My introduction to the fiction of Robin Yeatman is her debut novel Bookworm. It shares a characteristic with a lot of my favorite novels in that it doesn't fit evenly into any category. Three bookstore clerks might place this on three different shelves. The cover suggests a cute or whimsical romp through reading and love, and if plotting the murder of your domineering husband is cute or whimsical, I imagine it could be. The novel shares characteristics with Patricia Highsmith and Mary Gaitskill, with noir undertones highlighted by an inappropriately creative protagonist. I laughed often.
Victoria is an unhappily married woman in her mid-thirties. She's employed as a massage therapist at a spa in Montréal, a job that her mother-in-law landed her and that places no demands on Victoria. Her "important" job is her husband Eric, a promising young lawyer who her parents set her up with five years ago. Victoria has settled into a subservient existence: cooking, nurturing and providing as few distractions as possible for her fussy husband. Victoria's passion, which Eric does not share, is reading. She can often be found with her nose in a book, either at Café au Lait before she has to prepare dinner for her husband, or at home in the evenings while he watches TV.
Everything changes the day Victoria sees an attractive man at her café reading the same book as her, a long and torturous account of one man's suffering that Victoria is suffering through as a reader. Feeling an unspoken connection to this stranger, she returns to the café three more times, wearing a carefully selected outfit, in the hope she might encounter Him again. Her book ultimately serves as an icebreaker. The stranger's name is Luke and he makes wood furniture for his own store. Convinced that Luke and she are destined to be soul mates, Victoria's fantasies of some tragic accident befalling her husband begin to multiply.
Victoria stared at the back of Eric’s neck and saw how slender it was. How tender and slight, how hurtable it was, with just a few muscles and sheath of skin for protection over the bones. A miracle that he walked around all day without breaking it. Things fell all the time, didn’t they? He walked downtown, by old buildings made of brick and stone. It wasn’t out of the realm of possibility that, one day, the music would be in sync and a large cube of cement would come loose at the right moment and down, come down to bring his face flat against his chest at an acute angle, his neck bones splintered and divorced from each other, the break so sudden and sharp that the skin at the back of his neck would be pierced and the pearly bone poking out, ghostly white, almost plastic in appearance, protruding from the red hole, visible only for a handful of seconds before being drowned in a bloody pulse, a pulse that slowed exponentially to nothing, with each breath bringing her closer to the end, to the end of marriage, to freedom.
She saw herself being told the news—the doorbell ringing, her phone ringing, serious faces, kind voices, a hand on the shoulder. “He didn’t suffer. It was instant. I’m so sorry.” Her tears, her tears, so many tears, each tear healing an unspeakable hurt. The funeral. The eulogy. All the well-wishers. And then that night, returning to the apartment, she would shower and come to bed naked with her hair wet against the pillow, and she would look up at the ceiling and feel lightness in her heart, and sleep would come for her and sleep would find her so effortlessly all she had to do was to turn to her side with one leg pulled up to her chest the way she had done in her mother’s womb and she would be gone.
The candy that Yeatman serves with Bookworm comes in two bags: woman plots to murder her husband, and woman comments on books. I'd be surprised if these topics were foreign to any married woman reading this review. Yeatman doesn't name the book that Victoria loathes, a 721-page tome with a crying man on the cover (likely A Little Life by Hanya Yanagihara) but A Thousand Acres by Jane Smiley, Nutshell by Ian McEwan and Strangers on a Train by Patricia Highsmith become valuable resources for Victoria as she plots murder. She also reads and enjoys Eileen by Ottessa Moshfegh, The Dinner by Herman Koch and The Sundial by Shirley Jackson. Victoria compares one of her clients to a Stephen King character.
She was a tiny woman who resembled Shelley Duvall, with stringy, long black hair and a face that often wore an expression of horror, not unlike Mrs. Torrance’s in the bathroom scene in The Shining. Her name was all wrong: Bernadette. She looked much more like a Maude or a Mildred, or maybe even an Olive, given her appearance. Victoria decided she was too insubstantial to merit three syllables, the name too weighty for her.
Bernadette now lay on her back, head wedged in the black circular resting spot on the massage table, and had the appearance of being asleep. In this supine position, her small breasts were flattened to an almost androgynous status. Only the triangular outlines of her brassiere visible through the sheet hinted at their existence.
From the moment she was introduced, Victoria understood who Bernadette was. It took only a few moments to see that she was a mouse, a quivering, pathetic creature who had been living with alley cats her whole life. Victoria saw Bernadette as slave to a domineering mother, an obese woman who wore a wig and lay, day and night, on a sagging, flowered couch. She’d hurled demands and insults at Bernadette as a child, and still did. Bernadette was single, had never been paid the least attention by men (unless you counted Uncle Pete, who was dead now, thankfully), and was so lonely she took to people watching using an old telescope she’d found in a box in the upstairs closet.
Yeatman does a terrific job of rooting interest in her character and building anticipation of what she's going to get up to next. I rocketed through the book and never hit a dull spot. Nothing is introduced not related to Victoria's twin obsessions and I would've liked a bit more complexity or perhaps another twist to Luke's character that for a moment, I felt was coming. Better than funny, Bookworm is smart funny, with sharp prose and excellent dialogue. The petty cruelties spouses inflict are realized extremely well. I'm looking forward to discovering what the author tackles next.
Disclaimer: I've been a Goodreads friend with the author since 2014. She sent me a galley proof of Bookworm to review.