George Bernard Shaw: A BBC Radio Drama Collection

by George Bernard Shaw

Fifteen of the finest works by the world-renowned playwright, as heard on BBC radio.

George Bernard Shaw - or Bernard Shaw, as he preferred to be known - was one of Ireland's foremost dramatists and thinkers. His plays range from contemporary satires to historical allegories, and are infused with ideas, insight, wit and wisdom. Included here are some of his best works, adapted for radio and brought together in reverse chronological order in one statement collection.

We begin with his prophetic political comedy The Apple Cart, set in the future and pitting the fictional King Magnus against his Prime Minister. Next is his masterpiece Saint Joan, dramatising the trials of Joan of Arc, for which he won the Nobel Prize for Literature in 1925. Heartbreak House lampoons England's ruling elite before World War I, as they sail heedlessly towards catastrophe; Pygmalion explores feminism and the class system through Cockney flower girl Eliza Doolittle and irascible phonetics professor Henry Higgins; and in Androcles and the Lion, Shaw transforms Aesop's fable to impart his thoughts on human frailty, religion and martyrdom.

The Dark Lady of the Sonnets imagines a meeting between William Shakespeare and Queen Elizabeth I, while alternate history Press Cuttings sets the suffragettes against crotchety war veteran General Mitchener. Here, too, are the controversial The Shewing-Up of Blanco Posnet, banned in England for contravening blasphemy laws; the classic comedy Major Barbara, a tale of romance, rich privilege and a battle of wills; and the humorous philosophical drama based on the Don Juan theme, Man and Superman, directed for Radio 3 by theatrical icon Sir Peter Hall.

Also featured are early works Caesar and Cleopatra, a dramatised account of the relationship between the Roman dictator and the Egyptian queen; The Devil's Disciple, set against the backdrop of the American War of Independence; The Man of Destiny, in which Napoleon enters into a battle of wits with a beautiful stranger; and Candida, about a vicar's wife whose life is turned upside down by a young poet. Finally, Shaw's acclaimed 'problem play', Mrs Warren's Profession, probes issues of Victorian prostitution and double standards. And in a bonus documentary, devotees of the great author discuss his life, work and legacy.

Among the array of stars in these coruscating dramas are Ralph Fiennes, Judi Dench, Prunella Scales, Anton Lesser, Juliet Stevenson, Paul Merton, Ron Cook, Victoria Hamilton, Nicholas Le Prevost, David Suchet, Eleanor Bron, David Troughton, Julian Rhind-Tutt , Alistair McGowan, Al Murray, Morgana Robinson, Robert Bathurst, Leslie French, Marius Goring, Arthur Lowe, Denys Hawthorne, Rebecca Front, Alan Badel, Gregory Peck, Paul Ritter, Hannah Gordon, Edward Petherbridge and Maggie Steed.

Genres: Plays

26 pages, Audible Audio

Published February 24, 2022

About the author

George Bernard Shaw stands as one of the most prolific and influential intellectuals of the late nineteenth and early twentieth centuries, a man whose literary output was matched only by his fervent commitment to social reform. Rising from a modest background in Dublin to become a global icon of letters, Shaw redefined the purpose of the stage, transforming it from a place of mere entertainment into a forum for rigorous intellectual debate and moral inquiry. His unique "Shavian" style—characterized by sharp-witted dialogue, paradoxical reasoning, and a relentless assault on Victorian hypocrisy—ensured that his voice resonated far beyond the footlights. As a playwright, critic, and philosopher, he remains a singular figure in history, being one of only two individuals to have been honored with both a Nobel Prize in Literature and an Academy Award. This rare crossover of high-art recognition and mainstream cinematic success speaks to his versatility and the enduring relevance of his narratives. His dramatic work, which includes over sixty plays, often tackled the most pressing issues of his day, from the rigid structures of the British class system to the complexities of gender roles and the ethical dilemmas of capitalism. In masterpieces like Pygmalion, he used the science of phonetics to demonstrate the artificiality of class distinctions, a theme that would later reach millions through the musical adaptation My Fair Lady. In Man and Superman, he delved into the philosophical concepts of the "Life Force" and the evolution of the human spirit, while Major Barbara forced audiences to confront the uncomfortable relationship between religious idealism and the industrial military complex. Beyond his theatrical achievements, Shaw was a foundational force in political thought, serving as a leading light of the Fabian Society. His advocacy for gradual socialist reform, rather than violent revolution, helped shape the trajectory of modern British politics and social welfare. He was instrumental in the creation of the London School of Economics, an institution that continues to influence global policy and economic theory. Shaw was also a formidable critic, whose reviews of music and drama set new standards for the profession, characterized by an uncompromising honesty and a deep knowledge of the arts. His personal lifestyle was as distinctive as his writing; a committed vegetarian, teetotaler, and non-smoker, he lived with a disciplined focus that allowed him to remain productive well into his ninth decade. He was a man of contradictions, often engaging in provocative public discourse that challenged the status quo, even when his views sparked intense controversy. His fascination with the "Superman" archetype and his occasional support for authoritarian figures reflected a complex, often elitist worldview that sought the betterment of humanity through radical intellectual evolution. Despite these complexities, his core mission was always rooted in a profound humanitarianism and a desire to expose the delusions that prevented society from progressing. He believed that the power of the written word could strip away the masks of respectability that hid social injustice, and his plays continue to be staged worldwide because the human foibles he satirized remain as prevalent today as they were during his lifetime. By blending humor with gravity and intellect with accessibility, Shaw created a body of work that serves as both a mirror and a compass for modern civilization. His legacy is not just in the scripts he left behind, but in the very way we think about the intersection of art, politics, and the individual’s responsibility to the collective good. He remains the quintessential public intellectual, a man who never feared to speak his mind or to demand that the world become a more rational and equitable place.

Reviews

[Alison · Rating 3 out of 5]

Most of this was a bit of a struggle for me. Rather often I found I hadn’t really been listening. I enjoyed Pygmalion and Saint Joan, more or less listened to The Devil’s Disciple, Major Barbara and Mrs Warren’s Profession but abandoned Heartbreak House and Man and Superman. Many of the philosophising conversations were too long and ultimately not very interesting for me - the biography of Shaw at the end suggested that I’m not alone in that, especially in the present century when at least some of the issues raised are now resolved.
The 3 stars are my enjoyment factor. In fairness the performances were all good and these plays are classics.

[Taylor Ross · Rating 5 out of 5]

I’ve always had trouble with actually getting down to watching or reading all of the plays that I would like to familiarize myself with so I was quite excited when I saw this Bernard Shaw collection of BBC Radio Dramas on Audible. Whenever I had an XM radio subscription trial I would tune into the radio drama channel for fun and quite enjoyed the format. It was interesting to get through this audiobook because it made me realize how much I am wired for long form narrative fiction and non-fiction rather than other formats like plays, poems, or short stories. I’m not sure why but I always seem to find it so much easier to slog through a 60 hour audio novel instead of a 15 hour collection of short stories. I think it has to do with the switching of topics and casts of characters so often, makes me feel not too motivated to get on with it for some reason.

Anyway my issues with the medium aside I found this to be quite enjoyable. Gave me a good sense of what GBS was interested in and how he presented his ideas in his plays. Often they would feel more like excuses for characters to give long rhetorical speeches but they were also very funny. I particularly enjoyed Pygmalion and see why it has such a great reputation.