To my foreigner friends:
The author of this book is Ricky Lee, a popular screenwriter of local Tagalog movies here in the Philippines. I read a couple of his previous works and found one to be great while the other to be just okay. What I mean is that I never disliked any of his previous works. His stories made for silver screen were all nice or quite unforgettable at least those that I can still recall even if I saw the movie when I was a younger man. I also read his scriptwriting manual Trip to Quiapo and his first novel Para Kay B. I liked the first but found the second one wanting but still okay. Although most of his stories for films had gay characters, those characters were in supporting or even bit roles. There were also references to gays in those two books but they were secondary and not their main selling point.
In this book, however, Amapola is the MAIN and the only selling point of the story. Everything revolves around her and her two other personas. She is a gay stage performer and she has other human personalities and both of them are straights. Aside from that anomaly, she is also a manananggal. A manananggal is a Filipino horror mythic folklore creature that is similar to a vampire but more gruesome, hideous and weird. It is normally a woman who has to split her body into two: upper and lower. When the creature wants to kill and eat the heart or sip the blood of a human being (preferably a pregnant woman), she has to fly only with her upper torso leaving her lower part (waist down) on the ground while hunting for her prey. During this exercise, she has to change from her normal human being look to as ugly and scary as possible.
While reading, I had that feeling that Lee made use of his brain to come up with an entertaining and believable, despite the story of mananggal being just a myth in the first place, storyline. He also made use of his heart as some of the back stories are poignant and sad like the story of Amapola and her sister when they were young orphans. He also made use of his artistic flair, honed by almost a lifelong career of writing for screen and TV drama series, in coming up with funny situations and colorful characters that celebrate the gay pride that is already acceptable in the Philippine society particularly in its local show business industry.
The only thing that failed me to like this is that I, a straight man, don’t find humor in being gay. I understand that female readers can find this book extremely funny because here, gay man Amapola makes a fool of himself. Amapola is beautiful and Lee even describes him at the start of the novel as someone more beautiful than Britney Spears. You see, I just formed this theory: because some gays are more beautiful (in and out) compared to real women, when they make fool of themselves, the real women celebrate. Reason: they lose some of their competitors. No wonder, more and more women like this book. And most readers are women or feel like women.
To my Filipino friends
Ipagpaumanhin na. Hindi ko na naman nagustuhan ito. Pinilit kong magustuhan dahil talaga namang fan ako ni Ricky Lee mula sa kanyang mga obra like Himala, Kapit sa Patalim, Salome, Moral, Relasyon, Brutal, City After Dark, Alias Baby China, Fuschia, Nasaan Ka Man, Aishite Imasu, Tatarin, Minsan Minahal Kita, Jose Rizal, Curacha, Calvento Files, Ipaglaban Mo, Lahar, Madrasta, The Flor Contemplacion Story, Separada, atbp. hanggang sa Sa ‘Yo Lamang. I mean having written 140 stories that were used for movies and TV drama or drama series, sino pa sa atin ang di nakakapanood ng likha ni Ricky Lee? Unless talaga na nasa vacuum ka at di ka sumisilip ng TV drama kahit mga lumang mga pelikula sa Cinema One, at some point in your life, siguradong nakapanood ka na ng likha ni Ricky Lee. O di mo lang alam na ang pinapanood mo ay either sinulat ni Ricky Lee o si Ricky Lee ay isang creative consultant ng pelikula, istorya or teleseryeng nagustuhan mo.
Alam ko na na ang hangarin ng librong ito ay magpatawa. Loosen up, ika nga nila. Kaso, siguro kababasa ko lang ng Lumayo Ka Nga sa Akin ni Bob Ong noong basahin ko ito. Actually, back-to-back sila. Kaya di ko maiwasan na mag-kumpara. Kung tawa ako ng tawa kay Bob Ong, inip na inip ako rito kay Ricky Lee. Natapos ko ng isang araw ang Bob Ong. Ito, inabot ng isang linggo. Eh ano kung may tatlong persona si Amapola? Eh ano kung nakakapag-split sya ng triple? Eh ano kung may Lola Sepa sya na nag-train sa kanya kung paano maging mabuting manananggal? Una-una di naman ako naniniwala sa manananggal at pangalawa ang mga bakla ay di pinagtatawanan dahil sila ay kagaya rin ng kahit sino sa atin na normal. Mahal lang nga nila ang kapwa nila lalaki pero bukod doon ay wala nang ibang dapat pang i-highlight na kaibahan nila.
Bilang ladlad na bakla, hinahanggaan ko naman si Ricky Lee. Masaya nga para sa akin ang tao na nakukuhang magpatawa at his own expense. Di na kailangan pang gumamit ng iba upang makapagtawa ng mga kaibigan nya. Di rin kailangang magkunwari. In fact, sa paglalahad ng buhay ng isang bakla, lalo na sa paraan ng pagpapatawa, mukhang ipinararating ni Lee na ang mga bakla ay mga interesanteng tao rin na masarap makasalamuha o maging kaibigan. Ang di ko lang makuha ay kung bakit pa kailangang gawing manananggal si Amapola ganoong ang bakla na mismo ay isa ng makabuluhang paksa. Dahil ba uso ang Twilight? Kung makikiuso rin lang, bakit di na lang isang magandang bakla na nambibiktima ng mga guwapong bagets na mai-inlab sa kanya? Sa paglalagay ng supernatural or mythological gruesome creature sa istorya, para tuloy nagiging paurong ang imahen na kailangang kailangan ng mga bakla upang sila ay seryosohin ng lipunan.
Overall, maganda naman ang pagkakakuwento. Pero di ko lang talaga nagustuhan ang mismong kuwento.