This book is intended to encourage aspiring composers. The first section of this book includes a brief glossary and explanations of sheet music notations. Then there is a discussion of the setting and tools that the author finds useful in the process of composing and things that help her concentration, from paper and pencils to software and staying hydrated. She likes a pretty room with a lock and little ambient noise. The book goes on to talk about fundamental concepts like melody, harmony, and form of the composition. The author recommends ear training and discusses tuning, playing by ear, knowing your chord progressions and intervals, and discusses improvisation and transposition. You should pick your time and key signatures and consider your melody, harmonies and the feeling you want to achieve with your music. She mentions some things that help her find inspiration like listening to music, things she sees, improvising with a friend and even talks about the importance of sleep, relaxation and a healthy lifestyle. The last part is a list of book and software recommendations, most of which I was not familiar with. The author concludes by hoping that the reader finds their musical journey rewarding and encourages beginning composers to allow for mistakes and to take their time to create something they can be proud of. There is a list of reference materials and links that may help you .
The target audience of this book seems a little shifting, and the chances are that some of the material will seem either too easy or too difficult. It starts from extremely elementary things absolute beginners would normally learn within the first few music lessons, like pointing out the spaces and lines on a stave, and goes on to discuss specific composition details like transposing alto saxophones up by a major sixth. Those readers with no musical background who need to learn everything in the first section from scratch would probably find some explanations rather hard to understand. And those readers who are at such a stage of their musical career that they worry about the pitch differences between alto and baritone saxophones would likely skip most of the initial section on note reading as they'd already know this stuff.
Some of this might be easier to grasp if it's learned in actual music lessons or some resource with sound examples. Merely reading a verbal explanation doesn't always mean you can hear in your head how it's supposed to sound or identify it when you hear it in a song.
In case composition is not your thing, you might still find the book useful if you want something to quickly revise some basic music theory and concepts although there are sections that would be entirely irrelevant for that purpose.
I rated this three and a half.
I received a copy from Booksprout and this is a voluntary review.