What do you think?
Rate this book
Ordinary Paradise: A Memoir
Ordinary Paradise offers the moving story of a young girl's reaction to the early loss of her mother with its persisting consequences, as they affect choices the author has made with regard to her own family and future.
Laura Furman was thirteen-and-a-half years old at the time her mother died, swiftly and without explanation, from ovarian cancer, thus creating a rupture in the landscape of what had been a happy childhood that the author equates with the Great Rift Valley of Africa. In a family where no one spoke about anything messy or uncomfortable, the result was a repression of mourning to the point where the author felt that her own mother's existence was being obliterated: "Now it was as if she'd never existed—and if she hadn't existed, then I did not."
The difficulties that ensue, like the earlier description of happier times when Laura's mother was alive, are expressed in the clean, precise, supple style that has distinguished Furman's previous books. The book is not bitter; rather, this is a voyage of attempted understanding—honest and realistic in its depiction of the self-absorption of the surrounding adult world; heartbreaking in detail, but ultimately victorious as its heroine strives to possess the experience wholly for the first time, as a mother and wife. It is a powerful rendering of the effect upon the soul of an artist of the silences that often characterize a family's reaction to crisis.
Giving the memoir a contemporary focal point is the controversial decision made by the author in response to the statistical probability that she would follow her mother and grandmother into an early death. "No one spoke to me about the hereditary possibility of ovarian cancer but the bond I felt with my mother linked me with her disease. . . . Inside my abdomen (waited) patient black space that was not me and would be the end of me." This decision addresses issues of a woman's identity in a poignant fashion that the reader will never forget.
Laura Furman was thirteen-and-a-half years old at the time her mother died, swiftly and without explanation, from ovarian cancer, thus creating a rupture in the landscape of what had been a happy childhood that the author equates with the Great Rift Valley of Africa. In a family where no one spoke about anything messy or uncomfortable, the result was a repression of mourning to the point where the author felt that her own mother's existence was being obliterated: "Now it was as if she'd never existed—and if she hadn't existed, then I did not."
The difficulties that ensue, like the earlier description of happier times when Laura's mother was alive, are expressed in the clean, precise, supple style that has distinguished Furman's previous books. The book is not bitter; rather, this is a voyage of attempted understanding—honest and realistic in its depiction of the self-absorption of the surrounding adult world; heartbreaking in detail, but ultimately victorious as its heroine strives to possess the experience wholly for the first time, as a mother and wife. It is a powerful rendering of the effect upon the soul of an artist of the silences that often characterize a family's reaction to crisis.
Giving the memoir a contemporary focal point is the controversial decision made by the author in response to the statistical probability that she would follow her mother and grandmother into an early death. "No one spoke to me about the hereditary possibility of ovarian cancer but the bond I felt with my mother linked me with her disease. . . . Inside my abdomen (waited) patient black space that was not me and would be the end of me." This decision addresses issues of a woman's identity in a poignant fashion that the reader will never forget.
- GenresMemoir
176 pages, Hardcover
First published August 1, 1998
11 people want to read
About the author
Laura Furman
67 books59 followersLaura J. Furman (born 1945) is an American author best known for her role as series editor for the O. Henry Awards prize story collection. Her work has appeared in The New Yorker, Mirabella, Ploughshares, Southwest Review.
She has written three collections of stories (The Glass House, Watch Time Fly, and Drinking with the Cook), two novels (The Shadow Line and Tuxedo Park), and a memoir (Ordinary Paradise).
She founded American Short Fiction, which was a three-time finalist for the National Magazine Award. She is currently Professor of English at the University of Texas at Austin, where she teaches undergraduate and graduate courses in writing. Most recently, she has announced that she has submitted a collection of short stories to her agent, and the subsequent collection will be her first new work to follow the release of 2001's Drinking with the Cook.
She has written three collections of stories (The Glass House, Watch Time Fly, and Drinking with the Cook), two novels (The Shadow Line and Tuxedo Park), and a memoir (Ordinary Paradise).
She founded American Short Fiction, which was a three-time finalist for the National Magazine Award. She is currently Professor of English at the University of Texas at Austin, where she teaches undergraduate and graduate courses in writing. Most recently, she has announced that she has submitted a collection of short stories to her agent, and the subsequent collection will be her first new work to follow the release of 2001's Drinking with the Cook.
Ratings & Reviews
Friends & Following
Create a free account to discover what your friends think of this book!
Community Reviews
No one has reviewed this book yet.