Aside from clowns, there is nothing else creepier than a doll. Especially one that talks, bites, and plans to steal your children to feed to its master. I liked the concept here a lot, especially as it utilized a great strategy in not just jumping into the Lunchling’s vicious ways. It was hinted at, then had subtle actions, and finally dove into the whole enchilada. Not necessarily a slow burn approach, but somewhat strategic. And the story itself was fine. Great lore and open points for possible sequels. Now there were several areas where the internal logic was suspended. If my wife and I were drunk in the woods and found a disgusting, dirty doll, I’m pretty sure we wouldn’t touch it, and definitely wouldn’t bring home for our child. And when the Lunchling started talking, blinking, and biting, Orville and Ellie agreed to go to bed and discuss in the morning. And they left the doll in its place inside the house where their child slept…um…yeah…I would’ve tied that thing to a tree outside and barricaded all the access points. I also, and I say this as a horror movie fiend, got very tired of the horror movie references. It was dozens of them just stuffed into a 114 page story, and they became tiresome quickly. And mentioning the length, I felt like there could have been a lot more building on Orville’s lost sister, Lennon’s difficulties, and the strained marriage dynamics. All good plotpoints, but they needed more attention and development. I also appreciated the author’s note on his experience writing the story. When I wrote the original Preternatural book, it was a completed manuscript. I sat on it for a few years before going back in, where I kept some of the material, but rewrote majority of it into a much more clear, concise, and desirable book. I didn’t think this came off as disjointed and enjoyed the author’s creativity, writing abilities, and willingness to complete his book.