Over the Hills and Far Away follows Nikky through the Teletubbies years, from her role as a bistro table during her audition to the show’s international success and the accompanying hounding by the press.
In this warm, funny, affectionate look back at life on the Teletubbies set, Nikky reveals all, including tales about dogs and asthma, raging arguments about fruit, and the games the cast and crew played to amuse themselves during long shoots in their massive costumes.
Join Nikky and Laa-Laa on their extraordinary journey from the very beginning to handing the torch to another performer for the next generation.
Thank you to the publisher via Netgalley for the audio ARC of this book in exchange for a fair and honest review.
When Nikky Smedley received the news that she had been cast as Laa-Laa in late 1995, my mother was likely politely refusing a glass of wine - she was four months pregnant with me, you see. I would become one of the very first fans of the Teletubbies. I even had a full set of the stuffed toys - I left my Po in the fish and chip shop one day and was absolutely devastated. I never saw her again.
So, when I saw Nikky's memoir on NetGalley, I thought it would be a fun trip down memory lane - and it was! It had been some two decades since I'd watched an episode, but it all came flooding back. It was an absolute delight to hear how passionate the team were about children and EYFS work. Nikky approaches everything with sunshine and good humour, and the affection she has for the time she spent as Laa-Laa really shines through. Her audiobook narration is particularly delightful, incorporating little bits of Laa-Laa voice acting throughout.
The only thing I would really change about this book would be for the editor to put some red pen through a decent chunk of the "it was hot inside the suit" passages. It feels like Smedley is always coming back to how hot it was in the suit. Any reasonable adult can take one look at the tubby suits and know that it was hot in the suit. There's no need to have quite so much of it.
A marvellous memoir from Laa-Laa the Teletubby, aka Nikky Smedley, who is a dancer, choreographer, producer and teacher. One of the more unusual memoirs I've read, it's a funny, insightful book which I very much enjoyed.
I was a little too old for the Teletubbies programme when it was first broadcast in 1997 but I remember seeing it at my childminder's house. I've been exposed to it since then as my kids like watching it. In fact, while I was finishing this book, they made their Teletubby toys fight each other (Po was a policeman and Tinky Winky was the bad guy). What's interesting about the TV programme is how popular and long-lived it is - this year is the 25th anniversary - which proves that Anne Wood and Andrew Davenport (the creators) were on to a winner, although as Nikky Smedley recounts, what they were doing was quite new and no one could predict how successful it would be.
The memoir focuses on what it was like to be in the Laa-Laa suit, channel the character and work with everyone involved in the programme. It's packed full of production secrets and amusing anecdotes. I was super impressed with how considered every detail was and that, far from the dumbing down of children's TV that the media had latched on to, Teletubbies was designed to support children's early development in several ways. After finishing work on the show, Nikky was involved with the next Ragdoll productions Boobah (no, I haven't heard of it either) and the phenomenally successful In the Night Garden, before doing various Teletubbies events and being a consultant on the rebooted Darrall Macqueen series.
In summary, a recommended read, unless you've never heard of the Teletubbies (unlikely) or you have a phobia of them (apparently some people do).
Thank you to the publisher Sandstone Press for the advance copy via NetGalley.
A very sweet and clearly written book about her experiences as a Teletubby. If, like me, you watch Teletubbies as a small child, you will enjoy the nostalgia and memories this book brings back to you. There are some lovely anecdotes in the book and some interesting insights into the world of television making. The book does jump around in time occasionally but mostly follows a clear narrative timeline which makes it an easy read, but there are a few parts which feel repetitive or sentences that feel like they’ve been written several times throughout the book. Overall a light and fun read, recommended to anyone who loved the Teletubbies, or has an interest in the backstory and how the TV show was made.
Nikky Smedley is the soul of a character that most people can name and recognise, even if they don't know who the human is. She was the voice and body of Laa-Laa from the children's television program Teletubbies.
With insight and warmth, she details the experience of creating the show, from seeing the initial advertisement seeking energetic performers to the end of filming six years later, and the subsequent events leading to the present day. Her humour and affection for the time are paired well with the honest descriptions of the difficulties of being eight feet tall and running around a field covered in fur.
As someone who was a child watching the show, I never did, and only from reading this book do I now, understand the extent and engagement of the Teletubbies. Aired in 120 countries in 45 languages, filmed in a hidden field and rich with education theory (which Smedley shares and explains), this program was a massive undertaking and a gamble that paid off. It's heartening to read Smedley's obvious fondness and sheer joy from her time as Laa-Laa, then to follow this with how she's incorporated this into her career.
I am glad about the timing of this book. As with the initial reluctance for anyone to see the Tubbies outside of Teletubbyland because it jars with the perception, for the children that watched it and their adults, having a distance from that time helps. It made for a thoroughly entertaining experience to delve back into this world, with each of Smedley's memories bringing back ones in the reader. It has been a long time since I've thought about Tubby Toast.
Smedley discusses the controversy that the program garnered, especially in the early days, regarding the appropriateness for young children, with many voicing concerns as to the impact on their development. As one such child, I can confidently assure you that it did nothing but good.
Eh-Oh! NooNoo! Tubby Custard and Tubby Toast. And those rabbits!
I recall lots of elements from the Teletubbies because one of my children watched Teletubbies. We even had each of them as a plush toy. They were an interesting concept, from a parent’s perspective, but I definitely understood that they were not marketed towards me, but to very young children. Nikki Smedley takes you on a deep journey into the life of a Teletubbie: Laa Laa, to be precise. We hear about the sheer exhaustion of putting on that yellow costume for several years, and also hear about the reward knowing so many children were so excited by the show and the characters. Even though there was no direct or immediate recognition, Nikki knew that somewhere around the world there was a child watching the show, and watching her as Laa Laa, and enjoying it immensely.
Equally it was interesting to hear about Nikki’s work later on with BooBah and In The Night Garden, and the work undertake to train future performers for children’s shows. It was quite apt to hear about the woman behind the famous yellow Teletubbie, and reading about the huge amount of time, effort, thought, and sweat that made it happen! There was so much dedication from everyone involved to make this children’s favourite come to screen. It was so interesting to hear more about the brains behind it.
Some of the detail provided was really interesting, such as the high security protecting the site and the actors, and the breed of rabbits they chose to match the dimensions of the Teletubbies. Some of it seemed to be a lot of fill about Nikky’s personal life. It did provide a good illustration of the life of someone who is in front of the camera, and hidden away under costume, and the impact of recognition for work in this field. I enjoyed reading this; it was a good stroll down memory lane, and reminded me of all the TV shows of that style that were produced that my kids were fascinated with.
It was fine. It wasn’t good, wasn’t bad. Just fine. I think I was only ok with it because I grew up on tellytubbies and work in the arts so thought it would be interesting. The writing is okay, the structure jumps around a lot but it generally followable. The typos drove me crazy. There were so many and they made certain parts of the book kind of confusing. Overall, it was alright. Would I read it again, no. Would I recommend it, if you were a fan of tellytubbies maybe.
It’s hard for me to believe that it’s 25 years since the Teletubbies hit the screen as it seems like only yesterday my daughters were watching it. Mind you, they are both in their twenties now… In this affectionate tribute to the show, Nikky Smedley tells us frankly about what it was like to be inside the costume which was Laa-Laa. We hear all about the show from initial casting right up until filming the last episodes and then how it felt passing on the costume to a new actor for a remake in 2014.
It really was eye-opening finding out about how the programme was made. It was clear that being actually inside the costume was a very uncomfortable place to be and brought many challenges. How do you hold Tubby toast when one hand is operating the eyes and another the mouth? I hadn’t thought about how big the set and all the props would have to be in relations to the Tubbies. To be honest, I probably hadn’t realised initially that there were people inside the costumes! A lot of this was to do with perspective. The Teletubbies were meant to appear like toddlers to young children so everything had to be scaled up. Even the rabbits hopping about the hill were huge – I hadn’t realised that!
It was really interesting to find out about the thinking behind the show especially since it was heavily criticised at the time for dumbing down. In fact the language and the repetition were all aimed at aiding children’s understanding and development and everything was carefully thought out for its educational value. The idea was that children would recognise and relate elements of the show to their own lives and feel connected to it. It was about bringing fun and joy into their lives through the television.
There is a mention of the merchandising which eventually followed the success of the show. I’m pretty sure that if we had a rake about in our attic we would find toys of Po and Laa-Laa which were much loved by my two girls. One Christmas, my older daughter, who was not quite one, was given a CD of the theme tune. As soon as we started playing it, her head immediately turned to the tv and she crawled over and pulled herself up to stand in front of the tv. Her face when Teletubbies didn’t appear on the screen was a picture! She looked back and forward from where she could hear the music to the tv completely baffled! Children loved the programme even if their parents didn’t quite get it. Personally, I did like it at the time, apart from the repeated tummy tv films but I now understand why they were included – again, again!
It was so interesting to read about the media attention which Teletubbies attracted. Initially, the actors were not allowed to reveal their identity or where or how it was filmed. Part of this was to keep the illusion of the characters real for children. When their identities were finally revealed Nikky Smedley tells a funny story about parents sometimes telling their children ‘look, this lady is Laa-Laa; and the children looking at their parents as if they were mad. Clearly this was just a lady and not Laa-Laa. Inevitably, as the show’s popularity grew, the media were keen to find out about the actors and the author found this rather intrusive. She says she’s glad she wasn’t recognisably famous out of costume.
Having met Nikky, I can say she’s just as lovely and bubbly as she comes over in the book. My daughters (both now in their twenties!) were very excited that we came home with Nikky/Laa-Laa’s autograph. I think that shows just how successful Teletubbies was as a programme. The aim was to make young children feel happy, loved and good about themselves. I think it certainly succeeded. It still inspires happiness in the children who watched it all those years ago and of course, that is thanks to the people behind the show. If you were a child who watched Teletubbies or a parent at the time, I think you’re going to love this book. It’s a warm and funny tribute to what was a much loved tv show.
'Eh-Ohhhh' bounded from my car speaker as I began my nightly commute to work & I was immediately in a good mood, because really who can resist the bubbly warmth & cuteness of the Teletubbies? I was 7 when Teletubbies first aired so a bit older than the target market but something about Laa-Laa's & Po's (she was always my favourite, shh) endless enthusiasm always drew me in. So obviously when I saw Over the Hills & Far Away on audiobook I knew I was going to have to listen.
OTHAFA follows Nikky Smedley during the early days of her trying to make ends meet, what it was like living as the adorable Laa-Laa & what came after life as one the beloved famous four.
Nikky takes us with her into Teletubby land & gives a full backstage pass to all the behind the scenes fun, camaraderie & occasional strife. Nikky shares what it was really like to be sweating in her tubby costume for hours at a time & divulges some fascinating set secrets & facts which honestly blew my tiny little mind. I won't list them here as that’ll spoil all the fun!
Nikky also shared the negative attention that Teletubbies got from the media & parents around the country, many thought Teleubbies would be a corrupting bad influence in their children’s life. Sorry what?! In contrast Nikky detailed the huge amount of work & effort that went in behind the scenes to ensure while being fun & entertaining the show was also educational which was just fascinating.
The memoir is bursting with sincerity & true joy for her time as Laa-Laa & is an absolute tonic to listen to. Her genuine love for all things tubby was truly infectious & I couldn’t help but smile & giggle the whole way through. Nikki voices the audiobook & this added to the enjoyment immensely, especially when Laa-Laa popped her head in occasionally.
OTHAFA isn’t a memoir that’s going to change your life but it is one full of fun, nostalgia & plenty of giggles. I’d really recommend it to anyone who watched Teletubbies for some light relief & enjoyment, also you never know what might just learn!
And in the words of Laa-Laa herself, BIBBALY-CHEESE!
Teletubbies as I said, was a global phenomenon as Nikky Smedley recalls. It also turns out, which I think is nice and respectful, that she is to be a consultant for its rebooted version. There were Tinky-Winky, Dipsy, Laa-Laa and Po, who were these funny characters who lived over the hill and far away.
The book is insightful into what the author is doing now for the reboot, but also in her memories of what it was like to be part of the production and some of the things behind the scenes, such as a certain clause makes for stark reading and makes you feel sorry for the cast of actors. It’s a real eye-opener into what one would assume was something that happened pre-90s.
She reminisces about what it took to get the part and then to be Laa-Laa, to create that character and truly embody her, costume and all on set in the countryside. She lifts the lid on what looks easy and perfect on-screen had its challenges to make it look accomplished. Then she regales the merchandise, of which there was loads.
With the success came extended contracts in 1999, which is when I first heard about it. It had been filmed for 3 years and at the end of the run, more series were wanted, despite some criticism along the way.
There is also an interesting look into life after Teletubbies for Smedley and the others who played the other Teletubbies and what became of them as it all came to an end in 2002.
It’s also interesting what being in Teletubbies meant to her and her lifestyle. The book is so down to earth, with concerns, happiness, sadness that is relatable on some level to people in and out-with show-biz. If you’ve heard of The Teletubbies or watched it in your youth, this is actually worth reading and more so than I originally anticipated.
There is a scene in a Teletubbies episode where a figure stands in a cardboard house, peeking out from behind a curtain. It makes gurgling noises, running back and forth inside the house, giving the viewer a brief glimpse of the figure inside. It has terrified me for over 20 years. Over The Hills And Far Away is the autobiography of LaLa actress Nikki Smedley, exploring how Teletubbies came to be, and the joys of filming as a giant puppet. It was an absolutely brilliant read, and Nikki comes across as so much fun. I would love to go for a drink with her, as she seems so lovely and so full of life. She goes into a lot of depth about how Teletubbies “work”, and how the repetition is used to create a link to the toddler watching, and how children make predictions based on things that they have seen. I found this really fascinating, especially as someone who was the target audience for Teletubbies when it came out. Am I a more developed individual because I watched LaLa and Dipsy play around with Tubby Custard? Nikki is so kind about her fellow actors, even certain people who “sold out” the Tubbies. When she talks about her relationship with Simon Shelton, and her reaction to his death, I got genuinely emotional. I never met the man, but I was so upset that such a fun and kind man had passed away. I would definitely recommend this book to anyone who remembers the Teletubbies, and was also emotionally scarred by The Magic House. It may not solve the everlasting fear of people creeping behind windows, but it is such a great book to read.
I never watched Teletubbies; being a 17-year-old when it first aired and with no young children around me at the time, it didn’t enter my life. But I was aware of the show.
Reading this well-written memoir I have become familiar with the creators’ vision, their dedication to entertaining and educating very young children, the methods used and invented to create such a show, and the sheer hard work that was involved. I was fascinated - not least to discover that the whole thing had been made a mere 7 miles away from where I lived. I had no idea!
I loved the insight into how a tv show like this is made, the intricacies of puppeteering, ingenious problem-solving, and understanding that it takes a huge team of determined people to create something like this. The human element of the show is fundamental, and Nikky brings every aspect to life in her writing so you get a full picture of what went on in those fields in Warwickshire.
Nikky’s own story within this tv show whole was genuinely inspiring. I loved that she found her niche, and has continued to find more of them. Her writing style is eloquent yet humorous, informative and humble; it was a joy to read. And as I was proofing the audio book, I got to listen to Nikky herself telling her story and frankly, that’s got to be the best way. Who else could say Eh-Oh in just the right way?!
I lived and breathed Ragdoll as a child - Teletubbies, Tots TV, Rosie & Jim, I was OBSESSED.
I can’t even tell you the amount of times I dragged my parents down to the Ragdoll Shop in Stratford-upon-Avon, to buy the newest VHS (I always knew which one I didn’t have because each VHS box was a different colour, genius) or take a picture of me on Rosie and Jim’s canal boat.
Reading Nikky’s account of her life as Laa-Laa sent me straight back to being a child again, and it was so lovely to experience the magic of the show through my now adult lens. As a kid, I just took Teletubbies for granted, but it wasn’t until I read Nikky’s account that I realised just how much thought went into its creation (along with the blood, sweat (much of it) and tears).
Nikky’s writing is wonderfully witty, and I felt like I really got to know the lady behind the Laa. Equally hilarious and heart-breaking at times, this was a memoir I just wanted to scream again, again(!) once I closed the final page.
So Nikky, if you’re reading this, you’ve just made a fully-grown-almost-thirty-year-old feel three again, in all the best possible ways.
(Also, listening to the audiobook at work in Atherstone on Stour AKA Tubbyland, was one the most meta experiences I’ve ever had - although sadly, there was not a windmill or baby sun in sight.)
Over the hills and Far Away has a sunshine yellow energy permeating through it. It's warm, funny and simply a joy to read.
I picked this up because I was prime Teletubby watching age, and remember them with a lot of affection. It never occurred to me as a kid that underneath their fuzzy exteriors were fully grown adults frolicking about Warwickshire countryside. So it was wonderful to step back into tubbyland with adult eyes and discover more about the people behind the show, antics on set, the groundbreaking techniques used and the vast cultural impact the Teletubbies had.
There is such joy in the way Nikki Smedley (AKA LaLa) writes that it makes the reader a little happier. I was genuinely thrilled to learn that, despite working long shifts in the tubby suit itself sounding like borderline torture, (albeit hilarious torture) it really was a labour of love for the team behind the Teletubbies. I came away with a newfound appreciation for the show and a fuzzy warm feeling - one I imagine would be akin to a hug from a tubby.
Thank you to Netgalley and Sandstone Press for the eARC in exchange for an honest review.
Over the hills and far away: my life as a teletubby by Nikki Smedley
⭐️⭐️⭐️⭐️
Well let’s face it my 100th read on goodreads was always going to end with a less than usual book 😂
Over the hills and far away in a memoir by former teletubby Laalaa aka Nikki Smedley.
Born in 1989 I was just a little bit too old to fully enjoy the teletubbys but that didn’t change the fact I had a po and a laalaa come Christmas that year (thank you mum and dad). The teletubby’s were a global phenomenon but I never really noticed how little I actually knew about the people in those costumes.
At quite a few times it can be a little repetitive but stick with it and you won’t be disappointed.
The only other massive downside is I discovered I had the teletubby theme tune in my head for 3 days straight ! “Time for teletubby’s, time for teletubby’s”… no at 2 in the morning brain it is not time for teletubby’s🤦🏼♀️
Overall this book gives a fascinating insight to the production of the tele world and the realities of living with fame whilst being anonymous at the same time and I would highly recommend
Oh-OOO! In my personal opinion, any review starting other than the above-stated words for the book (Over the Hills & Far Away) shall not cover its essence entirely.
With all the things people have been through in Lockdown, I imagine this would be one of the most beautiful creations that have come out of it. La La comes here to share the story of her life as a Teletubby. The book is jam-packed with all the details of how it all started, behind the scenes, the secret of Teletubby custard, the horrid costumes & much more. Surely to say it all ends charmingly.
The journey embodies the sceptical of life, business, friendships & even dealing with death to a certain extent. I have been reading more Memoirs this year. Maybe I have finally developed a taste for it - perhaps these last 2 years have given people the right time to take a pause on reflecting upon life. The book is out now so go get your hands on a part of your childhood!
Genre: #nonfiction #memoir
Thank you very much for the wonderful ARC: Platform: @netgalley Author: Nikky Smedley Publication: @wfhowes
I never thought I'd be reading a book by a Teletubby! More accurately, the human behind my favourite Teletubby (but should I admit that? I was definitely too old to be their target audience at the time they were on).
I thoroughly enjoyed this relaxing read that took me from South London to Teletubby Land in the late 1990s. I didn't realise how much forethought and careful planning went into the show, E.G. I never understood why those films of the children were repeated. As someone in their late teens watching, it seemed pointless to show the exact same thing, so to learn the reason behind it was fascinating. There were also things it taught me as a blind person. I remembered the baby giggling, but didn't know those giggles were connected to when the sun appeared.
I would recommend this book, but it should come with a warning because if you knew the Teletubbies at all, you're bound to have the theme tune stuck in your head after reading. I keep finding myself singing it, but it makes me laugh, so does that matter?
This book was just the tonic that I didn't know I needed. I was too old for Teletubbies but my young brother watched it, so I saw and knew about it at the time I cannot believe its now on its 25th anniversary. This book is the perfect backstage pass to life in the teletubbies. From the set, to the huge costumes, to the newspapers hounding them for information. It was a fascinating read to catch a glimpse of this world. I can't say until this read that I thought much/at all about the people behind the characters. Now I've read the book I can see that Nikky absolutely is LaaLaa and I adore her passion to this character. This has some heartfelt moments too and has a great blend of some early comedy, sheer hard work, and life after the show. For anyone interested in TV, or the teletubbies, or just fancies reading something like you've never read before, look no further. This is an absolute unique gem.
When I was little I used to watch Teletubbies with my younger sister and brother and Laa Laa was my favourite, had her cuddly toy, while my sisters was Po! So knowing Laa Laa had a book about her experience I was definitely curious to read. I found it really interesting how Nikky described having to wear the costume and exactly how big it was, but I also loved how much Nikky loved and still loves her time on the show. She genuinely loved being part of that world and was lovely to read. Very interesting read! Made me feel very nostalgic!
Never expected I’d see a book like this! Teletubbies was a huge part of my childhood and the instant I saw this book I knew I HAD to read it.
Hearing the personal side to inside the tub, the ups and downs and just all things tub was amazing, from being a child watching the show to being an adult reading this book, all the memories instantly coming back as soon as Nikky mentioned tubby toast and tubby custard…
I was hoping for this to be a great book but it exceeded all my expectations and was a thrilling read
Being born in 96 Teletubbies was a firm part of my childhood! ( Although Po was my fav back then shh). This book was everything I hoped for and more. Nickky’s love and enthusiasm for her character and the programme really shone through and unveiled so many stories and behind the scenes from the show!
This is a lively account, engagingly and self-deprecatingly well written. But there are way too many (106+) grammatical and spelling/stylistic errors – The Jackson’s / Anna Hume / Glastonbury’s pyramid stage / mock-tutor gatehouse. Yet again the publisher would do well to service its authors’ books with professional editorial expertise, thus satisfying readers and writers alike.
If you have ever wanted to sit down and have a conversation with a grown up teletubby then this is the book for you. After rising to fame playing LaLa on the hit kids tv show teletubbies Nikky’s honest account of life before during and after teletubbies is a great read and not to be missed
Let’s be honest, we’ve all seen at least one episode of Teletubbies in our lives right? I was a bit old for it by the time it came out but my little brother loved it! And now, my daughter loves saying Eh-Oh to the tubbies too!
Who would’ve thought that reading about Laa Laa would stir so much emotion?! I loved how much this giant yellow suit completely changed Nikky’s life around.
It was so interesting to hear about the woman behind the famous yellow Teletubby. I found it so interesting reading about how the world of Teletubbies and the huge amount of time, effort, thought, and sweat that made it happen! There was so much dedication from everyone involved to make this children’s favourite come to screen. It was so interesting to hear more about the brains behind it.
I loved Nikky’s story and she had a lovely way of telling it. It was a well written, heartwarming memoir that tells of such an important part of Nikky’s life, and shows just how much she loves Laa Laa even now. Lovely read!
Thank you NetGalley and Sandstone Press for my gifted eARC of this book!
as a guy who grew up watching teletubbies i found this to be a very entertaining read full of fun behind the scenes info, touching thoughts and good sense of fun
A fun read for work. I have vague memories of watching the Teletubbies as a child and this proved to be quite an interesting read. I'd never really thought about what went into making Teletubbies before I read this. The overall thing I took away was that so much love was put into making the show from everyone involved and you can feel that in the book. A solid read.
Although you know TV is hard work at the best of times, it's interesting to discover just how brutal the process was and despite of that just how much fun they had doing it.