I love the back story of how this novel, originally published in 1950 by an author most people would not recognize, came to light all these years later. Two life-long friends have formed a publishing company, Quite Literally Books, dedicated to publishing/reissuing American women authors “who’ve been shelved for far too long.” I also love their just-as-long history with public libraries and their conversations with one another talking about books. So check them out at quiteliterallybooks.com.
From the opening pages, I was taken with the characters. Seven-year-old Norah Holm comes to live with her Uncle John Dickenson at a small country estate, the Grange, when her beloved mother dies. Frail, using crutches due to one leg being shorter than the other, Norah spends her time quietly observing her colorful (and self-possessed, even mean, sometimes) cousins Mary Ellen, Jed, Dosie and Paul, and trying to remain invisible. Add to the mix their mother, Aunt Rose, beautiful but haughty, arrogant, almost oblivious to her family. Aunt Poll, pragmatic, perceptive, focused on remaining independent, becomes Norah’s mentor, taking on her education, exposing her to great minds, constantly challenging her thinking, answering her questions, however difficult.
There is a Charles Dickens quality to the plot with the orphan thread and even a memory of “The Secret Garden;” yet, how Norah evolves in this house filled with secrets is a more complex story. As Norah becomes more astute and confident, her “orphan” status fades, and she is firmly embedded in the Dickenson family. The outlier is Aunt Rose whose cutting behavior toward Paul is mysterious to Norah and accepted as normal by the cousins. I found it interesting to watch Norah develop and the cousins grow while Aunt Rose is diminished.
The novel is also filled with minor characters who play a big role in Norah’s life and are intrinsically connected to the family; these threads are some of my favorite in the book.
The concept of secrets often drives this novel: who harbors secrets? Do they protect, and can the telling hurt or destroy? Does anyone have the right to tell? In “The Pink House,” there are small secrets, harmless enough in life, but also life-changing secrets, which almost hold characters hostage. Loneliness is also inherent within almost every character in the novel; thinking about how oblivious some were to each other’s loneliness, or how dismissive, reminded me how relevant this issue continues to be. Secrets and loneliness…
Another question wrestled with involved love. Norah protects her secret love for Paul and Aunt Poll advocates for “half a loaf is better than no bread.” Marriage without love? Marriage at all? Sacrifice all for love?
Under the grayness of WW II, much changes for Norah and the Dickenson family, their stories often taking surprising turns, epiphanies experienced, new ventures explored. I did not want to leave them or the “Pink House” and hoped life would be kind to them when I closed the book.