Three years have passed since the Friend has become President of the World, ruling from within the walled fortress that is Tokyo. Meanwhile, “The Boys” are divided as some are still in unknown whereabouts, whilst the rest are established in this volume, adjusting the continuously dystopian world which has plagued half its population by the virus secretly unleashed by the Friend Organisation.
Starting with Kenji’s best friend, Otcho, trying to survive on his own, only to be accompanied by two young runaway siblings, who learn about the harsh reality of the dystopia they’re living in. When Sanae and Katsuo encounter an injured man who is the target of the Friend’s Global Defence Force, he gives them information to pass on to both the Genji Faction and the Ice Queen’s organisation – both rebellions against the Friend – as they both have a spy within their groups. As this man surrenders himself so that the two children can escape, the GDF have no remorse and kill him in cold blood, much to the horror of the children who witnessed.
Naoki Urasawa has always explored the darkness within humanity throughout his work and in the case of 20th Century Boys, Otcho gets to experience how people can react in the most visceral way. Flashing back to the initial three-year period of the Friend’s presidency, we see Otcho interacting with people who start off as being friendly, until a mailman gives one person a vial of vaccine to the ongoing virus, suddenly everyone fighting each other for the gift of life, much to Otcho’s horror.
Very much the protagonist of this volume, Otcho goes through quite the character arc from still coping with his son’s death from years ago, to finally be reunited with Kanna Endo, who turns out to be the Ice Queen and is planning on a full-scale assault against the Friend that could result in the deaths of her men. Both Otcho and Kanna have been through hell as they grieve in their own way and trying to respond to a world that is ruled by evil. Considering the lack of radio transmissions as ordered by the Friend, music has occasionally played through the radio, specifically songs that are familiar to Otcho and Kanna as both suggest that someone significant from their past has returned.
Meanwhile, Chono, the ambitious detective that allied with Kanna and her friends, is now an officer guarding the northern checkpoint gate leading to Tokyo, in case of “alien invaders” coming to attack. As comedic as it sounds, not least that the Global Defence Force carry laser guns that are basically children’s toys, it is also disturbing how a society can believe in such false accusation due to the forces that rules everyone. One day, someone does arrive at the gate as Chono and his alien-believing co-worker confront this mysterious figure, who is not an alien at all, but an ordinary man riding on a motorcycle with a guitar strapped to his back. This guy sure seems familiar.
As this mysterious man sings his way to his destination influencing the oppressed to fight back, Otcho and Kanna get apprehended by the Leader of the Friendship and Democracy Party, Inshu Manjome, who proposes a power-play against the Friend, who remains a mystery.