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Dixie's Forgotten People, New Edition: The South's Poor Whites
"The best sort of introductory study . . . packed with enlightening information." ―The Times Literary Supplement
Poor whites have been isolated from mainstream white Southern culture and have been in turn stereotyped as rednecks and Holy Rollers, discriminated against, and misunderstood. In their isolation, they have developed a unique subculture and defended it with a tenacity and pride that puzzles and confuses the larger society. Written 25 years ago, this book was one scholar's attempt to understand these people and their culture. For this new edition, Wayne Flynt has provided a new retrospective introduction and an up-to-date bibliography.
Poor whites have been isolated from mainstream white Southern culture and have been in turn stereotyped as rednecks and Holy Rollers, discriminated against, and misunderstood. In their isolation, they have developed a unique subculture and defended it with a tenacity and pride that puzzles and confuses the larger society. Written 25 years ago, this book was one scholar's attempt to understand these people and their culture. For this new edition, Wayne Flynt has provided a new retrospective introduction and an up-to-date bibliography.
248 pages, Paperback
First published January 1, 1979
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About the author
Wayne Flynt
38 books26 followersJames Wayne Flynt is Professor Emeritus in the Department of History at Auburn University. He has won numerous teaching awards and been a Distinguished University Professor for many years. His research focuses on Southern culture, Alabama politics, Southern religion, education reform, and poverty. He is Editor-in-Chief of the Online Encyclopedia of Alabama.
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Displaying 1 - 3 of 3 reviews
March 12, 2016
When Franklin Roosevelt referred to the forgotten man, he was likely thinking of those men in the city's breadlines. The South, however, was home to a host of forgotten men: poor whites, who lost in the land-grab and who industrialism largely left behind. Dixie is a quick survey into the realm of rural white poverty, succeeded wholly by Flynt's own Poor But Proud. Despite its brevity, it provides both flavor and substance.
Myths about displaced Norman cavaliers fleeing England to restore the old order in the South not withstanding, most poor whites came from the same stock as those men who became the masters -- at least those in the 'core south', where Flynt primarily draws from. They emerged as economic losers, families who either arrived late and got the leftovers or soil that had already been picked clean, or who were out-done by the rising gentry creating their vast fiefdoms. The Civil War left them with even more crushing poverty in the form of tenant farming, and the ruined south was hard to transform into the "new", industrialized south. A fierce contempt for accepting charity from outsiders frustrated well-meaning missionaries and social reformers, but they were not altogether left behind. Some tried to escape rural poverty by working in the mills, which were often more dangerous and no guarantor of comfort, and others lobbied for more political power. Some even overcame racism to create an race-blind tenant farmers union; from such a union came the later Civil Rights marching song, "We Shall Overcome". Racial cooperation in the realm of labor was one of the dashed hopes of the 19th century populist age, however. The world wars were kind to the South, bringing more industry and money, but the interwar years consisted of an economic slump so dismal that the Great Depression wasn't even noticed. While the South as a whole became more productive with the advent of machinery, added jobs initially constituted only a quarter of those lost to the machines. After World War 2, the Southern economy finally quickened, but many still remain left behind -- especially in Appalachia, which receives a section unto itself.
Dixie's Forgotten People isn't two hundred pages of labor struggles with a southern twang, though, for he also shares the genuine life of the people. Using interviews with adults remembering their youth, Flynt records here folk stories and music. The music shared is that which is fraught with meaning -- melodies that comment on the plight of the family, of working for nothing but trouble, of hoping for rest and relief in the world to come. The religion of the rural poor was overtly otherworldly, constantly challenging the elite with the threatening promise that one day the first would be last, and the meek would inherit the earth. (If "meek" is the right word for ecstatic snake handlers and Pentecostal preachers in unions..) Some of that culture even became mainstream, in the form of country-western, but as it became popular it lost the edge born of desperate poverty and anger. (This is a trend that has fast continued, with 'country' singers slipping into the pop charts with ease, a la Taylor Swift.) Despite their poverty, the subjects retain a spine -- they are, to borrow Flynt's later title, 'poor but proud'. Some of that pride, in racial myths, is misplaced, but much of it is legitimate, invested in the rich musical and artistic heritage that was saved from homogeneity by the mountains of Appalachia and dismal transportation. Now, with interstates and cookie-cutter suburbs sprawling across the South's coastal plains and rugged hills, one wonders if that heritage itself will become the forgotten Dixie instead of just its poor -- lost to ticky-tacky McAmerica,
In short, Dixie's Forgotten People was a quick and varied survey, albeit one supplanted by the weightier Poor But Proud.
Related:
Poor but Proud: Alabama's Poor Whites, Wayne Flynt
The Redneck Manifesto, Jim Goad
Salvation on Sand Mountain, Dennis Covington
Myths about displaced Norman cavaliers fleeing England to restore the old order in the South not withstanding, most poor whites came from the same stock as those men who became the masters -- at least those in the 'core south', where Flynt primarily draws from. They emerged as economic losers, families who either arrived late and got the leftovers or soil that had already been picked clean, or who were out-done by the rising gentry creating their vast fiefdoms. The Civil War left them with even more crushing poverty in the form of tenant farming, and the ruined south was hard to transform into the "new", industrialized south. A fierce contempt for accepting charity from outsiders frustrated well-meaning missionaries and social reformers, but they were not altogether left behind. Some tried to escape rural poverty by working in the mills, which were often more dangerous and no guarantor of comfort, and others lobbied for more political power. Some even overcame racism to create an race-blind tenant farmers union; from such a union came the later Civil Rights marching song, "We Shall Overcome". Racial cooperation in the realm of labor was one of the dashed hopes of the 19th century populist age, however. The world wars were kind to the South, bringing more industry and money, but the interwar years consisted of an economic slump so dismal that the Great Depression wasn't even noticed. While the South as a whole became more productive with the advent of machinery, added jobs initially constituted only a quarter of those lost to the machines. After World War 2, the Southern economy finally quickened, but many still remain left behind -- especially in Appalachia, which receives a section unto itself.
Dixie's Forgotten People isn't two hundred pages of labor struggles with a southern twang, though, for he also shares the genuine life of the people. Using interviews with adults remembering their youth, Flynt records here folk stories and music. The music shared is that which is fraught with meaning -- melodies that comment on the plight of the family, of working for nothing but trouble, of hoping for rest and relief in the world to come. The religion of the rural poor was overtly otherworldly, constantly challenging the elite with the threatening promise that one day the first would be last, and the meek would inherit the earth. (If "meek" is the right word for ecstatic snake handlers and Pentecostal preachers in unions..) Some of that culture even became mainstream, in the form of country-western, but as it became popular it lost the edge born of desperate poverty and anger. (This is a trend that has fast continued, with 'country' singers slipping into the pop charts with ease, a la Taylor Swift.) Despite their poverty, the subjects retain a spine -- they are, to borrow Flynt's later title, 'poor but proud'. Some of that pride, in racial myths, is misplaced, but much of it is legitimate, invested in the rich musical and artistic heritage that was saved from homogeneity by the mountains of Appalachia and dismal transportation. Now, with interstates and cookie-cutter suburbs sprawling across the South's coastal plains and rugged hills, one wonders if that heritage itself will become the forgotten Dixie instead of just its poor -- lost to ticky-tacky McAmerica,
In short, Dixie's Forgotten People was a quick and varied survey, albeit one supplanted by the weightier Poor But Proud.
Related:
Poor but Proud: Alabama's Poor Whites, Wayne Flynt
The Redneck Manifesto, Jim Goad
Salvation on Sand Mountain, Dennis Covington
June 4, 2016
Well, I love everything Wayne Flynt does, so this review is a bit biased. One of the most impressive things about Flynt's work is his evenhanded tone. He grew up in the kind of family he writes about, yet he does not let that positional its affect his treatment of the subject. Also, this book provides an excellent set of notes. Flynt provides hefty annotations guiding readers to the finest among his voracious readings in Southern history, culture, and politics. For anyone researching the history of the South, this book is a must read in order to understand one of the most marginalized and little understood cultures in the region: poor whites.
August 23, 2012
Gave me a better sense of how and why people's attitudes have developed in the state.
Displaying 1 - 3 of 3 reviews