people to worship of the single God is an ambition of war. It is always clear, however, that the viewpoints expressed belong to the character, and do not reflect the author's personal world view.
Othrun is not a gentle knight, but his understanding of the world is broadening as he sees more. In his encounters with Lysi, he is learning that female persons are not necessarily helpless, and that sometimes, magic does work. He does not embrace magic, but he no longer denies that it is effective whether he believes in it or not.
The character Yedwol is a strong presence in this novel and is developed with sensitivity. We learn the heavy burden that he has carried all his life, the harsh lessons he has learned ("All good kings are killers, and all kings are good killers"), his prejudices and justifications, his shame and his defiance. Yet, he has loved, he mourns his lost home, and he is loved by many. "His body, an aged vessel, worn out by a lifetime of war and sorrow..." -- in spite of all his past, we are left with a sense of pathos.
I am increasingly intrigued by the character of Lysi; such a range of emotions is unfolding -- but where do her ultimate loyalties lie?
Events build on events, and plots and intrigues unfold. We read on, anticipation building, carried by the momentum of the narrative. Personally, I am not sure that I can wait for spring for the arrival of the Anib queen Undala. Her name might mean "peace," but I recall that in certain cultures, to be at peace means to be victorious in war. I also look forward to learning more of Sila, a quiet character whom Othrun finds so unobtrusive.... I anticipate much from Sila.
This novel carries us deeper into the story of Othrun and his people with consistency and strength. This is good writing and storytelling, and I highly recommend it!
May 22, 2025
A tense, well paced, and interesting follow up to the first series. I couldn’t put this down once I started it. I love Othruns character progression and where the series is going so far. Stuart has some real writing chops and I can’t wait to get into book 3.
February 23, 2022
What does it take to be a leader of the nation? Is it enough with just royal origins or does one have to prove to the people one’s worth as a king?
Othrun, once Second Prince of the mightiest kingdom in the world, doesn’t have a choice in the matter. The kingdom he had been exiled from had been swallowed by the merciless ocean with the assistance of a fierce volcano. And with Atalantyx’s drowning, his already slim chances to become more than a second prince, vanished too. Othrun has to prove to those who are willing to give him a chance to restore – and maybe increase – his power and glory that he possesses what it takes to be a ruler.
In the second instalment of The Drowned Kingdom Saga “The Last of the Atalanteans”, begins Othrun’s journey through his personal purgatory. And the outcome of that journey will determine the fate of the remnants of the Atalanteans.
Othurn, with the help of those faithful to him, makes a plan how to return the kingdom of King Wely to its rightful owner. It is absolutely crucial that he succeeds since only King Wely can give Othrun what he wants. A new kingdom. New hope to become a great king.
The plan is audacious. It seems it could never work. I loved the feeling of incredulity that kept jangling my nerves throughout the first part of the book. “They aren’t going to make it” ran through my mind, and I kept turning the pages unwilling to stop reading before I find out if it was true.
Yet again, just like in the first book of the saga “A Drowned Kingdom”, P.L. Stuart has created a set of complex characters, none of which can be placed into some stiff category. Can a guy who’s betrayed once, be trusted again? Even if he seems a changed man. But maybe there were deeper reasons for his betrayal than those that seem obvious? Do cruel warlords have a conscience? Characters in “The Last of the Atalanteans” surprise the reader, and that is what makes the book so compelling. Our protagonist Othrun has changed too. His belief in being a chosen one by higher powers is still strong, but he starts seeing other people as worthy. Some – only as assets, while others like true friends who support him not only out of the feeling of duty.
It is always fascinating to follow book characters’ development – be it growth or degradation. It makes them real, and as a result, they evoke real emotions in readers. The story weaves its way through the intertwining and contending interests of mortal enemies, those connected with ties of kinship, and strangers who have just arrived into the new lands but are already plotting their own agenda.
“The Last of the Atalanteans” by P.L. Stuart is a truly epic fantasy book with excellent world-building, a set of diverse characters, packed with action and political intrigues.
I received an ARC of this book in exchange for an honest review.
Othrun, once Second Prince of the mightiest kingdom in the world, doesn’t have a choice in the matter. The kingdom he had been exiled from had been swallowed by the merciless ocean with the assistance of a fierce volcano. And with Atalantyx’s drowning, his already slim chances to become more than a second prince, vanished too. Othrun has to prove to those who are willing to give him a chance to restore – and maybe increase – his power and glory that he possesses what it takes to be a ruler.
In the second instalment of The Drowned Kingdom Saga “The Last of the Atalanteans”, begins Othrun’s journey through his personal purgatory. And the outcome of that journey will determine the fate of the remnants of the Atalanteans.
Othurn, with the help of those faithful to him, makes a plan how to return the kingdom of King Wely to its rightful owner. It is absolutely crucial that he succeeds since only King Wely can give Othrun what he wants. A new kingdom. New hope to become a great king.
The plan is audacious. It seems it could never work. I loved the feeling of incredulity that kept jangling my nerves throughout the first part of the book. “They aren’t going to make it” ran through my mind, and I kept turning the pages unwilling to stop reading before I find out if it was true.
Yet again, just like in the first book of the saga “A Drowned Kingdom”, P.L. Stuart has created a set of complex characters, none of which can be placed into some stiff category. Can a guy who’s betrayed once, be trusted again? Even if he seems a changed man. But maybe there were deeper reasons for his betrayal than those that seem obvious? Do cruel warlords have a conscience? Characters in “The Last of the Atalanteans” surprise the reader, and that is what makes the book so compelling. Our protagonist Othrun has changed too. His belief in being a chosen one by higher powers is still strong, but he starts seeing other people as worthy. Some – only as assets, while others like true friends who support him not only out of the feeling of duty.
It is always fascinating to follow book characters’ development – be it growth or degradation. It makes them real, and as a result, they evoke real emotions in readers. The story weaves its way through the intertwining and contending interests of mortal enemies, those connected with ties of kinship, and strangers who have just arrived into the new lands but are already plotting their own agenda.
“The Last of the Atalanteans” by P.L. Stuart is a truly epic fantasy book with excellent world-building, a set of diverse characters, packed with action and political intrigues.
I received an ARC of this book in exchange for an honest review.
July 13, 2022
The Last of the Atalanteans continues right where A Drowned Kingdom ended off. I was excited to jump into this one and see where Othrun's story went, but this one was a mixed bag for me. This book gets a 3.5 from me.
Similar to the first book, the world building and prose are the highlights for me. The world that Stuart has managed to build is immense, well fleshed out, and even after two books, there is so much more to discover.
Stuart's writing has grown on me to the point where I can say I love his style. While being clear and confident, the writing has this smooth velvety feel that suits the story so well. Paired with the world building, I found the reading experience to be quite immersive.
While I wished for more, the action scenes are also written very well. Battles are depicted realistically, while not dragging on. I believe the politics are handled well in this book too.
Othrun's character development also continues to shine in this one. While I wished we got more of some side characters, it's clear to me at this point that the prominent focus of this story is Othrun going from an arrogant, naive, and egotistical character to one who matures into someone greater. His traditional, self centered beliefs are constantly challenged and we see start to become more accepting of others.
The plot, to me, is still quite slow moving. Now about 900 pages into this story, I still am not fully sure where the it is going, other than knowing about Othrun's growth as a person. I typically don't mind slow stories, and despite the depth of this world, I had a tough time paying attention during some parts of this book.
It was very exposition heavy, and this is the main reason for the loss of stars to me. I found that the first book acted sort of like a prequel, introducing the world, the characters, and the history of the vast setting. The second book builds on this, but often in a repetitive fashion. We get a lot of info dumping, often in the form of dialogue, and I struggled to pay attention. Being reminded constantly about Othrun's cousin's or friends while never really seeing those characters grow much was tough for me. I believe that with a more stringent editing process, this book could have been 100-150 pages shorter, and the story told would have still been the same.
The ending, once again, was exciting, and makes me look forward to seeing where the story is going. This was an enjoyable book, but I did find myself bogged down by constant conversation and the story moving at a very slow pace.
Similar to the first book, the world building and prose are the highlights for me. The world that Stuart has managed to build is immense, well fleshed out, and even after two books, there is so much more to discover.
Stuart's writing has grown on me to the point where I can say I love his style. While being clear and confident, the writing has this smooth velvety feel that suits the story so well. Paired with the world building, I found the reading experience to be quite immersive.
While I wished for more, the action scenes are also written very well. Battles are depicted realistically, while not dragging on. I believe the politics are handled well in this book too.
Othrun's character development also continues to shine in this one. While I wished we got more of some side characters, it's clear to me at this point that the prominent focus of this story is Othrun going from an arrogant, naive, and egotistical character to one who matures into someone greater. His traditional, self centered beliefs are constantly challenged and we see start to become more accepting of others.
The plot, to me, is still quite slow moving. Now about 900 pages into this story, I still am not fully sure where the it is going, other than knowing about Othrun's growth as a person. I typically don't mind slow stories, and despite the depth of this world, I had a tough time paying attention during some parts of this book.
It was very exposition heavy, and this is the main reason for the loss of stars to me. I found that the first book acted sort of like a prequel, introducing the world, the characters, and the history of the vast setting. The second book builds on this, but often in a repetitive fashion. We get a lot of info dumping, often in the form of dialogue, and I struggled to pay attention. Being reminded constantly about Othrun's cousin's or friends while never really seeing those characters grow much was tough for me. I believe that with a more stringent editing process, this book could have been 100-150 pages shorter, and the story told would have still been the same.
The ending, once again, was exciting, and makes me look forward to seeing where the story is going. This was an enjoyable book, but I did find myself bogged down by constant conversation and the story moving at a very slow pace.
February 16, 2022
Well, he’s done it again. Many sequels rarely match the first, but P. L. Stuart surpasses his debut and then some, leaving you yearning for more. The Last of the Atalanteans picks up right where we left Prince Othrun on his quest to give his people a new home. With new alliances forged and enemies brewing, Othrun and his party infiltrate the borders of danger to right a usurping rule and achieve security and sanctuary.
P. L. Stuart masterfully weaves an epic of war, betrayal, magic, and ruin and ventures on a daring journey into the very heart of prejudice and the human condition. With many fantasy works, there is often an abundance of characters and as a reader it is difficult to create intimate connections; however, P. L. Stuart makes it look easy. The depth of both main and side characters stories has you cheering for their victories, sharing their desperations, and grieving their losses.
Take fair warning, your heart will be pulled in so many directions you’ll feel as if you’re there battling for the survival of your own culture and people right alongside the antihero that is Prince Othrun. There is indeed heaviness in Othrun’s prejudice, elitism, and ignorant, bigoted views, but there are speckled rays of hope and growth as we see the prince step out of his comfort zone to adapt and understand in this new world. It is a heartfelt journey that does not shy away from sensitive—and at times uncomfortable—topics, and P. L. is brave for taking this mantle on.
He is a master of battle scenes, and with humour, passion, and destruction throughout, the reader is swept on an adventure that has you delightfully nervous for the next page. I greatly look forward to the next of The Drowned Kingdom Saga to see where the Atalantean prince’s journey will lead. Drawn at your feet is a richly detailed world that sets a fantastical lens to our own flawed and intrepid society. Take the leap and see where it leads you, I assure you will be all the more better for it.
I received a free ARC of this book in exchange for an honest review (but will definitely be buying my own copy, I mean—look at that cover!)
P. L. Stuart masterfully weaves an epic of war, betrayal, magic, and ruin and ventures on a daring journey into the very heart of prejudice and the human condition. With many fantasy works, there is often an abundance of characters and as a reader it is difficult to create intimate connections; however, P. L. Stuart makes it look easy. The depth of both main and side characters stories has you cheering for their victories, sharing their desperations, and grieving their losses.
Take fair warning, your heart will be pulled in so many directions you’ll feel as if you’re there battling for the survival of your own culture and people right alongside the antihero that is Prince Othrun. There is indeed heaviness in Othrun’s prejudice, elitism, and ignorant, bigoted views, but there are speckled rays of hope and growth as we see the prince step out of his comfort zone to adapt and understand in this new world. It is a heartfelt journey that does not shy away from sensitive—and at times uncomfortable—topics, and P. L. is brave for taking this mantle on.
He is a master of battle scenes, and with humour, passion, and destruction throughout, the reader is swept on an adventure that has you delightfully nervous for the next page. I greatly look forward to the next of The Drowned Kingdom Saga to see where the Atalantean prince’s journey will lead. Drawn at your feet is a richly detailed world that sets a fantastical lens to our own flawed and intrepid society. Take the leap and see where it leads you, I assure you will be all the more better for it.
I received a free ARC of this book in exchange for an honest review (but will definitely be buying my own copy, I mean—look at that cover!)
December 19, 2022
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For more reviews, go to www.wolfmantula.com/book-reviews
MY ⭐️ RATING: 4.25/5
FORMAT: Kindle ebook & physical book
I absolutely loved the first book in this series, A Drowned Kingdom, which will be making my top 15 list this year, but for as great as it was, P.L. took his skills to another level with The Last of the Atalanteans by going even deeper into this world with Othrun still as the single point of view. Othrun has become a more likeable character and Stuart does a great job of showing the view of Othrun opening up to the world being more than what he was taught. Although I do love Othrun, Centi had to be one of the better charcaters because of his redemption style of arc.
Like A Drowned Kingdom, the violence is pretty minimal, but when there is action, it is absolute carnage and it’s pretty incredible with the attention to even the smallest of details that make it even more dramatic. The magical element of the mages is still a bit simplistic and only shows up very little, as well as the Anchali which I was really hoping to get more out of in this book. The good thing is that this is going to be a 7 book series, so there is plenty of time to get more of the Anchali.
“If you’re going to start a revolution, make sure the power in charge is unstable and unpopular first. It sounds like it’s both.”
Stuart does a wondrous job of painting the world in beautiful strokes. If you’re old enough to remember The Joy of Painting PBS tv show starring Bob Ross, Stuart’s writing reminds me of how Bob Ross painted, each stroke was meaningful and helped bring the picture to life. As I stated in my review of book 1, Stuart uses his wealth of knowledge with a major in English/medieval lit and a minor in history to tell a story that continues to feel like it is real historical events. I just love the way Stuart writes, he has an incredible way of making you invested from the first sentence, it’s rich, vivid and meticulous.
With that said, I really think I would’ve liked this more if I had waited for the audio and read it the same way I did with book 1, with Whispersync. This is mainly due to the fact that I felt a little overwhelmed at times due to his detailed meticulousness of his writing style. Though I love it, it was somewhat daunting to see paragraph’s that extended an entire page and more of his detailedness which gave me few stopping points. At one point, I came across 2 paragraphs that filled 4 pages and that really kinda hurt my reading process.
This is still a fantastic story regardless of the last paragraph. It actually reminds me a bit of The Last Kingdom show, though I can’t attest to the accuracy of that statement to the Cornwell novels since I’ve yet to read them. I can’t wait to see what happens with Othrun and the Anib!
For more reviews, go to www.wolfmantula.com/book-reviews
MY ⭐️ RATING: 4.25/5
FORMAT: Kindle ebook & physical book
I absolutely loved the first book in this series, A Drowned Kingdom, which will be making my top 15 list this year, but for as great as it was, P.L. took his skills to another level with The Last of the Atalanteans by going even deeper into this world with Othrun still as the single point of view. Othrun has become a more likeable character and Stuart does a great job of showing the view of Othrun opening up to the world being more than what he was taught. Although I do love Othrun, Centi had to be one of the better charcaters because of his redemption style of arc.
Like A Drowned Kingdom, the violence is pretty minimal, but when there is action, it is absolute carnage and it’s pretty incredible with the attention to even the smallest of details that make it even more dramatic. The magical element of the mages is still a bit simplistic and only shows up very little, as well as the Anchali which I was really hoping to get more out of in this book. The good thing is that this is going to be a 7 book series, so there is plenty of time to get more of the Anchali.
“If you’re going to start a revolution, make sure the power in charge is unstable and unpopular first. It sounds like it’s both.”
Stuart does a wondrous job of painting the world in beautiful strokes. If you’re old enough to remember The Joy of Painting PBS tv show starring Bob Ross, Stuart’s writing reminds me of how Bob Ross painted, each stroke was meaningful and helped bring the picture to life. As I stated in my review of book 1, Stuart uses his wealth of knowledge with a major in English/medieval lit and a minor in history to tell a story that continues to feel like it is real historical events. I just love the way Stuart writes, he has an incredible way of making you invested from the first sentence, it’s rich, vivid and meticulous.
With that said, I really think I would’ve liked this more if I had waited for the audio and read it the same way I did with book 1, with Whispersync. This is mainly due to the fact that I felt a little overwhelmed at times due to his detailed meticulousness of his writing style. Though I love it, it was somewhat daunting to see paragraph’s that extended an entire page and more of his detailedness which gave me few stopping points. At one point, I came across 2 paragraphs that filled 4 pages and that really kinda hurt my reading process.
This is still a fantastic story regardless of the last paragraph. It actually reminds me a bit of The Last Kingdom show, though I can’t attest to the accuracy of that statement to the Cornwell novels since I’ve yet to read them. I can’t wait to see what happens with Othrun and the Anib!
February 10, 2023
4 stars.
An extremely intriguing follow-up to A Drowned Kingdom, The Last of the Atalanteans delves deeply into the idea of leadership and what it takes to hold a position of power. It's a heavy mantle to bear, and those who do often must act in morally deplorable ways to ensure they retain it. I also enjoyed the continued exploration of religion in all of it's various forms in society. How it can be a rallying force as well as a cause for war. Very excited to see where Stuart goes with these themes in future installments.
The first person perspective of Othrun continues to challenge the reader to see the world through a lens we aren't usually privvy to in fantasy - an extremely flawed and bigoted one. I thoroughly enjoyed how Stuart would make me livid at Othrun on one page, and then sympathize with him on the next...I found myself questioning my values right along with our main characters.
The one gripe I have with the first-person perspective is that it leaves us with a (understandably) narrow scope of what events we are able to experience first hand, and which ones we are told about afterwards. There were a few events I felt would have served better if we had been in the action as a reader, but nonetheless, I recognize this as a tradeoff of the storytelling style.
As always, it's a challenge to talk about the plot of a sequel in a review, but suffice it to say that there were many plot twists and turns that keep the reader engaged, and I found the ending scene to be perfect in the tone it set.
VERY excited to be discussing this book in a Deep Dive live on 2/11/23 JST with fellow readers and the author himself! I imagine I will be able to get a lot more out of the thematic work being done here after a thorough discussion.
An extremely intriguing follow-up to A Drowned Kingdom, The Last of the Atalanteans delves deeply into the idea of leadership and what it takes to hold a position of power. It's a heavy mantle to bear, and those who do often must act in morally deplorable ways to ensure they retain it. I also enjoyed the continued exploration of religion in all of it's various forms in society. How it can be a rallying force as well as a cause for war. Very excited to see where Stuart goes with these themes in future installments.
The first person perspective of Othrun continues to challenge the reader to see the world through a lens we aren't usually privvy to in fantasy - an extremely flawed and bigoted one. I thoroughly enjoyed how Stuart would make me livid at Othrun on one page, and then sympathize with him on the next...I found myself questioning my values right along with our main characters.
The one gripe I have with the first-person perspective is that it leaves us with a (understandably) narrow scope of what events we are able to experience first hand, and which ones we are told about afterwards. There were a few events I felt would have served better if we had been in the action as a reader, but nonetheless, I recognize this as a tradeoff of the storytelling style.
As always, it's a challenge to talk about the plot of a sequel in a review, but suffice it to say that there were many plot twists and turns that keep the reader engaged, and I found the ending scene to be perfect in the tone it set.
VERY excited to be discussing this book in a Deep Dive live on 2/11/23 JST with fellow readers and the author himself! I imagine I will be able to get a lot more out of the thematic work being done here after a thorough discussion.
October 7, 2022
I loved Othrun's significant growth in this novel. He's realizing that if he doesn't change he'll doom himself and his people. He's realizing that his Single God isn't the only thing he needs to survive. He's becoming more worthy of being a king. The battle scenes in this book blew me away, and the fight for the Goldhall had me holding my breath. Yedwol's story was horrible, heart-wrenching, and beautifully done. And Lysi was at her devious best in this book ! She's still the smartest person in the room but her love for Othrun is really a weakness. I truly enjoy their banter! Now, after this novel, Othrun knows not only can he probably not outhink Lysi, he probably can't outfight her either. I don't know where their relationship (especially because of Aliaz) is going but it's going to make for some VERY interesting future novels! This book was even better than A Drowned Kingdom, and an amazing sequel! Five stars!
September 11, 2022
Great sequel!
A daring plan. Precariously depending on infiltration & trust. In order to succeed adapting rigid ideals from a lost world are needed to prevail in this new one. Wonderful storytelling & evolution of characters! Tense & riveting sequel!
A daring plan. Precariously depending on infiltration & trust. In order to succeed adapting rigid ideals from a lost world are needed to prevail in this new one. Wonderful storytelling & evolution of characters! Tense & riveting sequel!
May 21, 2022
A make-or-break challenge
The novel “The Last of the Atalanteans”, the second instalment in the Drowned Kingdom Saga, penned by P.L. Stuart is a book that I thoroughly enjoyed.
As in the first novel “A Drowned Kingdom”, the author continues to amaze with his eloquent literary language and style. Detailed descriptions and dialogues are of help to immerse yourself into the story, convey the prevailing atmosphere and tension, as well as understand and feel the motives and considerations of the main characters.
As a person with a military background, I especially liked the scenes of hand-to-hand combat, sword battle, as well as battle strategy and tactics. The author masterfully describes the mortal combat, so that the reader can feel the effect of presence.
The storyline of unrequited love is very captivating. The views of Prince Othrun and Princess Lysi are so diametrically opposed to each other, and nevertheless, there is a connection between them. Prince Othrun remains loyal to the Single God, and at the same time, he considers that the factor of heathen magic should be taken seriously.
Prince Othrun and his companions undergo a tough make-or-break challenge, which should, if successfully gotten over, fashion him in the knowledge of heathen people, their culture, religion, and customs, as well as firmness in overcoming difficulties, discipline, and ability to rule.
Prince Othrun lays aside his noble way of life and gives himself up to the toils of soldiership by pretending to be an ordinary soldier. All the hardships that befall Prince Othrun during his venture pave the way for his ascension to the role of king. Prince Othrun will risk his very life on a battlefield to gain the favour of King Wely.
The rough life that Prince Othrun sees, and a friendship, formed with heathen kings, as well as with common Lynchunian soldiers, during this phase of his changeful story, had considerable influences upon his character, habits, perception of people, and the matters of trust and reliability. He is forced to face opposing views, and he develops tolerance and empathy. Such hard-won experience is invaluable for a statesman, a ruler of his people.
And Prince Othrun is being tested to the very core. His faith in the Single God is tested, his courage is tested, and his intelligence is tested.
Upon overcoming these tests Prince Othrun may reach the pinnacle of his greatness by saving his people, maintaining the alliance, and becoming the King.
They say that nothing makes the path to the goal easier than the absence of a choice.
Overall, it is a worthy read for connoisseurs of dark epic fantasy, and I shall be looking forward to reading the next book of the series.
The novel “The Last of the Atalanteans”, the second instalment in the Drowned Kingdom Saga, penned by P.L. Stuart is a book that I thoroughly enjoyed.
As in the first novel “A Drowned Kingdom”, the author continues to amaze with his eloquent literary language and style. Detailed descriptions and dialogues are of help to immerse yourself into the story, convey the prevailing atmosphere and tension, as well as understand and feel the motives and considerations of the main characters.
As a person with a military background, I especially liked the scenes of hand-to-hand combat, sword battle, as well as battle strategy and tactics. The author masterfully describes the mortal combat, so that the reader can feel the effect of presence.
The storyline of unrequited love is very captivating. The views of Prince Othrun and Princess Lysi are so diametrically opposed to each other, and nevertheless, there is a connection between them. Prince Othrun remains loyal to the Single God, and at the same time, he considers that the factor of heathen magic should be taken seriously.
Prince Othrun and his companions undergo a tough make-or-break challenge, which should, if successfully gotten over, fashion him in the knowledge of heathen people, their culture, religion, and customs, as well as firmness in overcoming difficulties, discipline, and ability to rule.
Prince Othrun lays aside his noble way of life and gives himself up to the toils of soldiership by pretending to be an ordinary soldier. All the hardships that befall Prince Othrun during his venture pave the way for his ascension to the role of king. Prince Othrun will risk his very life on a battlefield to gain the favour of King Wely.
The rough life that Prince Othrun sees, and a friendship, formed with heathen kings, as well as with common Lynchunian soldiers, during this phase of his changeful story, had considerable influences upon his character, habits, perception of people, and the matters of trust and reliability. He is forced to face opposing views, and he develops tolerance and empathy. Such hard-won experience is invaluable for a statesman, a ruler of his people.
And Prince Othrun is being tested to the very core. His faith in the Single God is tested, his courage is tested, and his intelligence is tested.
Upon overcoming these tests Prince Othrun may reach the pinnacle of his greatness by saving his people, maintaining the alliance, and becoming the King.
They say that nothing makes the path to the goal easier than the absence of a choice.
Overall, it is a worthy read for connoisseurs of dark epic fantasy, and I shall be looking forward to reading the next book of the series.
December 13, 2022
The Last of The Atalanteans is the epic sequel to P. L. Stuart’s fabulous debut book A Drowned Kingdom. Stuart’s wonderfully rich prose draws you into the story immediately – making this tale of Othrun, an unlikeable and misogynistic bigot, a joy to read and difficult to put down. I love the gentle observational comments this eloquent main character makes about the world around him, which help to paint a many layered picture of the fantasy world in which this story takes place:
“Under ominous clouds that did not break into rain, we went perhaps ten miles south. We did those ten miles very slowly and silently, through waist-high grasses, with biting ticks and whining mosquitos, fat on our blood, tormenting us as we travelled the mushy ground. We made our way through shrubland then, followed by farmland, where everything was flat and open with gentle low fields.”
Stuart, via his first person narrator, Othrun, manages to tell us the “story so far” through small references to prior events here and there such that you barely notice them. In this way I feel that The Last of the Atlanteans might even be enjoyed without first reading A Drowned Kingdom.
The narrative is full of complicated politics and detailed plots of subterfuge among the main factions as Othrun’s alliance approaches the capital city, hoping to depose the usurper King Orlu and his mage Queen Syda, while reinstating Orlu’s brother Wely as the rightful king of Lynchun. There are spies within spies and complicated political relationships which are meticulously described with such care, so as not to be confusing at all.
“Fools fall for tricks. Then fools fall.”
There is also a plethora of treachery, infidelity, attempted regicide and witchcraft. This book requires your full attention to ingest everything that is going on and enjoy each little nuanced detail that Stuart gives in order to avoid possible loss of clarity on the part of the reader.
“We’ve been waiting here all these days. Waiting, worrying, and wondering. I don’t do well with this hiding, this disguising, this intrigue nonsense. I suppose I’m like Orlu. Give me a fight, head on, no skullduggery, no politics, and you’ll have me engaged.”
In Part 2 of the book the Mammoth standard of the Atalanteans arrives at the fortified city along with the main armies of Carthlughe and Atalantyx, much to the relief of Othrun and his supporters, but afford little help until after the city has been overthrown by the forces gathered by Othrun and Wely’s supporters:
“New friends, it seemed, could prove truer than old.”
Luckily their new supporters within the city are stout hearted and proven in battle, taking their lead from Wely and Othrun, who think nothing of throwing themselves into the heart of the fray:
“Any king worth his crown will know when his life is worth nothing compared to his cause, you said, compared to the lives of his people. Any king worth his crown will know when odds of success are so remote that he must take the risk himself, on a single throw. Because his life is worth nothing compared to the cause.”
There is a little too much history and background information imparted all at once by both King Wely and Old Yedwol in the early part of Part 3 of the book for my liking. I found I was getting distracted at that point and wanted to move on to more action. Then with Old Yedwol’s account of the battle of Berefet I found the storytelling style to improve considerably and satisfactorily.
The Last of the Atalanteans is character-driven epic fantasy at its very best and the main character Othrun can be seen to challenge many of his preconceived, narrow-minded ideas and worldview. I am hoping his unlikeable traits will all be overthrown by the end of this series! I enjoyed seeing more of Lysi, the intriguing female warrior mage, in love with Othrun, yet spurned by him as a religiously monogamous married man. She was a favourite character for me but only had a relatively small, yet influential role in this book. The main conversation between Othrun and Lysi threatened her opposition in battle and so I imagine she will be back in future novels, and I will look forward to her appearance in those. I would have liked to see more of the mysterious appearances of the Angel who claims to have fathered Othrun. In the last book I had convinced myself that he was all in Othrun’s mind but now thanks to a twist that occurred at Othrun’s uncle’s deathbed I am no longer sure that is the case.
Fans of bloody battles will love the action scenes in this novel – there is gore a-plenty and imaginative choreography amongst the swordplay! In addition to this, the intrigue and mysterious nature of the mystical and magical elements make it a truly compelling and original saga. I will be eagerly awaiting the next installment in this epic series!
“Under ominous clouds that did not break into rain, we went perhaps ten miles south. We did those ten miles very slowly and silently, through waist-high grasses, with biting ticks and whining mosquitos, fat on our blood, tormenting us as we travelled the mushy ground. We made our way through shrubland then, followed by farmland, where everything was flat and open with gentle low fields.”
Stuart, via his first person narrator, Othrun, manages to tell us the “story so far” through small references to prior events here and there such that you barely notice them. In this way I feel that The Last of the Atlanteans might even be enjoyed without first reading A Drowned Kingdom.
The narrative is full of complicated politics and detailed plots of subterfuge among the main factions as Othrun’s alliance approaches the capital city, hoping to depose the usurper King Orlu and his mage Queen Syda, while reinstating Orlu’s brother Wely as the rightful king of Lynchun. There are spies within spies and complicated political relationships which are meticulously described with such care, so as not to be confusing at all.
“Fools fall for tricks. Then fools fall.”
There is also a plethora of treachery, infidelity, attempted regicide and witchcraft. This book requires your full attention to ingest everything that is going on and enjoy each little nuanced detail that Stuart gives in order to avoid possible loss of clarity on the part of the reader.
“We’ve been waiting here all these days. Waiting, worrying, and wondering. I don’t do well with this hiding, this disguising, this intrigue nonsense. I suppose I’m like Orlu. Give me a fight, head on, no skullduggery, no politics, and you’ll have me engaged.”
In Part 2 of the book the Mammoth standard of the Atalanteans arrives at the fortified city along with the main armies of Carthlughe and Atalantyx, much to the relief of Othrun and his supporters, but afford little help until after the city has been overthrown by the forces gathered by Othrun and Wely’s supporters:
“New friends, it seemed, could prove truer than old.”
Luckily their new supporters within the city are stout hearted and proven in battle, taking their lead from Wely and Othrun, who think nothing of throwing themselves into the heart of the fray:
“Any king worth his crown will know when his life is worth nothing compared to his cause, you said, compared to the lives of his people. Any king worth his crown will know when odds of success are so remote that he must take the risk himself, on a single throw. Because his life is worth nothing compared to the cause.”
There is a little too much history and background information imparted all at once by both King Wely and Old Yedwol in the early part of Part 3 of the book for my liking. I found I was getting distracted at that point and wanted to move on to more action. Then with Old Yedwol’s account of the battle of Berefet I found the storytelling style to improve considerably and satisfactorily.
The Last of the Atalanteans is character-driven epic fantasy at its very best and the main character Othrun can be seen to challenge many of his preconceived, narrow-minded ideas and worldview. I am hoping his unlikeable traits will all be overthrown by the end of this series! I enjoyed seeing more of Lysi, the intriguing female warrior mage, in love with Othrun, yet spurned by him as a religiously monogamous married man. She was a favourite character for me but only had a relatively small, yet influential role in this book. The main conversation between Othrun and Lysi threatened her opposition in battle and so I imagine she will be back in future novels, and I will look forward to her appearance in those. I would have liked to see more of the mysterious appearances of the Angel who claims to have fathered Othrun. In the last book I had convinced myself that he was all in Othrun’s mind but now thanks to a twist that occurred at Othrun’s uncle’s deathbed I am no longer sure that is the case.
Fans of bloody battles will love the action scenes in this novel – there is gore a-plenty and imaginative choreography amongst the swordplay! In addition to this, the intrigue and mysterious nature of the mystical and magical elements make it a truly compelling and original saga. I will be eagerly awaiting the next installment in this epic series!
Read
June 1, 2022Once again P.L. Stuart has delivered. This second volume is a seamless continuation of the trials of Othrun, once a Prince of fabled Atalantyx, now leader of the surviving Atalanteans as they try to forge a new home in a new land. Filled with battles, treachery, danger, and magic, this novel depicts Othrun as an outsider trying to adapt the customs of his new allies to the worldview he was raised in, as he works to fulfil his self-proclaimed destiny as king of a new
Atalantyx.
P.L.'s writing continues to weave action, politics, and attitudes into a thrilling story that, as cliched as it sounds, leaves the reader wanting more. The third volume cannot come soon enough
Atalantyx.
P.L.'s writing continues to weave action, politics, and attitudes into a thrilling story that, as cliched as it sounds, leaves the reader wanting more. The third volume cannot come soon enough
February 15, 2024
This is a great follow-up. It is definitely a bridge book to things that are going to happen in the subsequent books.
I have an interview that I have done with the author that will be linked below the interview containing spoilers. This is book two of a long running series so it's hard not to discuss a book without spoilers
https://www.youtube.com/live/d4_JYFti...-
I have an interview that I have done with the author that will be linked below the interview containing spoilers. This is book two of a long running series so it's hard not to discuss a book without spoilers
https://www.youtube.com/live/d4_JYFti...-
This entire review has been hidden because of spoilers.
December 23, 2023
The Last of the Atalanteans is the second of what is described as a seven book series. Thank Heavens! To be able to read seven books of this calibre is definitely something to look forward to.
Prince Orrin and his followers join with their new allies on an epic journey filled with conflict, intrigue, tensions, personal turmoil, new alliances, and sparks of attraction as they journey to the new lands where Othrun will be crowned king—if they are successful in their travels and in vanquishing their enemies.
The story is complex and so vivid and well told that I have dreamt of being among those travelling with Orthrun. Somehow my dreams never measure up to the world crafting, dialogue, and adventures P.L.Stuart has crafted so brilliantly. I have only joined books in dreams a few other times in all my years of reading. In this regard The Last of the Atalanteans stands with the Dune and Lord of the Rings series in my experience.
Normally a speed reader I found myself reading slowly to savour P.L. Stuart’s detailed and stellar world building and the complexity of each of the main characters and the ways they relate to each other. Strengths, egos, and character flaws bring the people we meet to life. They make the reader react and also reflect.
I found myself so immersed in the life and times of this intense story I did at times put it down for a few days, and at one point for a longer time. This gave me space to contemplate the big ideas that the journey builds around.
Lord Orthrun is a flawed person and he is far from humble. Yet, it is easy to hope, as the epic story continues through the series, he will grow into his role as king, leader, and person. He has a lot to learn still and I have no doubt his next challenges will be beautifully crafted and told. P.L. Stuart is a master storyteller.
Prince Orrin and his followers join with their new allies on an epic journey filled with conflict, intrigue, tensions, personal turmoil, new alliances, and sparks of attraction as they journey to the new lands where Othrun will be crowned king—if they are successful in their travels and in vanquishing their enemies.
The story is complex and so vivid and well told that I have dreamt of being among those travelling with Orthrun. Somehow my dreams never measure up to the world crafting, dialogue, and adventures P.L.Stuart has crafted so brilliantly. I have only joined books in dreams a few other times in all my years of reading. In this regard The Last of the Atalanteans stands with the Dune and Lord of the Rings series in my experience.
Normally a speed reader I found myself reading slowly to savour P.L. Stuart’s detailed and stellar world building and the complexity of each of the main characters and the ways they relate to each other. Strengths, egos, and character flaws bring the people we meet to life. They make the reader react and also reflect.
I found myself so immersed in the life and times of this intense story I did at times put it down for a few days, and at one point for a longer time. This gave me space to contemplate the big ideas that the journey builds around.
Lord Orthrun is a flawed person and he is far from humble. Yet, it is easy to hope, as the epic story continues through the series, he will grow into his role as king, leader, and person. He has a lot to learn still and I have no doubt his next challenges will be beautifully crafted and told. P.L. Stuart is a master storyteller.
April 20, 2022
4.5 stars
In The Last of the Atalanteans, we return right at where we left Othrun in A Drowned Kingdom—on a mission to win back his liege king’s throne so that his burgeoning alliance and the land promised to him can actually be upheld. Told in three parts, we follow Othrun and company as they travel towards the capital, infiltrate and besiege the city, and their journey towards the promised Golden Valley.
Othrun, our self-righteous almost-king, is actually a lot more likable in this sequel despite his many character flaws. He is confronted by his prejudices and his preconceived notions. Although still arrogant and kind of a hypocrite, at least he has begun to question his many presumption, and I look forward to where his personal journey may take him.
The Last of the Atalanteans has great pacing and a better structure than A Drowned Kingdom, although I do think that it could have still been edited down a bit. The first two parts actually already tell a complete story, and Part 3 would have served better as an epilogue, making for a much tighter and more narratively cohesive story. The characters (especially Othrun) also have a tendency to philosophize, give long lectures, and be overly descriptive, and there are segments of heavy exposition (but much less than in the first book).
I look forward to what the next installment brings because it seems like Othrun’s many contradictions may be coming to a head and I want to see how that plays out.
Thank you to P.L. Stuart for providing me an eARC of this book. I participated in a book tour for the first book and enjoyed returning to this world.
In The Last of the Atalanteans, we return right at where we left Othrun in A Drowned Kingdom—on a mission to win back his liege king’s throne so that his burgeoning alliance and the land promised to him can actually be upheld. Told in three parts, we follow Othrun and company as they travel towards the capital, infiltrate and besiege the city, and their journey towards the promised Golden Valley.
Othrun, our self-righteous almost-king, is actually a lot more likable in this sequel despite his many character flaws. He is confronted by his prejudices and his preconceived notions. Although still arrogant and kind of a hypocrite, at least he has begun to question his many presumption, and I look forward to where his personal journey may take him.
The Last of the Atalanteans has great pacing and a better structure than A Drowned Kingdom, although I do think that it could have still been edited down a bit. The first two parts actually already tell a complete story, and Part 3 would have served better as an epilogue, making for a much tighter and more narratively cohesive story. The characters (especially Othrun) also have a tendency to philosophize, give long lectures, and be overly descriptive, and there are segments of heavy exposition (but much less than in the first book).
I look forward to what the next installment brings because it seems like Othrun’s many contradictions may be coming to a head and I want to see how that plays out.
Thank you to P.L. Stuart for providing me an eARC of this book. I participated in a book tour for the first book and enjoyed returning to this world.
April 4, 2022
The Last of the Atalanteans, P.L Stuart’s sequel to A Drowned Kingdom, did not disappoint. I found it well written and easy to visualise the story as it unfolded. I quickly slipped back into the life of Othrun and his companions, assisted along by subtle reminders from P.L Stuart of what had transpired previously.
The promise of a new realm for the remaining Atalanteans, where Othrun will be crowned King, motivates Othrun to continue his trip.
The journey is not an easy one. The unrequited love of the alluring Mage Lysi throws temptation in Othrun’s path along with bloody battles and difficult decisions.
Othrun is a force to be reckoned with in battle, but I found him to be immature in his reasoning.
I am excited to see how the final book in this series will unfold. I would like to see Othrun in a love connection with Lysi but I doubt he would betray his wife, which I commend. Their match would be a powerful one. I am looking forward to seeing Othrun grow, as a great ruler-–-but who knows maybe he will fail and lose everything he fought for.
Thank you, P.L Stuart for writing this entertaining book
I received an ARC in exchange for an honest review.
The promise of a new realm for the remaining Atalanteans, where Othrun will be crowned King, motivates Othrun to continue his trip.
The journey is not an easy one. The unrequited love of the alluring Mage Lysi throws temptation in Othrun’s path along with bloody battles and difficult decisions.
Othrun is a force to be reckoned with in battle, but I found him to be immature in his reasoning.
I am excited to see how the final book in this series will unfold. I would like to see Othrun in a love connection with Lysi but I doubt he would betray his wife, which I commend. Their match would be a powerful one. I am looking forward to seeing Othrun grow, as a great ruler-–-but who knows maybe he will fail and lose everything he fought for.
Thank you, P.L Stuart for writing this entertaining book
I received an ARC in exchange for an honest review.
October 6, 2022
“The Last of the Atalanteans” is the second novel in the Drowned Kingdom Saga fantasy series by P L Stuart. It continues the swords and sorcery storyline established in his first novel, “A Drowned Kingdom,” which detailed the trials and tribulations of its protagonist, Prince Othrun, and his island kingdom of Atalantyx. In the story, the prince, the younger of two brothers, one not meant to inherit the throne, becomes his people’s de facto leader after a cataclysmic event destroys the Atalanteans’ island home. Othrun and 1800 of his fellow citizens, recently banished at sea, are the only survivors of a kingdom of a half million people, and Atalantyx, with its advanced and militarily dominant civilization, one with a monotheistic belief in the Single God, is no more.
Othrun’s contingent of 18 ships reach the shore of the continent of Acremia where their efforts to establish a toehold are immediately challenged by local rulers. After battles and an unlikely alliance, we find Othrun and a few compatriots at the beginning of “The Last of the Atalanteans”—or TLA—surreptitiously entering a hostile kingdom to reinstate its rightful king, King Wely. (Othrun has sworn fealty to this man for the promise of his own new subkingdom south of Wely’s lands.)
Whereas the first book of the series spends time world-building, this second volume takes advantage of a previously established universe, treating the reader to immediate action involving a smaller, more well-defined cast of characters. There is still “saga” in the second novel, but Stuart now takes explores Othrun’s immediate need: securing the kingdom of his overlord, Wely, whose throne has been usurped by Wely’s conniving brother. Through a high-risk operation (pretending to be soldiers having “caught” Wely, purportedly to return him to his homeland and his merciless brother), Othrun hopes to set things right.
I had previously read Mr. Stuart’s first novel and came to TLA familiar with its world. However, I always worry about books in series: Can a new reader pick up a volume and not be overwhelmed? I was pleased that Stuart reaches out to new readers with a short prologue that sets up the action for the first chapter. Then, when needed over the course of the remaining chapters, he provides summaries of pertinent detail from the first book, working them into the plot line; there are also useful maps in the front of the book which I often referred to, as well as four helpful appendices if one forgets a character or place name.
TLA is a “saga” and I do mean saga, almost five hundred pages of it, yet it’s obvious the author is comfortable with his characters. There is a grittiness: men forced into a long journey in foul weather, sweating through their leather armor, swatting at flies. This realism—hunger, thirst, fatigue—makes these otherwise powerful men seem relatable to the reader. And there is magic. These remaining Atalanteans are monotheists, but in this new and foreign continent, they are in the minority, because the natives worship six pagan gods (more accurately, goddesses). Select wizards can call forth the power of these pagan entities. The more of this “magic” Othrun witnesses, the more his personal beliefs are threatened.
The civil conflict within the subkingdom of Lynchun, between those remaining loyal to Othrun’s overlord, Wely, and those pledging allegiance to his usurping brother, culminates in a violent battle for Lynchun’s largest city. Alliances and conflicts introduced in the first volume about this conflict are further developed; the reader gains a more nuanced understanding of the political, religious, and familial motives for those for and against Wely’s reinstation.
Fans of the first book will be thrilled with this sequel, which expands the scope of Othrun’s conflicts and supporting characters while introducing new territories and potential enemies. There is more sword-swinging action in this second volume, as well as a more thorough understanding of why clans cooperate, tolerate, or despise each other. The mages of Stuart’s created world continue to be strong female character leads (in Stuart’s world, wizards, few and far between, are powerful and exclusively female). Their magic, manifested through the worship of the six elemental goddesses, influences the fate of entire kingdoms. Othrun himself continues to be somewhat self-centered and arrogant, but his experiences and his growing fear of powers that he cannot control are whittling this away. At the same time, Othrun remains a loyal leader and good friend.
Mr. Stuart has crafted a solid sequel in which readers craving the sparks of hand combat as well as palace intrigue will be well satisfied. My only criticism of this work is that Mr. Stuart’s pace is still slow at times (e.g., some characters are prone to long speeches) and there is some unneeded repetition. That said, I’m hooked on Othrun’s exploits and am looking forward to Stuart’s third volume.
Othrun’s contingent of 18 ships reach the shore of the continent of Acremia where their efforts to establish a toehold are immediately challenged by local rulers. After battles and an unlikely alliance, we find Othrun and a few compatriots at the beginning of “The Last of the Atalanteans”—or TLA—surreptitiously entering a hostile kingdom to reinstate its rightful king, King Wely. (Othrun has sworn fealty to this man for the promise of his own new subkingdom south of Wely’s lands.)
Whereas the first book of the series spends time world-building, this second volume takes advantage of a previously established universe, treating the reader to immediate action involving a smaller, more well-defined cast of characters. There is still “saga” in the second novel, but Stuart now takes explores Othrun’s immediate need: securing the kingdom of his overlord, Wely, whose throne has been usurped by Wely’s conniving brother. Through a high-risk operation (pretending to be soldiers having “caught” Wely, purportedly to return him to his homeland and his merciless brother), Othrun hopes to set things right.
I had previously read Mr. Stuart’s first novel and came to TLA familiar with its world. However, I always worry about books in series: Can a new reader pick up a volume and not be overwhelmed? I was pleased that Stuart reaches out to new readers with a short prologue that sets up the action for the first chapter. Then, when needed over the course of the remaining chapters, he provides summaries of pertinent detail from the first book, working them into the plot line; there are also useful maps in the front of the book which I often referred to, as well as four helpful appendices if one forgets a character or place name.
TLA is a “saga” and I do mean saga, almost five hundred pages of it, yet it’s obvious the author is comfortable with his characters. There is a grittiness: men forced into a long journey in foul weather, sweating through their leather armor, swatting at flies. This realism—hunger, thirst, fatigue—makes these otherwise powerful men seem relatable to the reader. And there is magic. These remaining Atalanteans are monotheists, but in this new and foreign continent, they are in the minority, because the natives worship six pagan gods (more accurately, goddesses). Select wizards can call forth the power of these pagan entities. The more of this “magic” Othrun witnesses, the more his personal beliefs are threatened.
The civil conflict within the subkingdom of Lynchun, between those remaining loyal to Othrun’s overlord, Wely, and those pledging allegiance to his usurping brother, culminates in a violent battle for Lynchun’s largest city. Alliances and conflicts introduced in the first volume about this conflict are further developed; the reader gains a more nuanced understanding of the political, religious, and familial motives for those for and against Wely’s reinstation.
Fans of the first book will be thrilled with this sequel, which expands the scope of Othrun’s conflicts and supporting characters while introducing new territories and potential enemies. There is more sword-swinging action in this second volume, as well as a more thorough understanding of why clans cooperate, tolerate, or despise each other. The mages of Stuart’s created world continue to be strong female character leads (in Stuart’s world, wizards, few and far between, are powerful and exclusively female). Their magic, manifested through the worship of the six elemental goddesses, influences the fate of entire kingdoms. Othrun himself continues to be somewhat self-centered and arrogant, but his experiences and his growing fear of powers that he cannot control are whittling this away. At the same time, Othrun remains a loyal leader and good friend.
Mr. Stuart has crafted a solid sequel in which readers craving the sparks of hand combat as well as palace intrigue will be well satisfied. My only criticism of this work is that Mr. Stuart’s pace is still slow at times (e.g., some characters are prone to long speeches) and there is some unneeded repetition. That said, I’m hooked on Othrun’s exploits and am looking forward to Stuart’s third volume.
August 8, 2024
What a great read! Lots of action and a lot of story building. I will definitely keep reading P. L. Stuart and The Drowned Kingdom Saga!
December 28, 2022
As I wrap up book two in the Drowned Kingdom Saga I am left with the same feeling I had after finishing book one. If you want to know more of my thoughts please be directed to my review for book one. I will not be continuing this series after book two.
March 31, 2022
Book Two in The Drowned Kingdom Saga, The Last of the Atalanteans by fantasy fiction master, P.L. Stuart, opens with Othrun, Thurol, and Glathan: three Atalanteans in disguise as Lynchun soldiers using assumed names, entering the Lynchun border city of Lionshead, en route to its capitol, Lionfort. Together with the usurped Lynchun King, Centi, Earl of Lynchun, and the rightful King of Lynchun, Wely, this five-men ruse intend to get Wely’s kingdom back from his corrupt brother and wife.
Badan—the ugly Earl of Lionshead—sides with Wely’s usurping brother Orlu, Lynchun’s greatest, undefeated warlord. Badan is a man to be reckoned with and not discounted. Badan’s men are watching the “captured” Wely, for whom he hopes to be rewarded by Orlu while nudging Centi out of the way so he can gain the king’s favour.
Othrun, the narrator and orchestrator of their remarkable play, hopes that their deceptive plan will hold and that within twenty-seven days, their forces will besiege Lionfort. But he has no idea what lies in store for them.
And so, author Stuart sets the stage for another grand and bold chapter in this epic fantasy saga. He writes this brilliant chess match between usurpers, warriors, noblemen and mages with a visceral description of the sights, sounds and odours of the places his heroes occupy. Stuart perfectly sets the tone for the adventure and inevitable battles to follow. Stuart skillfully interweaves the fascinating supernatural tale of Othrun’s beloved, albeit cursed, Atalantean steel sword, Sure-Steel, and the Anchali, an enigmatic angel who claims to be his true father. Othrun has a hard time wrapping his Single God-believing mind around the contradiction of the pagan beliefs he’s surrounded by, creating an absorbing conflict of a non-killing kind.
Stuart also reintroduces the powerful mage, Lysi, Princess of Nyrimia. She is my favourite character and the perfect adversary for the Fab Five of Fantasy—regardless of her sexual attraction to the married Othrun. Fierce, fearless and intelligent, Lysi is the femme fatale warrior who will hold the fate of the Five in her hands. In addition, she adds much-needed humour, magic, and sexual tension to Othrun’s tale as she challenges his spiritual beliefs.
There are spies amongst the band of warriors trying to make their way to Lionfort, making their journey treacherous beyond the inclement weather and inhospitable accommodations. The King of Lynchun’s wife, Syda, also a powerful mage, wants Wely dead. It will take cunningness and hyper-vigilance for Othrun’s men to deliver Wely to King Orlu in one piece. Lord Badan doesn’t view Othrun as the noble hero he believes he is, so the arrogant Othrun will have to hold his cards close to his chest to protect his ruse.
Othrun hates paganism and blames it for the seduction of his brother Erthal by Dira and the downfall of Atalantyx. He believes that there is no room in the realm for other gods. They must eradicate them.
“It was the God-given task of the virtuous kingdom of Atalantyx, I believed, led by my royal house, to rid the world of those idolaters. I had seen the Anchali’s power, its glory, and its wonder. I knew our Single God to be real. Any other sort of worship was heresy. Yet there I was believing in pagan magic, as wielded by Lysi.”
In Chapter Twenty-Nine, Yedwol the Old tells the story of the Battle of Berefet to Othrun, and the reader learns more about the history of the Altalantean warriors. It is superbly crafted. Describing the tragedy of war from the point of view of a thirteen-year-old warrior with the spirit of a dragon, Yedwol’s tale will make you weep. Beheading women and children for the gold in their land is beyond atrocious. However, the Berefetish people still tried to kill and poison the three hundred warriors left in the Atalantean army after their colossal battle as they resisted their sovereignty. Yedwol and his young men stole everything they could and killed everyone who opposed them while praying to their Single God. And how that sickens me. There is no justification for such behaviour and no way I could cheer for them.
Othrun asks himself if he could kill Eltnish women and children to bring monotheism to the continent of Acremia and secure gold for the prosperity of the Eastrealm, his soon-to-be kingdom. However, he cannot abide rape or violence against women, children and the weak, so he watches the shine of his uncle’s glory tarnish.
As war rages between Russia and Ukraine, it is difficult to read such a passage knowing that millennia later, in the real world, men still kill each other for power, land, and greed and because they think their religion is the truth. War is not only something glorified in fantasy fiction or history books; it is inherent to man’s nature, which saddens this reader deeply. Of course, we should never ennoble war, but for those who enjoy reading about it and want to experience the horror, Stuart is a master narrator. He also manages to capture the humanity behind the carnage.
Othrun’s conflict is authentic and complex. This profoundly flawed man slowly evolves before our eyes in the second volume of this epic seven-book series that author Stuart is planning. In this story, he must be a follower rather than a leader most of the time. Othrun befriends a homosexual warrior named Hani, who enjoys cooking for their party of conspirators against Orlu. Although Hani favours sleeping with men, an abomination to the Single God, Othrun decides he doesn’t care and likes him anyway.
After reading Book One, I wasn’t sure if I would care enough about Othrun to follow him on his journey. But after reading Book Two, I am pleased by his evolving humanity, captivated by the storyline, and cannot wait for what will happen in the next instalment of The Drowned Kingdom saga, Lord and King, to be published next year.
P.L. Stuart will be a fantasy fiction legend like his heroes Cornwell, Martin, and Jemesin before the last book in this series is published.
Badan—the ugly Earl of Lionshead—sides with Wely’s usurping brother Orlu, Lynchun’s greatest, undefeated warlord. Badan is a man to be reckoned with and not discounted. Badan’s men are watching the “captured” Wely, for whom he hopes to be rewarded by Orlu while nudging Centi out of the way so he can gain the king’s favour.
Othrun, the narrator and orchestrator of their remarkable play, hopes that their deceptive plan will hold and that within twenty-seven days, their forces will besiege Lionfort. But he has no idea what lies in store for them.
And so, author Stuart sets the stage for another grand and bold chapter in this epic fantasy saga. He writes this brilliant chess match between usurpers, warriors, noblemen and mages with a visceral description of the sights, sounds and odours of the places his heroes occupy. Stuart perfectly sets the tone for the adventure and inevitable battles to follow. Stuart skillfully interweaves the fascinating supernatural tale of Othrun’s beloved, albeit cursed, Atalantean steel sword, Sure-Steel, and the Anchali, an enigmatic angel who claims to be his true father. Othrun has a hard time wrapping his Single God-believing mind around the contradiction of the pagan beliefs he’s surrounded by, creating an absorbing conflict of a non-killing kind.
Stuart also reintroduces the powerful mage, Lysi, Princess of Nyrimia. She is my favourite character and the perfect adversary for the Fab Five of Fantasy—regardless of her sexual attraction to the married Othrun. Fierce, fearless and intelligent, Lysi is the femme fatale warrior who will hold the fate of the Five in her hands. In addition, she adds much-needed humour, magic, and sexual tension to Othrun’s tale as she challenges his spiritual beliefs.
There are spies amongst the band of warriors trying to make their way to Lionfort, making their journey treacherous beyond the inclement weather and inhospitable accommodations. The King of Lynchun’s wife, Syda, also a powerful mage, wants Wely dead. It will take cunningness and hyper-vigilance for Othrun’s men to deliver Wely to King Orlu in one piece. Lord Badan doesn’t view Othrun as the noble hero he believes he is, so the arrogant Othrun will have to hold his cards close to his chest to protect his ruse.
Othrun hates paganism and blames it for the seduction of his brother Erthal by Dira and the downfall of Atalantyx. He believes that there is no room in the realm for other gods. They must eradicate them.
“It was the God-given task of the virtuous kingdom of Atalantyx, I believed, led by my royal house, to rid the world of those idolaters. I had seen the Anchali’s power, its glory, and its wonder. I knew our Single God to be real. Any other sort of worship was heresy. Yet there I was believing in pagan magic, as wielded by Lysi.”
In Chapter Twenty-Nine, Yedwol the Old tells the story of the Battle of Berefet to Othrun, and the reader learns more about the history of the Altalantean warriors. It is superbly crafted. Describing the tragedy of war from the point of view of a thirteen-year-old warrior with the spirit of a dragon, Yedwol’s tale will make you weep. Beheading women and children for the gold in their land is beyond atrocious. However, the Berefetish people still tried to kill and poison the three hundred warriors left in the Atalantean army after their colossal battle as they resisted their sovereignty. Yedwol and his young men stole everything they could and killed everyone who opposed them while praying to their Single God. And how that sickens me. There is no justification for such behaviour and no way I could cheer for them.
Othrun asks himself if he could kill Eltnish women and children to bring monotheism to the continent of Acremia and secure gold for the prosperity of the Eastrealm, his soon-to-be kingdom. However, he cannot abide rape or violence against women, children and the weak, so he watches the shine of his uncle’s glory tarnish.
As war rages between Russia and Ukraine, it is difficult to read such a passage knowing that millennia later, in the real world, men still kill each other for power, land, and greed and because they think their religion is the truth. War is not only something glorified in fantasy fiction or history books; it is inherent to man’s nature, which saddens this reader deeply. Of course, we should never ennoble war, but for those who enjoy reading about it and want to experience the horror, Stuart is a master narrator. He also manages to capture the humanity behind the carnage.
Othrun’s conflict is authentic and complex. This profoundly flawed man slowly evolves before our eyes in the second volume of this epic seven-book series that author Stuart is planning. In this story, he must be a follower rather than a leader most of the time. Othrun befriends a homosexual warrior named Hani, who enjoys cooking for their party of conspirators against Orlu. Although Hani favours sleeping with men, an abomination to the Single God, Othrun decides he doesn’t care and likes him anyway.
After reading Book One, I wasn’t sure if I would care enough about Othrun to follow him on his journey. But after reading Book Two, I am pleased by his evolving humanity, captivated by the storyline, and cannot wait for what will happen in the next instalment of The Drowned Kingdom saga, Lord and King, to be published next year.
P.L. Stuart will be a fantasy fiction legend like his heroes Cornwell, Martin, and Jemesin before the last book in this series is published.
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