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352 pages, Paperback
First published May 25, 2021
Hopeless or not, life keeps moving. I don’t intend to let it move on past me.
Words cannot express how much I adored this debut. Atmospheric and engaging, The Lights of Prague swept me away to another time and place. This is a must read for fans of immersive fantasy.
✨ You can read an excerpt from The Lights of Prague here!
"With the gas lamps came the lamplighters to patrol and protect their routes, fighting back against the shadows of Prague."Oozing with atmosphere that engages all of the senses, Jarvis transports the reader to Prague of the 1800s with its lush and vivid prose. I'll admit that it took me a bit of time to settle into this immersive historical fantasy (likely because of my mood), but it didn't take me long to fall in love with the characters and the world. The story really took off for me around 20% in. I love that the worldbuilding is vast and left no questions to pull me out of the story while maintaining a solid pace and avoiding info-dumps.
"Cobblestones gleamed underfoot from the rain earlier in the evening. Like a giant sated after a hearty meal, Prague after a storm was content and slow."With two main characters seemingly on the opposite side of a supernatural battle in the dark streets of Prague, the book follows follows a lamplighter (and monster hunter) named Domek and a centuries-old bisexual vampire (pijavica) named Ora. Secret identities unknown to one another, their paths have crossed on occasion over the course of the last year, both having a bit of a crush but not moving beyond casual flirtations.
"There are days when it seems like no matter what happens, everything stays the same. Maybe on a grand scale, it does. That doesn't mean that every minute in someone's life can't be important too."I appreciate the discussion of class and privilege woven into the narrative. Despite being of the working class, Domek's been fortunate for people to judge him based on his character rather than station but there's still an undercurrent of how different his world is from Cord's or Ora's. High society in a way serves as a lens for the rigid boxes that he puts people into. Human or monster. Good or evil. Just and Ora and Cord look beyond his station, he needs to learn how to judge a person by their character. Meanwhile, Ora is a foil to Domek's selflessness and needs to help others. Their journeys are complex and compelling, as well as a bit messy.
"Give men weapons and tell them they have a righteous war, and they'll do anything."No review by me would be complete without mentioning Kaja's philosophical musings. Who is worthy of saving? Good and bad are not purely black and white; some monsters are of the human variety, and some "monsters" act just as they did when they were human. I love that Domek's character development doesn't come from his relationship with Ora, but rather Kaja challenging his rigid notions of right and wrong.
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