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Finalist, 1988 Pulitzer Prize for Poetry. "Clifton mythologizes that is, she illuminated her surroundings and history from within in a way that casts light on much beyond."-- The Women's Review of Books
- GenresPoetryBlack Literature
85 pages, Paperback
First published June 1, 1987
About the author
Lucille Clifton
76 books450 followersLucille Clifton was an American poet, writer, and educator from New York. Common topics in her poetry include the celebration of her African American heritage, and feminist themes, with particular emphasis on the female body.
She was the first person in her family to finish high school and attend college. She started Howard University on scholarship as a drama major but lost the scholarship two years later.
Thus began her writing career.
Good Times, her first book of poems, was published in 1969. She has since been nominated twice for the Pulitzer Prize for Poetry and has been honored as Maryland's Poet Laureate.
Ms. Clifton's foray into writing for children began with Some of the Days of Everett Anderson, published in 1970.
In 1976, Generations: A Memoir was published. In 2000, she won the National Book Award for Poetry, for her work "Poems Seven".
From 1985 to 1989, Clifton was a professor of literature and creative writing at the University of California, Santa Cruz. She was Distinguished Professor of Humanities at St. Mary's College of Maryland. From 1995 to 1999, she was a visiting professor at Columbia University. In 2006, she was a fellow at Dartmouth College.
Clifton received the Robert Frost Medal for lifetime achievement posthumously, from the Poetry Society of America.
She was the first person in her family to finish high school and attend college. She started Howard University on scholarship as a drama major but lost the scholarship two years later.
Thus began her writing career.
Good Times, her first book of poems, was published in 1969. She has since been nominated twice for the Pulitzer Prize for Poetry and has been honored as Maryland's Poet Laureate.
Ms. Clifton's foray into writing for children began with Some of the Days of Everett Anderson, published in 1970.
In 1976, Generations: A Memoir was published. In 2000, she won the National Book Award for Poetry, for her work "Poems Seven".
From 1985 to 1989, Clifton was a professor of literature and creative writing at the University of California, Santa Cruz. She was Distinguished Professor of Humanities at St. Mary's College of Maryland. From 1995 to 1999, she was a visiting professor at Columbia University. In 2006, she was a fellow at Dartmouth College.
Clifton received the Robert Frost Medal for lifetime achievement posthumously, from the Poetry Society of America.
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Displaying 1 - 21 of 21 reviews
June 7, 2014
one of my favorite right now i gave it to all my roomies
"female"
there is an amazon in us.
she is the secret we do not
have to learn.
the strength that opens us
beyond ourselves.
birth is our birthright.
we smile our mysterious smile.
January 8, 2023
Enter the poems of Lucille Clifton, where she uses few words but somehow always chooses the right one so that you can't imagine each verse with any other selection. Streetlights bloom and dust wrinkles and hair cries and hair is pain and all clay is kin and kin. Clifton writes with a language of kinship that colors every subject she depicts and every voice she assumes with universality. While you can certainly hear echoes of the Good Woman poems + memoir in Ocean Vuong and what I've read of Kiese Laymon's memoir, Heavy (ur professor is brilliant, Julia,) I would put this more somber, worldly collection in dialogue with Giovanni, Sanchez, Adichie, and Shire.
the poem at the end of the world
is the poem the little girl breathes
into her pillow the one
she cannot tell the one
there is no one to hear this poem
is a political poem is a war poem is a
universal poem but is not about
these things this poem
is about one human heart this poem
is the poem at the end of the world
the poem at the end of the world
is the poem the little girl breathes
into her pillow the one
she cannot tell the one
there is no one to hear this poem
is a political poem is a war poem is a
universal poem but is not about
these things this poem
is about one human heart this poem
is the poem at the end of the world
May 19, 2017
This is one of my favorite books. Clifton's work is spare, deceptively simple and powerfully moving.
December 30, 2025
good book to end the year on
May 10, 2024
so sparse + simple, but you feel the weight of it in your blood. soooooo good.
December 22, 2020
Much of the collection makes use of Clifton's usual structure and brand of evocative language. Many of the themes are the same as her other work; she writes of slavery and disenfranchisement. Specifically in this collection are poems about Apartheid, Native Americans, and womanhood. There is a refreshing (but sad) section at the end regarding the death of Clifton's husband from cancer at the young age of 49 - refreshing because it covers thematic ground that departs from Clifton's overworked themes.
February 3, 2021
I am always impressed at the way even Clifton's simplest poems evade being simplistic or trite and instead are clear and profound. A favorite from this collection:
the poem at the end of the world
is the poem the little girl breathes
into her pillow the one
she cannot tell the one
there is no one to hear this poem
is a political poem is a war poem is a
universal poem but is not about
these things this poem
is about one human heart this poem
is the poem at the end of the world
the poem at the end of the world
is the poem the little girl breathes
into her pillow the one
she cannot tell the one
there is no one to hear this poem
is a political poem is a war poem is a
universal poem but is not about
these things this poem
is about one human heart this poem
is the poem at the end of the world
September 10, 2020
“atlantic is a sea of bones,
my bones,
my elegant afrikans
connecting whydah and new york,
a bridge of ivory.
seabed they call it.
in its arms my early mothers sleep
some women leapt with babies in their arms.
some women wept and threw the babies in.
maternal armies pace the atlantic floor.
i call my name into the roar of surf
and something awful answers.”
my bones,
my elegant afrikans
connecting whydah and new york,
a bridge of ivory.
seabed they call it.
in its arms my early mothers sleep
some women leapt with babies in their arms.
some women wept and threw the babies in.
maternal armies pace the atlantic floor.
i call my name into the roar of surf
and something awful answers.”
December 20, 2017
This book was my introduction to Clifton's poetry and it is by far one of the most inspiring reads I've had in a while. I highly recommend this to any poetry lover, Clifton's words are awe inspiring and beautiful.
September 11, 2019
My introduction to Lucille Clifton, although a phrase of hers has been in my psyche for decades.
She drops a truth that stops your world, and as you regain your balance you have just that little bit more of clarity.
She drops a truth that stops your world, and as you regain your balance you have just that little bit more of clarity.
April 13, 2020
The poems are short and rich. Clifton reigns double meaning, and I bet if I reread it I would unearth even more of them in all the poems, things that went missed on my first read through. So good, so moving.
January 10, 2021
It do be like that though.
September 3, 2025
“to say that the only mercy
is memory,
to say that the only hell
is regret.”
is memory,
to say that the only hell
is regret.”
July 8, 2026
4.5 rounded up. The cancer/chemo ones hit extremely hard obviously. I’m not crying you’re crying
November 23, 2024
she powerfully frames memories that could be challenged and then proceeds to give us memories from people that are always challenged
titled next, she makes us ask ourselves -- what comes next? after we've been let into the reality of another.
titled next, she makes us ask ourselves -- what comes next? after we've been let into the reality of another.
Read
January 1, 20232023 Read Harder Challenge #20: Read a book of poetry by a BIPOC or queer author
2023 Free Black Women's Library Reading Challenge #24: A collection of poetry, short stories, essays, letters or prose
2023 Free Black Women's Library Reading Challenge #24: A collection of poetry, short stories, essays, letters or prose
Read
April 18, 2009Oh, I've been loving Clifton's work. Her voice is just remarkable, seemingly simple and yet she finds just the right word every time so that I know there is so much art there. Here is an example of a short poem: "Why people be mad at me sometimes" They ask me to remember/their memories/and I keep on remembering/mine.
I've been there, in fact sometimes I forget my own memories in remembering theirs.
In any case, My favorite, and I can't seem to find someone else to read at the moment.
I've been there, in fact sometimes I forget my own memories in remembering theirs.
In any case, My favorite, and I can't seem to find someone else to read at the moment.
March 31, 2012
4.5 stars
January 31, 2014
This has always seemed like the bleakest of Lucille's collections to me, but reading it as I began to grieve Rachel Held Evans's death brought all its power to light.
Want to Read
November 29, 2014Sorrow Song (Poem)!
Read
December 3, 2017this wasn't my absolute favorite, i felt like the poems were so short/simple, but it was interesting what she chose to write about. clifton takes a the pain and experiences of people around the world and connects them to her own. there's a sort of global consciousness that seems unique to her writing.
highlights
-I. at creation
-in white america
-california lessons
highlights
-I. at creation
-in white america
-california lessons
Displaying 1 - 21 of 21 reviews



















