The story of the tempestuous romance between screen goddess Greta Garbo and society photographer Cecil Beaton--two enigmatic and iconic legends of the 30s. Best-selling author Souhami has drawn on diaries, letters, photographs, and films to show they both infused their work with the allure of androgyny--while concealing it in their private lives. A beautiful picture of two remarkable individuals and their era. "Compelling reading."--Literary Review. "...fascinating insight..."--Elle. 6 1/4 X 9 1/4.
Diana Souhami was brought up in London and studied philosophy at Hull University. She worked in the publications department of the BBC before turning to biography. In 1986 she was approached by Pandora Press and received a commission to write a biography of Hannah Gluckstein. Souhami became a full-time writer publishing biographies which mostly explore the most influential and intriguing of 20th century lesbian and gay lives.
She is the author of 12 critically acclaimed nonfiction and biography books, including Selkirk’s Island (winner of the Whitbread Biography Award), The Trials of Radclyffe Hall (winner of the Lambda Literary Award and shortlisted for the James Tait Black Prize for Biography), the bestselling Mrs. Keppel and Her Daughter (winner of the Lambda Literary Award and a New York Times Notable Book of the Year), Gertrude and Alice, and Wild Girls: Paris, Sappho, and Art. She lives in London.
An easy read, in the best sense of the term. Souhami gives a blow by blow account of the tortuous relationship between Garbo and Cecil Beaton, the social climber who extracted a fortune and a knighthood out of his rather limited talent for making rich people look beautiful. Inevitably, we see more of Beaton's side of the story, because he was an inveterate gossip and diarist, whereas Garbo talked little and wrote less. Beaton's fascination for the wealthy and famous seems to be the only reason he latched on to Garbo and for years tried to convince himself, her and the world that he was deeply in love with her. Based on the evidence collected by Souhami, Garbo never believed a word of it, but was as a rule so bored and depressed that Beaton's company was, at times, the right tonic for her. Souhami gives the impression that it is a shame Garbo made enough money with just 2 dozen films to last a lifetime. Her phenomenal success turned into a kind of curse. It's such a waste that for 50 years Garbo wandered around the globe feeling blue without anybody being really able to engage her, and yet reading this book made me more curious than ever about her.
Neither of the main players in this account of the on/off relationship between Greta Garbo & Cecil Beaton come across as very nice people. Garbo, well-known as reclusive, seems also quite selfish & rude & dismissive of her fans, whilst Beaton seems like a bit of a flibbertigibbet. They meet, then don't meet for fifteen years, meet again & have a brief affair, which Beaton thinks will lead to marriage. When it doesn't, Beaton commits the ultimate betrayal in Garbo's eyes - he talks to the press.
There's an LGBTQ+ slant to the book as both Garbo & Beaton had affairs with both men & women, & both liked to wear clothes typically worn by the opposite sex at the time. Ultimately their personalities were too different to have ever made a go of things as a couple. Overall it was quite interesting as I didn't know a lot about either of them, but really, not much happened & it was very slow at times.
TW: racist, anti-Semitic, homophobic, & misogynist phrases in the period quotations.
This poorly written and ultra boring biography further demonstrates that Cecil Beaton was simply a star$#@!er who was only interested in Garbo the actress and not Garbo the person--then constantly ponders why she is so boring and unlike her screen persona in real life.
Love Souhami's books. She always has a relaxed chatty way of presenting all the research she's obviously done, and she writes about people I find fascinating.