The writings of Alan Watts charmed, informed, and impressed me. And arguably, for English-speaking readers, he may have been the foremost popular interpreter of the major Far Eastern (and some of the South-Asian) spiritual traditions. Watts had a broadly inquiring mind and generally benevolent attitude. He was regarded by some as a poet at heart.
Monica Furlong’s biography of Watts seemed, at least in part, intended to "out" Watts’s closeted psychological difficulties and highlight his foibles and lamentable habits and dependencies. (In his autobiography Watts made rather vague reference to "my wayward spirit," and elsewhere he wrote "my philosophy has not saved me from vast amounts of human folly".) Watts admitted that he'd gained something of a disreputable image. Given that, in the 20th century, Zen was associated with Japan, I think he was consoled that alcoholism was quite common in post-war Japan (still a very male-dominated society condoning of a good-natured sot).
Here, with Stuart's approach & style of writing, we have a portrayal that's is just as astute while more vivid, witty & playful than Furlong's. Years before writing this book, David Stuart had spent much more time in the Far East than Watts ever did, and there Stuart had gained some first-hand experience of its philosophies. Yet Stuart, while acknowledging the sad alcoholism toward the end of Watts’s life, inclines less than Furlong to fault-finding—he seems fascinated by Alan Watts the adventurous autodidactic scholar, the epicurean bon vivant, the onetime Episcopalian priest, the eloquent popularizer of Asian spirituality & concepts, the entrancing speaker, the (as Stuart puts it) “multi-faceted man.”
Stuart appropriately renders the social/historical context that welcomed an Alan Watts and afforded him success. He appreciates Watts's ongoing intention to benefit the Western world via insights & attitudes engendered in the East. As well, he addresses how Watts's understanding did or didn't benefit Watts himself. Stuart can't ignore the man's issues and personal demons; Watts had them, but who is without them? Stuart explained an ingredient in his motivation to research & write the book: “Where there is anomaly and conflict, there is interest.” To his credit, Stuart turned up nuggets of Watts’s life that aren’t to be found in either Furlong’s biography or Watts’s autobiography. David Stuart’s book paints a readable warts-and-all portrait of an intriguing and influential man of the twentieth century.