A deep history of how Renaissance Italy and the Spanish empire were shaped by a lingering fascination with breeding.
The Renaissance is celebrated for the belief that individuals could fashion themselves to greatness, but there is a dark undercurrent to this fêted era of history. The same men and women who offered profound advancements in European understanding of the human condition—and laid the foundations of the Scientific Revolution—were also obsessed with controlling that condition and the wider natural world.
Tracing early modern artisanal practice, Mackenzie Cooley shows how the idea of race and theories of inheritance developed through animal breeding in the shadow of the Spanish Empire. While one strand of the Renaissance celebrated a liberal view of human potential, another limited it by biology, reducing man to beast and prince to stud. “Race,” Cooley explains, first referred to animal stock honed through breeding. To those who invented the concept, race was not inflexible, but the fragile result of reproductive work. As the Spanish empire expanded, the concept of race moved from nonhuman to human animals. Cooley reveals how, as the dangerous idea of controlled reproduction was brought to life again and again, a rich, complex, and ever-shifting language of race and breeding was born.
Adding nuance and historical context to discussions of race and human and animal relations, The Perfection of Nature provides a close reading of undertheorized notions of generation and its discontents in the more-than-human world.
from Grok 這本書 **《自然的完美:文藝復興時期的動物、繁育與種族》**(*The Perfection of Nature*)由歷史學家 **麥肯錫·庫利(Mackenzie Cooley)** 所著。這是一部跨學科的巨作,探討了文藝復興時期的人們如何透過**操縱動物的繁育**,進而形塑了現代關於**遺傳、種族與優生學**的觀念。
Mackenzie Cooley (historian, Hamilton College) brings together literary sources and treatises to discuss the concepts of race (razza) and breeding. This spans from the Gonzaga court of Mantua to the broad territorial expansions of the Spanish Empire.