(Arabic Profile إدوارد سعيد) Edward Wadie Said was a professor of literature at Columbia University, a public intellectual, and a founder of the academic field of postcolonial studies. A Palestinian American born in Mandatory Palestine, he was a citizen of the United States by way of his father, a U.S. Army veteran.
Educated in the Western canon, at British and American schools, Said applied his education and bi-cultural perspective to illuminating the gaps of cultural and political understanding between the Western world and the Eastern world, especially about the Israeli-Palestinian conflict in the Middle East; his principal influences were Antonio Gramsci, Frantz Fanon, Aimé Césaire, Michel Foucault, and Theodor Adorno.
As a cultural critic, Said is known for the book Orientalism (1978), a critique of the cultural representations that are the bases of Orientalism—how the Western world perceives the Orient. Said’s model of textual analysis transformed the academic discourse of researchers in literary theory, literary criticism, and Middle-Eastern studies—how academics examine, describe, and define the cultures being studied. As a foundational text, Orientalism was controversial among the scholars of Oriental Studies, philosophy, and literature.
As a public intellectual, Said was a controversial member of the Palestinian National Council, because he publicly criticized Israel and the Arab countries, especially the political and cultural policies of Muslim régimes who acted against the national interests of their peoples. Said advocated the establishment of a Palestinian state to ensure equal political and human rights for the Palestinians in Israel, including the right of return to the homeland. He defined his oppositional relation with the status quo as the remit of the public intellectual who has “to sift, to judge, to criticize, to choose, so that choice and agency return to the individual” man and woman.
In 1999, with his friend Daniel Barenboim, Said co-founded the West–Eastern Divan Orchestra, based in Seville, which comprises young Israeli, Palestinian, and Arab musicians. Besides being an academic, Said also was an accomplished pianist, and, with Barenboim, co-authored the book Parallels and Paradoxes: Explorations in Music and Society (2002), a compilation of their conversations about music. Edward Said died of leukemia on 25 September 2003.
prophetic Said, as always. Were “Lebanon” to be replaced with “Gaza” and “1982” with “2023” in this text, not a single other word would have to be changed.
Most of this text and it’s arguments were highlighte-able, but I’ll pull up my one favorite quote for the sake of conciseness. It reminds me why I feel so strongly about the issue of Palestine, and why it’s justified to feel such rage at Zionism as a non-Arab/Palestinian.
“There have been refugees before. There have been new states built on the ruins of old. The unique thing about this situation is Palestine’s unusual centrality, which privileges a Western master narrative, highlighting Jewish alienation and redemption, with all of it taking place as a modern spectacle before the world’s eyes. So that when Palestinians are told to stop complaining and to settle elsewhere like other refugees before them, they are entitled to respond that no other refugees have been required systematically to watch an undending ceremony of public approbation for the political movement, army or country which made them refugees and occupies their territory. Occupying armies, as Chomsky points out, do not usually bask in the admiration of the American ruling classes and public.”