Individually, I’d say half of the 6 main stories are pretty good! However books 4-6, plus most of the short stories, got so tiredly formulaic it was a struggle not to DNF as soon as I got the tiniest inkling that one story would play out exactly like the others did. Even most of the bonus novella shorts followed the same structure beat for beat.
If you’re a sucker for the trope of “overprotective masc guy taking the vulnerable self-conscious twink under his wing” then books 2 & 3 had the best execution in my opinion. What gave those stories a leg up over the others is at least one of the MCs were unique & interesting enough to give that story a distinguishable identity. Book 4 had potential, with its premise being so wildly out there in comparison to the others. I probably would’ve enjoyed it more if I read it without the others, but since I did, the characters were basically just repurposed templates with the same dynamics, same personalities, same insecurities, hell, even the same body types as all the other characters in all the other stories & short stories throughout this series. It almost felt like all the author did was tweak small insignificant details in accordance to a clone’s change of name and occupation.
Even the antagonists were basically the same cartoonish narcissist in a different skin suit. Same tactics for manipulation, same “cold dark eyes” that immediately intimidate our precious vulnerable MC, and same control issues with the same delusional tirades about how everything sucky in their life is the fault of our poor little damaged MC—sometimes it’s almost verbatim.
Every single one of these stories in a nutshell:
1: MC1 (damsel in distress) is forced into an unfavorable situation either by their overstepping friends or the narcissistic villain.
2: MC2 (muscular knight in shining armor) inserts himself into said situation to make it more palatable for MC1, and anoints himself ever-so-valiantly as MC1’s protector & savior.
3: MC1 and MC2 fall in love in a matter of days or hours, I’m not even joking. But MC2 must tread carefully as not to spook our delicate insecure flower, MC1.
4: MC2 leaves an opening for our villain narcissist to swoop in and effortlessly crush all of MC1’s newfound hopes & self confidence with a tart monologue. Damn…and MC2 worked so hard to build that up.
5: MC1 stupidly runs away or wanders off from the salvation that is their protector, shutting off their phone because they’re SO, SO SAD. MC2 of course goes to track MC1 down, but guess who finds him first?!?!?!?!?
6: MC1 may get in a few biting remarks, but they’re sandwiched in between our villain’s much more cutting (and annoying) diatribes. Our villain at last has MC1 right where they want him.
7: MC2 swoops in and quickly saves the day, maintaining how brave and strong our precious little MC1 is…despite MC1 only being able to stand up for himself if MC2 is right by his side…a pool of courage ready for MC1 to sponge up.
8: Epilogue, where there’s a marriage proposal. Or if we’re lucky, the acceptance of a fate that will eventually lead to a marriage proposal.
The fluff in the first 3 books (and even book 5, to an extent) gave me enough energy and hope to continue pressing on. HJ does the sweet moments very well, I’ll give them that…but the majority of the time I was frustrated while trudging through this series, even when the author was pretending that the dynamic between MC1 & MC2 was somewhat flipped, it really wasn’t.
Book 3 was my favorite out of them all. The most atrocious one was Oliver & Dante’s story. Thank goodness it was only a 7 chapter novella.