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367 pages, Hardcover
First published January 1, 2008


When Paul Wheeler is shot dead during an armed robbery, his lover Julie Rutledge is convinced that Paul's prodigal nephew, Creighton, is responsible for the murder. Creighton has a passion for movies and Paul's murder has all the elements of a blockbuster: family rivalries, incalculable wealth, and a prominent man dying in the arms of his beautiful mistress.

The kiss was thorough and deep and sexual, not a conclusion in any sense, but a prelude, a foretelling of what would happen ...

"You're an asshole.
You're a prick.
Furthermore, you're a prick made stupid by his own arrogance."

"A man's gotta do what a man's gotta do."
“In film, a smash cut is exactly what the term suggests: a technique where one scene cuts abruptly to another without transition, thus startling the viewer...”
“Dodge, I'm going to tell you something."
“Judging by your tone, you're going to have to kill me after. Frankly, I'd just as soon not known.”
“During the opening credits, he said, ‘We're in the back row. Want to just mess around instead?’”
She looked across at him, and he grinned. "It's been hours, after all.”
“Half that time you've been furious with me.”
“Doesn't mean I don't want to jump your bones.”
