The book traces the journey of the last known group of enslaved Africans brought to the United States on the illegal voyage of the Clotilda, a slave ship that made its crossing in 1860, nearly fifty years after the transatlantic slave trade was officially banned. Tabor’s work is a comprehensive exploration of the lives of the men and women who were forced into slavery on this illegal voyage, their resilience, and the enduring legacy of their community in Africatown, Alabama.
The structure of Africatown is both chronological and thematic, beginning with an in-depth look at the origins of the enslaved in what is now Benin, West Africa. Tabor reaches back into the history and culture of the region to provide readers with a vivid picture of the life of one of the enslaved, Kossola (known in America as Cudjo Lewis), before his capture. This detailed exploration of Kossola’s early life highlights the rich cultural traditions of his homeland, giving a human face to the often-abstract horrors of the transatlantic slave trade.
From there, the narrative shifts to the last slave ship voyage itself, a clandestine operation organized by Timothy Maeher and captained by William Foster. Tabor captures the tension and desperation of this journey, offering a sobering account of the brutal conditions faced by the captives and the lengths that slave traders went to, to avoid detection by both British anti-slave forces in the Atlantic and along the African coast and Federal authorities closer to home. The ship was sailed into Mobile bay, scuttled and burned, in an attempt to hide the evidence of their crime. The ship would lie hidden for almost 160 years.
After emancipation, the survivors of the Clotilda, many of whom remained together throughout their ordeal, founded the community of Africatown near Mobile, Alabama. This tight-knit group of former slaves recreated aspects of their African homeland in this new environment, using their shared experiences and cultural heritage to build a self-sustaining community. Tabor brings Africatown to life, describing its vibrant culture, strong communal ties, and the determination of its residents to maintain their identity despite the systemic racism and economic challenges they faced. They continued to speak Yoruba within the community for decades after the Civil War. There are still descendants of the original residents, the freed slaves brought over on the Clotilda, living in the community.
Zora Neale Hurston spent a significant amount of time with Kossola/Cudju and wrote a book Barracoon, about him. This relationship gets significant space in this book as well.
The book carries the story of Africatown up to 2022, highlighting the community's ongoing struggles, particularly in the form of environmental racism. Tabor details how petrochemical companies, with the tacit approval of state and local governments, have imposed harmful practices on Africatown, leading to significant health and environmental issues for its residents. Truck depots, chemical storage tanks, tar sand oil pipelines - everyone is trying to push in on this community because they are poor and black and don't appear to have the resources to say No. This modern-day continuation of exploitation underscores the long, lingering legacy of slavery and racism in America. The Maeher Family continues to own property in Africatown, serving largely as slum lords, and does not work to protect the community.
Despite these challenges, the community of Africatown remains a testament to its founders' and their descendants' resilience and tenacity. Tabor’s depiction of Africatown is not just a story of suffering and survival but also one of vibrancy, cultural pride, and a refusal to be erased by history.
There are also accounts of people attempting to and finally locating the wreckage of the Clotilda.
Africatown is an essential read for anyone interested in understanding the long-term effects of slavery and how its legacy continues to shape America today. Through its detailed exploration of the Clotilda survivors and their descendants, the book offers a powerful look at how a community built by former slaves has managed to endure and fight for justice across generations. It is also a strong answer to anyone who wants people to "just shut up about slavery already" - here is a clear and well written that makes the connections between the human exploitation of the antebellum South and how it is still happening today - sometimes even by and to the same families.