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The Execution Tapes

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Since this country’s last public execution in 1936, all U.S. executions have been carried out solely in front of state-selected witnesses. Alongside the controversy over the morality of capital punishment has raged a parallel debate: Should the state’s ultimate act against an individual be enacted in secret? Many in the media have tried to bring their cameras and tape recorders into the execution chamber, but courts have consistently ruled that, although the media do have a place in witnessing executions, they have no right to record the scene.

In 1998, however, audio tapes of 22 Georgia executions — tapes recorded by members of the state’s Department of Corrections for their own records — entered the court record when criminal defense lawyer Mike Mears subpoenaed the tapes in a lawsuit he brought challenging the state’s use of the electric chair. Sound Portraits acquired the recordings, and, in conjunction with WNYC, produced The Execution Tapes.

The Execution Tapes is an hour-long public radio special hosted by Ray Suarez featuring excerpts of recordings made in Georgia’s death house during state electrocutions. This broadcast is the first time a national audience is able to hear what takes place during a state-sponsored execution.

Excerpts of the tapes are followed by two roundtable discussions about the implications of the tapes’ broadcast. Participants include 60 Minutes co-editor Mike Wallace, First-Amendment lawyer Martin Garbus, former Georgia Attorney General Michael Bowers, professor of psychiatry and psychology Robert Jay Lifton, and Diane Clements, president of the victims’ rights organization Justice for All.

Audible Audio

Published January 1, 2001

About the author

Brooke Gladstone

6 books76 followers
Brooke Gladstone is an American journalist and media analyst. She is cohost of NPR's On the Media and a former senior editor at Weekend Edition and All Things Considered. She lives in Brooklyn, New York.

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Profile Image for Tom Schulte.
3,433 reviews77 followers
February 20, 2022
Since this country’s last public execution in 1936, all U.S. executions have been carried out solely in front of state-selected witnesses. Alongside the controversy over the morality of capital punishment has raged a parallel debate: Should the state’s ultimate act against an individual be enacted in secret? Many in the media have tried to bring their cameras and tape recorders into the execution chamber, but courts have consistently ruled that, although the media do have a place in witnessing executions, they have no right to record the scene.

In 1998, however, audio tapes of 22 Georgia executions — tapes recorded by members of the state’s Department of Corrections for their own records — entered the court record when criminal defense lawyer Mike Mears subpoenaed the tapes in a lawsuit he brought challenging the state’s use of the electric chair. Sound Portraits acquired the recordings, and, in conjunction with WNYC, produced The Execution Tapes.

The Execution Tapes is an hour-long public radio special hosted by Ray Suarez featuring excerpts of recordings made in Georgia’s death house during state electrocutions. This broadcast is the first time a national audience is able to hear what takes place during a state-sponsored execution.

Excerpts of the tapes are followed by two roundtable discussions about the implications of the tapes’ broadcast. Participants include 60 Minutes co-editor Mike Wallace, First-Amendment lawyer Martin Garbus, former Georgia Attorney General Michael Bowers, professor of psychiatry and psychology Robert Jay Lifton, and Diane Clements, president of the victims’ rights organization Justice for All.

Wallace is pro-broadcasting of the even and Clements is against it. They both make reasoned arguments. Wallace feels the public has a right to opt-in to witnessing what is done in its name. Clements strenuously argues this focuses on the punishment and criminal and takes attention away from the victim who is more worthy of our consideration. Bowers confidently asserts the purpose of capital punishment is retribution, which is interesting if anything in his strong statement on it. Garbus thinks the even should be made public and in so doing, society will choose to get rid of executions.
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