After the brilliant The Marsh King's Daughter, Karen Dionne once again plunges the reader into another dysfunctional family drama, set in the remote and pristine woods of the Michigan Upper Peninsula wilderness, with its echoes of the darkest fairytales and the parallel echoes between two generations of sisters, Jenny and Charlotte, and Jenny's daughters, Diana and Rachel, and the emotionally fraught difficulties of being a parent. Since the age of 11, the 26 year old Rachel Cunningham has been a resident of the Newberry Regional Mental Health Centre, a psychiatric hospital, enduring unspeakable suffering and humiliation, a self imposed punishment for being responsible for the death of her parents, even though the spider does not agree with her judgement. Trevor, the brother of her only friend in the asylum, Scotty, shows her police evidence that proves that she is innocent, it appears her sacrifice was all for nothing, now she must have answers.
Rachel embarks on a search into the past, the woods where she was raised in almost complete isolation with only her sister for company, role playing characters from fairytales in their childhood, looking for who she is, what happened to her parents and those lost memories locked deep into her subconscious. The story is relayed from the perspective of Jenny and Rachel, a Jenny who becomes increasingly concerned about her young child, Diana, and the dangers she might pose to those around her. Instead of seeking professional help, Jenny instead removes her from society by organising their move to the isolated family lodge in the woods, feeling the emotional tug to do all that she can to protect her child, whilst carrying out field research on bears as a wildlife biologist. However, a trail of death, horror and destruction follows in the wake of the psychopathic Diana, threatening to destroy the family.
Jenny has seriously underestimated their ability to manage a callous, devious and manipulative Diana who feels no remorse, has no heart, and a dominant personality that rules the family. Jenny breathes a sigh of relief when her sister, Charlotte, comes to live with them, providing much needed support for Diana. After all, if you cannot rely on family who can you rely on? In a narrative that shifts from the past and the present, Rachel looks for answers, receiving nudges from the animal and bird kingdom, but will she survive the dangers of once again tangling with Diana, who had so easily dominated her as she was growing up? This is an uneasy and disturbing read, there is animal abuse, and a foray into the past that is so traumatic that Rachel has buried her memories deep within her psyche.
It would be all too easy as an outsider to wonder how Jenny and Peter made such catastrophic and poor decisions when it comes to Diana, but the emotional morass of being family, of being a parent, this can make you blind when it comes to your own child, just as it can when it comes to seeing your sister clearly, you may only see the dangers when it is all too late. An engaging and compulsive novel, although I much preferred The Marsh King's Daughter. Many thanks to Little, Brown for an ARC.