Damned, delighted; Amelia wavered between the two, was both at once. Was, for the time being, alive. That would have to be all that mattered.
A very enjoyable read with more layers & depth than I’d expected—a modern Phyllis Whitney mixed with Megan Chance, plus a splash of Sarah Waters. But rather than a traditional review, I decided it was easier to list the ingredients of the book sorted by reminiscent authors.
*shuffles paper, clears throat*
🐦⬛ Phyllis Whitney elements: slow building of the plot, a unique, vivid setting + unusual hook, a cast of characters who are all a bit off-kilter regardless of whether they’re good, bad, or neutral.
🐋 Megan Chance elements: surreal flourishes to backstories, various gothic imagery that may or may not be explained, strong emotional component with an imperfectly beautiful love story.
🦭 Sarah Waters elements: bisexual heroine who was involved with another bisexual woman in her past, toxic families, brief splatters of violence, themes of death, loss, & grief.
These three authors are favorites of mine, so I loved peeling away the layers of FARALLON to reveal similar nuggets. But it’s a genuine slow burn of a story, so be warned; it’s a book that refuses to be hurried & the author allows things to unspool at a leisurely pace. There are also nods at classic literature, Melville in particular, though also New England gothics & Victorian sensational fic in general, & the natural-world violence has bothered some readers. (Personally, I didn’t find it any worse than what you’d see in a BBC nature show like Patagonia, but YMMV. Nature can be cruel & humans are wasteful of natural resources—some things haven’t changed since the 1850s.)
Sidenote: I loved all the whale cameos. Whales are awesome. 🐳
I do think there was one subplot too many, & a few passages had Debut Syndrome—i.e. felt a tad overwritten—but overall this was quite good, an unusual & yet comfortably familiar gothic-lite historical. Solid 4 stars, & I’m looking forward to the author’s next novel. 👻