'[O]f course there are indeed material differences of all sorts in the world. There is no reason to deny this reality. However, it is only when these differences have been organized within a discourse, as a system of marked differentiations, that the resulting categories can be said to acquire meaning, become a factor in human culture, regulate conduct, and have real effects on everyday social practices' (50)
'Indeed, by making difference intelligible in this way, each regime [of truth] marks out human differences within culture in a way that corresponds exactly to how difference is understood to function in nature, that is, 'naturally,' such that the differences represented in the discourse of race are put beyond the capacity of culture and history to rework or reconstruct them' (57)
'[W]ithin the traditionalist conception of diaspora culture there is always a linear movement whereby authenticity fades the further you go from its original source or depart from its sacred text, which will inevitably entail the sad declension of diaspora identity into inauthenticity and impurity. With the newer conception of diaspora, however, 'tradition' is understood as itself always being remade and transformed, as something that is always *produced* as a discursive structure, thereby constantly recomposing itself as the relations of similarity and difference are repositioned - disarticulated and rearticulated - in new chains of equivalence. In breaking with the narrative of authenticity, we have a critical account of diaspora that also disrupts the fatal disposition that regards diaspora peoples as continually suspended between a traditionalism of the past, to which they cannot return - impure and corrupted as they are - and a modernity of the future, equally impure and inauthentic, which they are forbidden to enter' (170-71 - cf. Turki's shift from early to late memoirs)