From the blurb, the book should've been perfect for me. As a lover of fairy tale retellings, I'm always on the lookout for new takes on my most favourite of them all, of which "East of the Sun & West of the Moon" is a variation, and on top of that, this claimed to include Andersen's fairy tale "The Snow Queen." Sounds perfect, right?
Unfortunately, I struggled with this so much I had to put it aside it for a day before resuming and crawling to the finish line. The story ticked several boxes from my list of aspects I find displeasing in retellings: its characters are royalty but think, talk, and behave like the stereotypical Regency novel protagonists instead of high nobility, so the overall feel is that of a mainstream Regency novel with a sprinkling of fantasy, my least favourite style for retellings because I need to feel that a society and culture that are their own, its own fairy tale-like world and not a reflection of an existing literary trope about a certain earthly period. There's lots of pomp & circumstances, protocol, tradition, rules, roles, expectations, duties, etc., that go with the title of prince and princess that the characters here simply don't adhere to.
I'm not a fan of sprawling series where everyone knows everyone and characters jump from book to book doing cameos. It's why I never read an entire series of fairy tale retellings but pick only one or three about my favourite tales. So, although I adored Enchantress Astrid's story very much, I wasn't happy at seeing her here. One downside of this series-wide intermingling of characters is that it makes the world feel like a village; there might be nine kingdoms in a continent the size of Europe or bigger, but this Prince A bumps into Princess B who then bumps into Princess C who then bumps into Princes D, E, F, G... etc., is off-putting for me personally, it makes the world feel underdeveloped and mostly decorative, like everything is taking place in nine towns within a 50-mile radius instead of nine kingdoms with different cultures, languages, and so on. I know royalty do know and mingle a lot and always have, but this is handled more like neighbours that go shopping at the same market than heads of state & their children dealing with demands of their position. See: Regency novel world.
Then there's the timeline, which is bumpy. It's generally not a good idea to drop the reader in media res when romance is a key plot, although it can be pulled off well. But to be parachuted 2 years into the story to only be pulled out and thrown back into time to explain things, and then thrown forward again, on and off for all of four years this story covers was distracting and very detrimental to my possibilities of getting immersed and caring for the characters.
And speaking of the characters, the relationship is probably my biggest disappointment. Unlike others that haven't minded it, I did mind that it wasn't a relationship built on-page and developed thenceforth, but one that was a fait accompli in the first chapter and then explained by the time jump backwards. I don't know you, but I hate seeing the protagonists already together instead of seeing them grow to love each other specifically in B&B retellings and derivations, because of my ideas about respecting the core of the original tale. Taryn and Xander are already an item in the beginning, and they're already kissing by the 19% mark, having merely met a couple or so times by accident and shared a few sentimental letters. That's too early to me, rushed, and too close to the insta-love trope, so I couldn't care about them and their relationship as a result. Why bother about how the endgame came to be when we already see them as an endgame? I couldn't.
And finally, the fairy tale elements were barely there. You have to deliberately look for them; if you came to the book blind and without reading the blurb, you'll never spot the nods to the fairy tales. See again: Regency novel. Without being told about the tales, it's practically indistinguishable from others of this same type of novels. So given that I was promised and expected a fairy tale to be integral to the retelling, of course I'm going to struggle for lack of interest once it's patent that it's but cursory. I know there's a large following for this type of sweet, heartwarming, clean stories where everyone ends up with babies and rainbows shining overhead, but it's honestly not my preference. I prefer more blood in my retellings.
As a positive, I liked Xander, though he felt a bit samey to other princes in the other retellings by Camille Peters. I think she's better when she deviates from the smirky-bantery charming crowned chaps and does a more serious, less borderline saint, and more questionable prince; and she's also great at it when she does slow-build relationships, probably because they're always more of a challenge.
I received an ARC through StoryOrigin in exchange for an honest review.