One of the most critically acclaimed and beloved adventure comics!
This volume in the definitive Usagi Yojimbo Saga series includes the storylines “Bridge of Tears,” in which a new love tempts the rabbit ronin to abandon his wandering lifestyle; “The Darkness and the Soul,” revealing at last the origin of the demon Jei; and “Sparrows,” featuring Jei’s terrifying return, as well as Usagi’s travels with bounty hunter Gen. Includes the landmark Usagi Yojimbo #100, a celebratory “roast” issue by several of the best writers and artists in comics, including Frank Miller, Matt Wagner, Jeff Smith, Sergio Aragonés, along with a color cover gallery from the original series comics!
Stan Sakai’s evocative artwork and gripping tales continue to enthrall readers of all ages. Collects the Usagi Yojimbo volumes Bridge of Tears , Return of the Black Soul , and Fox Hunt !
Stan Sakai (Japanese: 坂井 スタンSakai Sutan; born May 25, 1953) is an artist who became known as an Eisner Award-winning comic book originator.
Born in Kyoto, Sakai grew up in Hawaii and studied fine arts at the University of Hawaii. He later attended the Art Center College of Design in Pasadena, California. He and his wife, Sharon, presently reside and work in Pasadena.
He began his career by lettering comic books (notably Groo the Wanderer by Sergio Aragonés and Mark Evanier) and became famous with the production of Usagi Yojimbo, the epic saga of Miyamoto Usagi, a samurai rabbit living in late-sixteenth and early-seventeenth-century Japan. First published in 1984, the comic continues to this day, with Sakai as the lone author and nearly-sole artist (Tom Luth serves as the main colorist on the series, and Sergio Aragonés has made two small contributions to the series: the story "Broken Ritual" is based on an idea by Aragonés, and he served as a guest inker for the black and white version of the story "Return to Adachi Plain" that is featured in the Volume 11 trade paper-back edition of Usagi Yojimbo). He also made a futuristic spin-off series Space Usagi. His favorite movie is Satomi Hakkenden (1959).
Much tragedy in this one, but the stories are ever compelling and fresh. I’m dreading the day I catch up with Stan, but I reassure myself that I’ll just start reading the series from the start again—that’s how good this is