“ The Book of Funnels is one of the strangest and most beautiful first books of poetry I have read in a long time.”—John Ashbery Christian Hawkey constructs a visionary world rich with fantastic imagery. In blurring the line of reality versus imagination, this turbulent dreamscape calls into question the frightening and surprising nature of the actual world. Christian Hawkey ’s The Book of Funnels (Verse Press, 2004) received the Kate Tufts Discovery Award. Hawkey is co-founder of the international poetry journal jubilat, and he teaches at Pratt Institute.
I got this because I loved his poem in The Best American Poetry 2006; sadly I think that's still my favorite poem, but I did like a lot of the others. This took me three months to get through, though. At his best, Hawkey is wonderfully weird, with poems full of animals and skies and a sense of disconnect. At his worst, he gets bogged down in the same, and some of the poems were a little too opaque for anything to grab me.
This is the poem that turned me onto him:
Hour Christian Hawkey
My sixth sensurround is down, my second skin the skin I'm stepping into: I lick a new finger & hold it up to the wind: O my beloved what. O my beloved what. O my beloved shovel-nosed mole can I clean the soil from your black, sightless eyes can I massage with fine oils your tiny, webbed feet are you tired of running into drainpipes does your mouth foam approaching power lines are your tunnels collapsing do you have work to do does the dirt breathe do you breathe the air between the dirt are your lungs the size of earlobes do you hear me in the tunnel next to you have you cut your nose on a shard of glass have you excavated the severed, blue leg of Spider-Man did you pause to admire his red booties are you tunnels collapsing do you have work to do am I keeping you am I keeping you
At first this book made me gasp -- forget it all, it’s just brilliant! “I’m standing on a love song. I can hear it tick.” What more can you ask? In some ways, this collection is expanding the spookiness of Hawkey’s first book, The Book of Funnels, so now there’s not just a critique of “civilization” but also imperialism in all its paranoia. But the poems get repetitive -- I like seeing pigeons as machines, the circular way that thoughts produce nonsense, hours of doom, echoes of movies into holes as eyes -- but the book doesn’t blow me away like The Book of Funnels, maybe because now I’ve read that first book, which I knew nothing about beforehand, and so I have expectations -- damn expectations!
There is definitely an excitement in the poems here. It's like each one just yells out "Hooray!" But then they're all yelling "Hooray!" over and over, and I don't understand why the poems don't take advantage of the imaginative space they've created to actually say something more.