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409 pages, Kindle Edition
First published December 8, 2020


Sandy is also surprised to discover that Miller ticks so many boxes he never knew he had – but being seriously hot is no excuse for behaving like a dick. Sandy – with just a slight pang of regret – consigns Miller to the ‘jerk’ pile.
When, a few days later, they meet again, it seems at first as though this encounter is going to go the same way as the first, until they find themselves laughing together at something totally random, and the ice is broken. Miller asks if he can buy Sandy a coffee by way of an apology and if they can start again, and soon, they’re getting on well and finding lots to talk about, enjoying each other’s company and engaging in a bit of subtle flirting. From there it’s a short step to dating and spending time getting to know each other to see if this thing between them has the potential to go anywhere.
To start with however, their being an item is complicated by the fact that Miller isn’t really out. His family knows he’s gay, but after the car accident that ended his dream of playing for the All Blacks, Miller had to follow a tough regime of healing and rehabilitation and chose to focus on that, knowing it would be hard enough to adjust to living with a disability without throwing an announcement about his sexuality into the mix. As it’s turned out, it’s never really been an issue, as between work and training, Miller has never had time for more than the occasional hook-up. But now, with Sandy in his life, Miller knows he’s got thinking to do and decisions to make.
The relationship progression in this book is superb. Miller and Sandy get together fairly early on (before the half-way point), so what we get is a terrific story about two people who have never really had a stable long-term romantic relationship learning how to be in one and actually working at it. Miller doesn’t have a clue how to be a boyfriend, but he tries hard to do the right thing – which, at times, includes learning when to step back – and shows how much he cares in some truly sweet ways; and for Sandy, being with someone who sees him so clearly and loves him for exactly who he is is wonderfully liberating. They make mistakes along the way, but they realise that what they have is worth fighting for and they talk and work out their next steps together. For a romance novel, it’s a wonderfully mature relationship and I loved their openness and honesty. There’s a big hiccup near the end that threatens to derail them, but it’s not drawn out and more than anything else, serves to show Miller just how much damage being in the closet had done to him, creating an instinct in him to keep his head down and not draw attention. Listening to him confront these shortcomings and then push through his mental barriers and realise he needs to do better if he wants to make a life with Sandy had me giving a (mental) cheer, as did Sandy’s inner strength and his absolute determination to be true to himself at even the most trying of times.
There are a couple of well-rendered sub-plots and a lovely found-family element to the story as well, and fans of everyone’s favourite fabulous “Yoda of sass”, Charge Nurse Cam Wano, will no doubt be delighted to see him again.
Gary Furlong is in excellent form and delivers another thoroughly engaging performance that highlights the emotional connection between the two leads and expertly captures the essence of their personalities. His portrayals of Sandy and Miller are perfect – Sandy’s take-no-prisoners attitude is spot on, as are the insecurities that lie behind it that he works hard to hide, and the little bit of grit in Miller’s tone nicely plays up his gruffness. His obvious bewilderment at the way Sandy so discombobulates him is lovely and perfectly realised, as is the vulnerability he allows himself to show with his partner. The pacing is good, all the characters – principals and secondary cast – are clearly differentiated and easy to tell apart in conversation, and the vocal acting is superb. I know I’ve said this a lot, but I’m very much a listener who likes it best when narrators act the parts they’re playing and Gary Furlong is without a doubt, one of the best when it comes to all those little things that go towards making a real performance, rather than a reading.
Against the Grain was one of my favourite books of 2020, and Gary Furlong’s animated and obviously engaged performance adds another dimension to this already fantastic story. It’s funny, it’s intelligently written and well-researched, it’s tender, and it’s scorchingly sexy; the characters are likeable and very real, and the HEA is well-deserved. Strongly recommended.
This review originally appeared at AudioGals.