In How to Find What You’re Not Looking For, Veera Hiranandani takes us back to the summer of 1967, focusing on the issues of inter-racial marriage and antisemitism (drawn from her own family history), as well as historical events - Civil Rights protests, objections to the Viet Nam War, and the Supreme Court’s decision in Loving vs. Virginia.
To 11-year old Ariel Goldberg, history pales in comparison to the rift that is happening within her own family. Ariel’s older sister Leah, the shining star of the family, has fallen in love with Raj, an Indian American college student, which is devastating to Ariel’s Jewish parents on many levels. Leah and Raj elope and disappear, leaving Ariel heartbroken that her sister has abandoned her without a word. In school, Ariel struggles with undiagnosed dysgraphia, and is disheartened by her mother’s admonishments to try harder and don’t be lazy. Ari finds an ally in her young progressive teacher, Miss Field, who recognizes Ari’s flair for poetry and encourages her to continue writing with the help of an IBM selectric. Ari’s poems become her escape when the worries of her world – her parents having to sell the family bakery and being bullied by an angry classmate - become too much for her.
Unlike other “problem novels” in which the characters’ journeys are conveyed through first or third person, Hiranandani elevates the level of the reader’s experience through the use of second person present. This tense, which is commonly used for choose-your-own-adventure stories, places the reader in the story, asking what would you say to the bully? How would you try to find your sister, compelling the reader to truly understand what Ari is experiencing.
And lest the reader feel too anxious being the caretaker of these problems, solutions are implied through the chapter titles: “How to Keep a Secret,” “How to Write a Poem,” “How to Make Stuff Up.”
Ari’s earnest approach and a bit of magical thinking (She addresses a letter to her sister Leah Goldberg Jagwani, New York, New York) add a light-heartedness to the story, even as Ari struggles with the hypocrisy of her parent’s beliefs, discovers that she has been lied to by people she trusts, and ponders the question: What would it take to make someone better than who they are.
The characters are complex and well-drawn. Ari introduces herself through a list of her flaws, and although we come to learn she is more than her worst beliefs about herself, readers will be relieved that they do not have to be perfect to put themselves in Ari’s shoes. Miss Fields, as lovely as she is, admits to Ari that she was wrong to not take Chris’s anti-semitism seriously. Even Chris, the bully, has a backstory – he is worried about his brother who is fighting in Vietnam.
The social unrest of the late 60’s weaves through the story organically; Ari learns about the Loving vs. Virginia decision through Leah and Raj’s relationship,, and she writes a report about the case. On the night that Martin Luther King, Jr. is shot, Ari’s family must get to the hospital and their route may be shut down by protests. Of course, Beatle love is represented (Ari’s friend kisses Paul on the album cover) and the forbidden (to an 11-year-old) allure of the Doors is captured in the line: the lead singer, Jim Morrison, sounded like he was telling you secrets you weren’t supposed to hear.
Through her simple poems, rich with metaphors, we follow Ari’s transformation. In her early poems – “The Rules,” “Ways of the World,” and “What Would Elizabeth Taylor Do?” – she is seeking answers about the world and her place in it in , while in later lines, she offers grace to her sister, mother, and father through her poetry.
The Ari that composes the prize-winning “A Poem for Baby Geeta” (which made me cry) is not the same girl who wrote the first chapter on How to Be Lazy. This new Auntie Ari can easily type out the instructions for the final chapter “How to Be A Mensch. “