Jeffery Siger has an uncanny gift for depicting the Greek islands as personalities in their own right alongside the human characters in his stories. On this occasion, he transports us to the small island of Ikaria, whose history, stretching back into the mists and myths of time, was known to the great Homer. In the "Iliad" Agamemnon urges his war-weary Achgaeans to renewed efforts by exhorting them to emulate the waves of the Ikarian Sea "when the east and south winds break from the heaven's cloud to lash them." The fierce Meltemi winds still blow in late fall. In the "Odyssey", perfidious enchantress Circe uses the famed Pramian wine of Ikaria in concocting her evil potions. Closer to our time, Ikaria was the place of detention for communists during Greece's bloody civil strife in the 1940s, and we meet some of these very old exiles still living out their last years on Ikaria, a place "where people forget to die." It is they who become the innocent targets of an incredibly amoral plot to exploit this very longevity, a plot that unfolds step by step to a horrified reader (fans of spoilers can stop reading now).
All the Kaldis stories are a rich mixture of action and subtly conveyed combination of local history, scents and colours of the land, and contemporary concerns of a country the author clearly adores. Therefore, Siger's characters are also born out of love, they are not two-dimensional cut-outs but living and breathing people. Andreas Kaldis, his family, and his team are no pattern cards of virtue,. they have their share of human frailties but are moved by a passionate desire to see justice done. They may not be identical to the "lithe archers, loosing shafts into hordes of ferocious Achaeans" fighting for honour at the walls of Troy, but in today's world, they surely share the task of being "lithe archers" called upon to thwart the designs of evildoers.
As always, the plot in "One Last Chance" is satisfyingly convoluted and the "dramatic personae" pleasingly varied. In an intricate departure from a scenario one might expect, Kaldis' closest lieutenants, indispensable assistant Maggie Sikestis and detective Yianni Kouros - take centre stage, brought together on Ikaria in two investigations that become one as Maggie, born on Ikaria and travelling to her grandmother's funeral, and Kouros, following leads in a separate police case, find themselves embroiled in a hideous criminal investigation. Kaldis does appear, but rather as a supporting player, not the main protagonist.
In some of the earlier books in this series, there have been occasional "villains" one could not help liking. Siger's writing is never formulaic, so even his villains are not stereotyped: he does not take the easy way of painting them a uniform, unrelieved black, but allows them individual differences on the scale of human behaviour as if admitting that even a monster might dream secretly of being good. Not so in "One Last Chance", which does not shy away from showing the degree of evil some people will perpetrate on the weak and vulnerable, forfeiting their humanity for the sole purpose of gaining unlimited access to Satan's Currency - earthly wealth. It is not giving away the plot to disclose that the motivations of the various "baddies" in this story are spawned by greed and envy, especially envy, the sin of Cain, leading to murder, which has remained the shadowy stalker of Mankind ever since.
Murder can be monstrously, elaborately grotesque or frighteningly banal, and Siger's Kaldis novels cover the entire spectrum of the aberration that is murder, proving that at times as well as envy, hatred, a lust for revenge, and greed for power can also overwhelm even love and desire.
Having read the entire series to date, I would venture to suggest that "One Last Chance" stands somewhat apart from previous stories. Not surprisingly, it makes an unavoidably timely mention of the COVID-19 pandemic but, to use a bit of received cavalry wisdom, the author "gets over heavy ground as lightly as possible" in this respect. There is an intriguing introduction of non-European characters into the mix, undoubtedly with an eye on the growing geopolitical changes shaping today's world. In most Siger's books the Greek Orthodox Church has a role to play, but in "One Last Chance" the Church is peripheral, not explored beyond the parameters of the main narrative apart from the fact that one of the characters is a priest.
Overall, as noted above, this book is something of a departure from Siger's usual style: it probes deeper into the spectrum of evil motivations as being equally powerful at times as those bathed in the light of all that is good in human nature. OF course, as in the entire series, there are moments of humour and the fun verbal sparring between Kalduis and his crew, but there are fewer such touches of light relief in "One Last Chance." The punishment of the guilty is a totally unexpected one, with the denouement echoing medieval morality plays or the Japanese Noh drama in its paralyzing grimness, portraying the different perceptions of retribution in different cultures.
This book is thiguht0provoking as well as being the engrossing read one has come to expect of everything from this author's pen. It is highly recommended, so don't sit around, go for it!
A goblet of Pramian wine, anyone?