Am I the only one that is tired of Unhinged queer representation?
I understand what Sedating Elaine was trying to do. It was essentially a sapphic Fleabag. While there's nothing wrong with an unlikeable protagonist, the thing is though is that it only works when said unlikeable protagonist is relatable. Frances was not only unrelatable, but largely and for the most part really annoying. The saving grace of this novel was its interesting premise, but it's constantly interrupted by backstory and flashbacks that paused the plot and stopped the narrative flow. It's one thing if it brought cohesiveness to the story, but since it wasn't developed enough to begin with, all of that backstory and all these flashbacks felt like filler, and even worse, I got an inkling sense that they were a crutch to intentionally justify why Frances is Unhinged the way she is, but with no reason given in the first place as to why we should care about Frances and her mommy issues and abandonment traumas, I was left only wishing for there to be more focus instead on Frances and Elaine and their relationship/dynamic. I thought that was the point of the story, I mean, it's in the title, right? So why all of this stoppage, why so much focus on the past? The primary story was interesting enough to stand on its own two feet and speak for itself and yet for some reason we're bombarded by constant stoppage. Even the dark humor and obnoxious sarcasm didn't work for me because the writing itself also grated on being so indescribably irritating, like it was fine for a few pages and in small doses, but quickly wore thin and overstayed its welcome.
Supposedly, there's supposed to be a heart behind it all, but the "message" felt forced and unearned. It was hard to be emotionally immersed in a novel where it felt like it hinged on backstory/flashback/trauma as a substitute for character development, and where it felt like Frances's habit of doing one worse thing after another and making things worse was only utilized to overcompensate for the reality that Frances is pretty one-dimensional, and how all the characters virtually had no substance aside from yes, more unnecessary backstories! That's not what a cohesive story makes, nor does it make for a comedic, entertaining, or funny read. By the end, it leaves the reader EXHAUSTED as it went on and on for way too long for the story that it was.
I dunno, maybe there's an audience for this, but I'm not one of them and if anything, Sedating Elaine reminds me of how much I'm just oh so bored and tired of the Unhinged Queer Narrative.