I found it enormously ironic that Woodbury uses the words-both actual and paraphrased—of the Declaration of Independence to end this novel after belaboring for most of it that the U. S. CIA is the ultimate irredeemable villain of the series, its actions approved at the highest levels. Woodbury begins this novel apologizing for the longer than usual wait because she wanted to get this one right. She had a Herculean task. The complexity of the plot had so many moving parts, and therein lies the problem. What her head wanted to accomplish and the story her heart told were not in agreement.
Half the book is David alone in the hands of the CIA, an intentional act to protect his family and Earth 2. His goal is to broker a deal with the governments that have pursued his family every time they return to Earth 1 (Avalon). To do that requires him to allow them to do harrowing things to prove that their plan to make him or his son a mule to takeover Earth 2 will not work. He succeeds at great cost until it doesn’t. What happens next happens at light speed leaving lots of questions and loose ends.
The other half is told from the view of several major and new characters covering the escape down the Seine from Paris with the Parisian Jewish population and most of David’s family and friends, as well as from the perspective of David’s guard as they move through France after discovering David gone, from the perspective of the various Templars’ actions in support and finally from the perspective of those in Rouen as Normandy rises up in protest to dictates from Paris.
There were many points that left me confused and several omissions I found odd, but the major problem was the ending. After telling in great, and at times tedious, detail what characters were thinking and doing and introducing several new likable characters I’d like more of but probably won’t get, the final actions are rushed and just don’t ring true.
The ending was clearly deeply important to Woodbury and her central character David, but it was not where the emotional weight of this story lay. Nor did she give me reason to care about what was happening in Rouen. This was a story about a man with a vision and a deep abiding love for his family and people acting to protect both and sacrificing much to do so. Though we get a quick hug from Lili in the final pages, we don’t get the reunions that both he and the reader have been longing for after all David has been through. Major characters from previous books who got no page time in this one are oddly ignored, or in the case of James Stewart, pulled out like the proverbial rabbit out of a hat to fill a plot point with no real emotional connection for the reader.
My writing teacher once said the ending is the thing. It’s what readers remember most. It’s the payoff. Does all this novel deserve only 3 stars? Probably not but the ending? That I’d give a two.