Here are my thoughts on each story as I went:
THE MAD ONES OF AUX FOLIES
A head-swimmy dive into a dream, fit with meta-references to the book itself. The start really tugs at you and then challenges you to get your bearings, in a good way. Trippy and fun and interesting. A great start.
SKULL TREE
This was a wild one, anthropomorphic skulls musing about their death as grand catastrophes occur around them. I can tell from these first two stories I’m going to have my imagination stretched to its max with this book.
THE CORN SHOW
I found particular humor and delight from this coming from Nebraska, the home of many a ‘corn show’. How the author came up with the ideas behind each story is way beyond my own creativity. I love the absurdist tint to them all, this one the most fun so far.
THE CHOCOLATE OLIGARCH
More of a folktale than the dreamy visions of the first three. The premise of encountering the many multiversal versions of your future self is one that’s almost addictive — who doesn’t think about who we’d be in another life? Grounding it in the framework of a secluded desert family let the fantasy element shine even brighter. While I would’ve liked to see an ending with more crescendo, the message that’s there is strong.
GANGWAYS OF THE MIND
Reminded me of Lincoln in the Bardo, with the background chorus of players interrupting often and commenting on the narrator’s tale. The seaman’s voice is strong and keeps the action moving. Short and sweet.
THE DIORAMA MAKER
Absolutely loved this one. A very Charlie Kaufman-like telling of a man with an obsession and time to explore it, both the diorama and eventually the story itself blurring the lines of art and artist. I was pulled in with every new layer of the diorama, anxious to see just how far he would take it. A beautiful ending note as well. This is the best piece so far.
ALL HAIL THE PLUMBER OF THE SKY
Somehow both the most riveting and funny story of the bunch. It also reads the most natural, ending with just the right amount of silliness to match the wild ride of the story. In the top three for sure.
A SNOW GLOBE, SHAKEN
The most complete narrative of the book, and satisfying in the best way. I love how each story starts grounded and then trickles in the fantastical elements until it’s hard to know where one begins and the other ends. It’s used very effectively in this one, the atmosphere grief-stricken and the plot straight forward. I loved the image of the sawdust and wood, and how that related to the father’s journey. There’s so much creativity in all of these!
PROOF OF PARADISE
Reminds me of David Lynch-style storytelling; slipping the eerie and uncanny into the monotony of regular things, in this case a small town with average folks. There’s something about older people and the way they turn small things into major events (and even obsessions) that’s fun to watch (and maybe judge with a head shake and smirk). I liked the use of that here, and the mat-sticking heart of an ending.
SPEAK, STORYTELLERS
A call-to-action, a battle cry, and a tribute to stories of all kinds. The ones that enthrall us and the ones that live within, never to come out. This could be an inscription in a library or bookstore, convincing people they too may have something inside them worth writing about. Why not let it out? I’m glad the author chose to let his with this book.
Favorites, Ranked:
1. The Diorama Maker
2. The Corn Show
3. All Hail the Plumber of the Sky
4. A Snow Globe, Shaken