I just put down "The Haunted" after reading the final page and had to stop and just breathe for a few minutes. Michaelbrent Collings' work has that sort of impact on a reader.
On the surface, the novel tells the story of a young couple expecting their first child as they move into a new house which, they soon discover, is haunted. On the first day of their arrival, there are some slight annoyances brought about by objects that won't stay put and doors which refuse to remain closed. But the middle of the night on day three, however, the heroes are under siege by not one but two groups of horrific and demonic creatures, both seemingly bent on the destruction of the young family.
The pacing of the novel is remarkable. Collings is able to take the reader from one scene of horror directly into another, give you a brief respite before "kicking up" the process and starting again. His strength lies in a slow intensifying of the danger and the sense of ominousness his characters face without, as other authors might do, repeating the same mechanisms over and over. Collings takes us on a trainride of horror and, even when we round each curve and think we have seen the scenery before, a closer inspection shows us something truly original and so horrific that we wish we'd never looked.
The book is packed with action as the young couple try desperately to escape the haunted house but, at times the action becomes a little too frenetic. One wonders why the pregnant woman does not simply miscarry right in the middle of the chase due to all the physical stress she's under. In fact, there are times during which so much is going on that it is high praise to the author that, in the end, he ties things up quite nicely.
Unfortunately for this reader, there were times during the novel's most intense parts where I was on the verge of wondering, "So what ELSE is this guy gonna throw at his protagonists? Martians?" Of course, there are NO Martians, just many, many ghosts all with very particular purposes and desires which the reader does not discover until just before the climax. In understand why the author crafted the novel in this fashion but, frankly, I would have preferred knowing a little more about some of the monsters much earlier in the book.
The action scenes are certainly the book's high points; the intimate character moments, not so much. Though the author uses the interesting and effective technique of writing third person narrative through two different characters eyes in alternate chapters, we're still TOLD too much. We don't really get to SEE how they feel about each other much in any organic way. In these scenes, the author's hand is too heavily present and the characters aren't quite allowed to breathe on their own resulting in a lack of emotional resonance in the reader.
Not that Collings is weak in his character work, he's not. But in this case, he's sometimes used his main two characters as mechanisms around which the turmoil of the plot swirls rather than catalysts. They're like stones tossed into a river and washed away when the two main characters SHOULD be rocks, fighting against the pull of the water and perhaps even altering it in some small way. As a result, the don't really change much (and there's a valid reason for that but I still think it wasn't the best literary choice)and the reader does not feel for them.
Oh, we certainly experience the environmental ambiance of doom and danger that the characters feel. Collings is a master at evoking that "look over your shoulder" feeling in his readers. And we're certainly intrigued and VERY interested in explanations which we know will come by novel's end. We just don't care very deeply about the potential fates of his two main characters. We're more curious about what makes the ghosts tick than we are about what their victims are feeling.
But the journey that Collings maps out is quite a remarkable one. There are several surprises in the book and, to Collings' credit, each of them is foreshadowed just enough so that it seems a natural development yet no less shocking. I'm usually not caught by those kinds of "surprises" and in this book, I followed Collings right down the garden lane and into his literary trap.
I highly recommend this book. It is a rare novel in that its flaws, while frustrating, actually serve to make it more interesting. And the atmospheric writing can't be beat. If you are a fan of any of the classic Haunted House stories, you will love it. "The Haunted" is certainly a worthy successor to such literary edifices as Hill House and the Bates Motel.