(Original review, October 2022)
(WARNING: This review contains some mild spoilers related to the outcome of the first book in this series, "Widowland.")
"Queen High" by C.J. Carey is the sequel to "Widowland," which I read (and loved) at this time last year. It was released on Oct. 13th in the U.K. (in hardcover), but it won't be available in North America until next July (2023)(and under a different title too -- "The Last Queen"). (Personally, having now read the book, I think "Queen High" is a much better title -- but, not my decision...!) It will be interesting to see whether the North American version has any significant text changes, when it's published next summer. ("Widowland" did! -- and most of the material in the epilogue that was tacked onto the North American edition does show up in "Queen High.") I decided I didn't want to wait nine months -- so I splurged and ordered a copy from Amazon UK, and began reading as soon as I had finished my last book.
To recap/set the stage: both "Widowland" and "Queen High" take place in Britain in the 1950s -- a Britain that capitulated to/formed an "alliance" with Nazi Germany in 1940 and has been operating under a "Protectorate" since then. Memories of "the Time Before" are fading (and are, in fact, being deliberately suppressed), spies/informants are everywhere, and (shades of Margaret Atwood's "The Handmaid's Tale") women have been classified according to age, heritage, reproductive status and physical attributes, which determines where they live, the rations they receive, the clothes they wear, the kind of work they do, etc. The lowest of the low are the "Friedas" -- childless women and widows over 50 years of age, who eke out a subsistence living in the walled-off slums known as "Widowlands." (I would certainly recommend reading "Widowland" first -- you will get a much better picture of who the characters are, the world they live in and what's happened so far.)
"Widowland" ended with the assassination of "the Leader" (i.e., Hitler) -- referred to as "the Event" -- and a bit of a cliffhanger as to the fate of our highly ranked heroine, Rose Ransom, who played a key role in his death. As "Queen High" opens, we learn that (somewhat improbably), Rose survived and returned to her job in the Ministry of Culture. (Of course, there wouldn't be a sequel if she hadn't, right?)
It's two years later (1955), and Rose is now a Poet Hunter -- poetry being a particularly degenerate art form that has now been completely banned. Additionally, she's been tasked with a special assignment: to go to Buckingham Palace and interview Queen Wallis, the American-born widow of the late King Edward VIII, and prepare a briefing document prior to the upcoming visit of President and Mrs. Eisenhower of the United States -- the first such visit since the Alliance was formed, which will culminate in the signing of a new treaty between the two nations. Overshadowing the upcoming visit: the recent murder of a high-ranking SS officer.
I won't give away anything more of the plot -- and there's a lot going on in this book -- but suffice to say that, as with "Widowland," this was a fast, absorbing read, with tension mounting as the the date of the Eisenhower visit draws near and the various plot elements converge. We get to find out more about what has happened to many of the characters we first met in "Widowland" -- including the Friedas. I finished the book in a little more than 24 hours.
As I observed with "Widowland," there have been other dystopian novels based on the premise of the Nazis winning WWII, and others focusing on controlling women and fertility. And I noticed that certain elements of the plot, plot structure & pacing of both "Widowland" and this book were very similar.
Nevertheless -- Carey does an amazing job of combining dystopian elements together with feminism, patriotism, and the subversive power of literature. (I loved how Rose procrastinates at her job, knowing that once she's "corrected" a book, the one remaining original copy will be destroyed. She's saving her favourite, Jane Austen's "Persuasion," for last. She sneaks peeks at a copy of "Jane Eyre" that's hidden in the carved-out pages of a Victorian book on birds at the library.)
It's a pretty heady mixture that deserves an audience in these increasingly authoritarian times. There's a lot here that will sound ominously familiar and relevant. I particularly found "Queen High" interesting in its depiction of an authoritarian society after the omnipresent Leader is gone, and how the world he's created carries on and evolves without him (and, in some ways, gets worse...). Also what it has to say about history and cultural memory (and forgetting)... who gets to tell our stories, and how... writers versus "Content Providers" (!)... oh, so much...!
I was debating, as I read through the book, whether or not I could give this book 5 stars. Then I got to the last few pages, which had me reaching for kleenex, for multiple reasons. Let's just say it's a very timely book that meant a lot to me personally, in many ways.
5 wholehearted stars on Goodreads.
I think that -- properly done -- "Widowland" and "Queen High" would make a great TV series, a la "The Handmaid's Tale." :)
*** *** ***
(Re-read, April 2024)
(WARNING: This review contains some mild spoilers related to the outcome of the first book in this series, "Widowland," as well as this one.)
"Queen High" by C.J. Carey (which goes by the title "Queen Wallis" in North America) picks up two years after the events of "Widowland." (See my review of that book for a description of the overall premise of both books. In a nutshell, the books are dystopian/alternative histories in which Germany conquered Britain in World War II.) It's 1955, the Leader (i.e., Hitler -- although he is never named) is dead and so is King Edward VIII. (Rather improbably), our heroine, Rose Ransom, is back at her job in the Ministry of Culture, "correcting" classic works of British literature to conform to the new regime's worldview. By some miracle, her role in the Leader's assassination (obliquely referred to as "the Event") has not been discovered.
Now Rose has added the title of Poet Hunter to her job description -- poetry being a particularly degenerate, subversive art form that has now been banned. She starts attending underground meetings where poetry is recited, circulated and discussed, invoking suppressed memories of her late father and the poetry he used to read to her. And she's been tasked with another special assignment: to go to Buckingham Palace and interview Queen Wallis, the American-born widow of the late King, prior to the upcoming visit of President and Mrs. Eisenhower of the United States. The recent murder of a high-ranking SS officer has the authorities on edge, desperate to solve the crime before the President arrives.
As with "Widowland," this was a fast, absorbing read, with tension mounting as the the date of the Eisenhower visit draws near and the various plot elements converge. We find out more about what has happened to many of the characters we first met in "Widowland" -- including the Friedas (childless widows over the age of 50, ranked lowest on the social classification ladder), Rose's friend Helena (who became pregnant by an SS officer in "Widowland") and Rose's former co-worker and lover, Oliver, who disappeared in the aftermath of "the Event."
The ending still packs an emotional punch (albeit not as great as it did the first time I read the book, shortly after the death of Queen Elizabeth II)(let that be a hint/mild spoiler, lol).
As I've observed previously, there are other dystopian novels with similar premises. Nevertheless, Carey does an amazing job of combining dystopian elements with feminism, patriotism, and the subversive power of literature. There's a lot here that will sound ominously familiar and highly relevant. I would love to see these novels being read more widely!
4.5 stars this time around, but rounded up to 5 stars on Goodreads (my original rating).
Text note: As I mentioned in my earlier review, I noticed some differences between the original U.K. hardcover version of "Widowland" (published by Quercus) and the North American edition (published in paperback and digital formats by Sourcebooks) -- most notably at the very end. I first noticed this when the North American paperback version came out (I already had the original hardcover edition from the U.K.).
I wasn't consciously looking for differences between the U.K. & North American versions of "Queen High/Queen Wallis" as I re-read it (I originally read the UK hardcover, but chose the digital North American version, this time around) -- but last night, after I finished the book & turned out the lights and lay in bed, it struck me that I hadn't noticed a particular brief passage at the very end that, in the original hardcover UK version, I found very moving. I checked this morning, and sure enough, those few sentences are missing from the North American version of the book!
It's not anything that changes the overall arc or outcome of the book, or was as glaringly noticeable as the changes made to the very end of the North American version of "Widowland." But I'm really curious as to why those changes were made?!