Ludwig Wittgenstein's Tractatus Logico-Philosophicus, ortende noted as the most important philosophical work of the 20th century, had a broad goal; to identify the relationship between language and reality, and to define the limits of science. Following on from Wittgenstein 100 years later, Signs Gjessing updates and reimagines the Tractatus, marrying poetry with philosophy to test the boundaries of reality. Stunning, knowing, and revitalising, and glinting with stars, silk, and ecstasy, this is poetry which exacts the logical consequence of philosophy, while locating beauty and significance in the nonsense of the world.
Gjessing builds on Wittgenstein's tract and adds her own distinctive element of the ecstacic, with threads of silk and roses (Roses may be a bit too delicate when compared to the stars running through it).
I have limited familiarity with Wittgenstein's work, and both poetry and philosophy have limited resonance with me, so I'm far from the ideal audience for this brief (41 pages in very large font) work, hence the 3 star rating, but I would strongly recommend this to those to whom it sounds their thing.
The logician in me did appreciate the mathematical set-up of the text, mirroring Wittgenstein's own. As he explains, in C.K. Ogden's translation:
The decimal figures as numbers of the separate propositions indicate the logical importance of the propositions, the emphasis laid upon them in my exposition. The propositions n.1, n.2, n.3, etc., are comments on proposition No. n; the propositions n.ml, n.m2, etc., are comments on the proposition No. n.m; and so on.
with Newman following a similar poetic philosophy.
Extract from Gjessing/Newman:
3. The world is imported.
3.01 The world is a good alternative to certainty.
3.011 The world has been allowed to sit and watch from one side of the balance. The world is not supposed to shift the balance, it should just watch.
3.02 Is it completely intentional that the universe has not led roads to the stars?
3.03 The universe always shows up at the last minute, right before universality gives up.
3.031 And always with some kind of new scent.
3.1 The world is accentuated by the drops as an example. —Which ecstasies? —The world, e.g.
Denna diktsamling (?) använder samma system som Wittgensteins Tractatus Logicus-Philosophicus. Det var därför jag lånade den. Svårt att motstå den idén.
Jag tycker problemet uppstår i att Gjessing vägrar välja mellan poesins grumlighet och filosofins klarhet. Det känns inte som att boken kommer nån vart, det blir mest ett pseudo-intellektuellt/pseudo-poetiskt runk. Jag hade föredragit en diktsamling och en filosofisk bok, alltså separat. Det hade nog funkat bättre om de var komplement till varandra än att de slås ihop. Hon tillskriver universum ett medvetande som om det vore en självklarhet. Jag hade svårt att förstå om det var ett poetiskt grepp eller ett filosofiskt. Det är ett exempel på hur sammanslagningen skapar problem.
”2.41 Universum hänvisar till stillheten när det »är«."
Really gorgeous poem, but I wonder if the structure detracts to it rather than adding to it. The logical dependences don't always work, at times they seem pretty arbitrary, but the imagery and tone are really beautiful. It's also a tiny book that begs to be reread from the top as soon as it's finished, very stimulating
I don't have a steady universe, but I have a steady rose. The world often shifts wonder. The world leaves everything to the roses which leave everything to chance.
På den ene side temneligt theoretisk, på den anden mere legende + propositioner, hvor referencerne (endnu) ikke er (mig) tydelige. Forskel i sproget mellem forordet og digtet selv er interessant. Handler det også om sammenhang og causalitet?
I added Tractatus philosophico-poeticus to my reading of Wittgensteins Tractatus and it actually helped me a lot to get a type of second experience and interpretation of Ludwigs work. I didn't love all the poetry but some of it was beautiful.