A collection of short short stories from the author of Big World (short flight/long drive books 2009). Mary Miller's stories have appeared in the Oxford American, New Stories from the South 2008, Mississippi Review, Black Clock, Quick Fiction, Barrelhouse, Hobart, and elsewhere.
5 x 7.5 Saddlestitched 36 pg First Printing: November 2008, 75 numbered copies Second Printing: February 2010
Biloxi, Always Happy Hour, The Last Days of California, Big World
Stories in Paris Review, McSweeney's Quarterly, American Short Fiction, New Stories from the South, Oxford American, Mid-American Review, Ninth Letter, Indiana Review, and Mississippi Review.
Nonfiction in the NYTBR, American Book Review, The Rumpus, and The Writer.
Mary Miller's stories are short and satisfying. There's a "What, already?" moment after finishing each and a "Nope. Yup. That's right." realization that follows shortly after. They're vulnerable, but it's a responsible vulnerability. The kind that invites you in only so far before pulling its dog away. Beautifully crafted and nothing if not concise, they're well suited to a chapbook format. A great introduction, and I seriously look forward to picking up her larger collection soon.
Mary Miller is a genius and these stories are pure gold. Loved seeing them put together here in chapbook form. Can't wait to get my hands on her full length short story collection.
The stories in Mary Miller's Less Shiny remind me how I want to write. They do what a good short story should do: capture a chunk of time. But they do it in a way that is not "systematic" or "contrived."
To me, not all moments have a definable "beginning" and "end" -- there should be a different way to describe them. Mary Miller's stories make me think that she's hyperaware of a moment's "third dimension" or something.
Miller's voice is unique, which makes Less Shiny a fun chapbook to read. Most of the plots weren't compelling enough for my tastes, and only some of the characters and narrators are likeable, but this does gear me up for Big World.
There's something really great and precise about Mary Miller's work. Maybe it's the fact that most of her characters seem a little troubled or fucked up. I feel lucky to have one of these as it's a limited run. Still, everyone should seek out her book from Hobart.