Jayson Robert Ducharme returns to what he does best --- the gothic tale --- in his unrelenting debut novel, The Modern Prometheus. It is not a retelling of Mary Shelley’s classic novel, Frankenstein: Or, The Modern Prometheus, but rather an entirely new story which shares the traditional theme of re-animation.
For many first-time novelists, their book ends up being a ghastly experiment not unlike a Frankenstein’s monster in itself—a book which reads like an assemblage of other author’s works and styles. However, it must here be said that Ducharme’s prose style is his own. It is stripped down, highly effective, and utilizes a narration solely based upon its character’s emotions, perceptions, and philosophies.
Side note: avid readers of Ducharme will find much to appreciate here, including characters which harken back to his 2020 novella, Ceremony of Ashes—a pleasing ‘easter egg’ for fellow fans.
Here’s what I believe Ducharme does best (both in this novel, as well as his previous excellent novellas Come Forth in Thaw and Alyssa’s Melody)—he creates believable characters the reader cannot help but relate to and deeply sympathize with.
Very skillfully, the author weaves character history into the tale without it becoming an ‘information dump’ for the reader. Each character is drawn with multiple dimensions and depth—and this makes us reel back in shock, or cringe in anticipation, whenever we feel something potentially disastrous might befall someone we are rooting for.
NOTE: Spoilers ahead. While nothing too detailed is given away in this review, but don’t read on if you’d like to go in blindly.
One of the most interesting aspects of The Modern Prometheus is when our Creature (formerly family man and academic Peter Murphy) begins to suffer from what I like to call “post-mortem complications”. Brought into the world by our ‘mad-scientist’ (Jacob Abbott), the Creature develops horrible skin rashes and random bleeding as his cells begin to decay. This is soon followed by other curious mental and physical maladies, which I won’t give away.
Suffice it to say, there is much opportunity for existential philosophy regarding human reanimation. Ducharme does not waste such an opportunity.
Now, what didn’t I like about this book? There are a few scenes where I felt a false chord was struck. This means, essentially, something in the description or telling of the tale didn’t ring true for me. There are only a few of these in the book, however, and they are truly minor.
Now, the conclusion of this gothic tale is a matter of subjective taste (as is the whole of any review, of course). Without doubt, this novel is a tragedy. Perhaps rightfully so. Overstepping the bounds of nature, coupled with outright revenge, will inevitably result in disaster! However, the danger in writing a tragic ending is creating an unsatisfying feeling in the reader once they’ve turned the last page. It’s fine to leave a reader unsettled—and in this genre of literature, it is best to do so. But unsatisfied is a different aspect, and it’s how I felt upon finishing this book.
I believe, all in all, this is a solid debut novel from Ducharme, but that he has yet to pen his magnum opus. I have little doubt that in future, his readers will be treated with such a creation, and it will be more ghastly, debauched, and heartfelt than anything we’ve read of this promising writer thus far. Certainly, he has already gifted us several fantastic creations, including this novel.
I highly recommend The Modern Prometheus for those who appreciate tragic tales, fully realized characters, and are fond of the themes in M. Shelley’s classic novel.