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Cosplay: A History: The Builders, Fans, and Makers Who Bring Your Favorite Stories to Life
A history of the colorful and complex kingdom of cosplay and fandom fashion by Andrew Liptak, journalist, historian, and member of the legendary fan-based Star Wars organization the 501st Legion.In recent years, cosplay—the practice of dressing up in costume as a character—has exploded, becoming a mainstream cultural phenomenon. But what are the circumstances that made its rise possible? Andrew Liptak—a member of the legendary 501st Legion, an international fan-based organization dedicated to the dark side of Star Wars—delves into the origins and culture of cosplay to answer this question. A History looks at the practice’s ever-growing fandom and conventions, its roots in 15th-century costuming, the relationship between franchises and the cosplayers they inspire, and the technology that brings even the most intricate details in these costumes to life. Cosplay veterans and newcomers alike will find much to relish in this rich and comprehensive history.
368 pages, Kindle Edition
Published June 28, 2022
21 people are currently reading
3156 people want to read
About the author
Andrew Liptak
11 books121 followersAndrew Liptak is a writer and historian based in Vermont. He graduated from Norwich University with a master’s degree in military history and writes about history, technology, and science fiction in his newsletter Transfer Orbit. His work has appeared in Armchair General Magazine, Clarkesworld Magazine, Gizmodo, io9, Slate, The Verge, and other publications. He coedited the anthology War Stories: New Military Science Fiction, and his short fiction has appeared in Galaxy’s Edge Magazine and Curious Fictions.
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Displaying 1 - 30 of 38 reviews
December 14, 2022
The Publisher Says: A history of the colorful and complex kingdom of cosplay and fandom fashion by Andrew Liptak, journalist, historian, and member of the legendary fan-based Star Wars organization the 501st Legion.
In recent years, cosplay—the practice of dressing up in costume as a character—has exploded, becoming a mainstream cultural phenomenon. But what are the circumstances that made its rise possible?
Andrew Liptak—a member of the legendary 501st Legion, an international fan-based organization dedicated to the dark side of Star Wars—delves into the origins and culture of cosplay to answer this question. Cosplay: A History looks at the practice’s ever-growing fandom and conventions, its roots in 15th-century costuming, the relationship between franchises and the cosplayers they inspire, and the technology that brings even the most intricate details in these costumes to life.
Cosplay veterans and newcomers alike will find much to relish in this rich and comprehensive history.
I RECEIVED A DRC FROM THE AUTHOR. THANK YOU.
My Review: Cosplay, literally a portmanteau of "costume" and "play", is very much part of the science fiction, horror, and fantasy subcultures. Any time you see TV reporters at events like ComicCons in San Diego or New York, they're there to see how many salaciously boob-exposing Sailor Moons or Elvira Mistress of the Dark cosplayers they can get B-roll from. That is, then, what the normies look at and think of as "cosplay."
Whereas the *actual* field of cosplay is immense. It is multi-gendered. It is inclusive, it is vastly and richly endowed with niches and rivalries and personalities that can't find easy outlets in a world of mundanes. (This is where I'd usually put in "muggles" but Rowling's determined to die on a hill I don't want to climb.)
I blame Jules Verne. He held that dinner party (which Author Liptak tells us about) where guests came as his novel's characters! In the stodgy nineteenth century! Only it was not really so stodgy, just not public in its peculiarity the way we ever-increasingly are giving ourselves permission to be. In fact, cosplay has quite a history and Author Liptak quite a nose for what to look for, where to find it, and how to explain it.
A lifetime spent in the 501st Legion, the greatest and most active cosplaying organization in the Star Wars universe, has given him not only the joys of solidarity and fellowship with his fellow ubergeeks, but a keen grasp of what makes cosplay a Thing. It's an appeal that begins with an IP or "intellectual property"...that's a story, to the rest of us...that fires imaginations all over the spectrum of its genre's fandom. (If I need to explain "fandom" to you, you're reading the wrong review. Flip back a page and go from there.)
The 501st is a charitable organization; it's a profit-spinning offshoot of Star Wars's films and books that isn't completely controlled by the Mauschwitz people; it's a found family for its heading-for-20,000 members. Many people, especially those with the kind of passion and focus that makes cosplay appealing, aren't very comfortable in their families of origin. Many times they've left them whether voluntarily or not. Cosplay organizations are alternative affectional groups centered on a shared vision. Often they're of practical support as well, when crises strike. It's been my own experience that these groups (the Browncoats in my case) will do so much to assist their fellows that it is quite overwhelming and heartening.
After all, when a bunch of folks in the salad days spend the time, the energy, the money, and the social capital to make outfits like these, they're already among Nature's aristocrats. The desire to Do It Right, the get the details exactly as they should be drives many cosplayers to research films and TV shows and comic books and manga and games and...well, everything...for the smallest, least-visible detail that a particular character's presentation requires to be *just*so*. Equally there are interpreters whose idea of character's presentation of self could use some, well, tweaking to be just exactly perfect. The two camps have equal access to the starting imagery, and they share the modern world's astonishing array of personalizable, customizable anything. Technology has afforded the cosplayers 3D printing options that were once the province of the studios who created the films they obsess over. Makeup for special effects? Several generations of Fangoria magazine and its ilk readers have made careers of their obsession and remain in the cosplay community.
Naturally, this being Murruhkuh, we need to acknowledge the cosplay community has a lot of racist and sexist people in it; in fact, there is considerable gatekeeping on multiple fronts. Societal, institutional racism is part and parcel of fandom just like it is of every other aspect of our culture. More prevalent still is sexism's idiocy, and that's a fandom issue going back to the Futurians in the 1930s. Author Liptak doesn't dwell on these unpleasant realities but he doesn't ignore their existence and takes the quietly expressed stance I trust anyone reading my words would: "You do realize how stupid this behavior is, right?"
Unless a character requires one, no one in the cosplay world should be required to wear a mask.
"What to get your geek giftee" is a problem now solved. Twentyish bucks, ordered right now, and you're home free. It will, I can damn near guarantee, hit their fandom. It is likely to amuse, guaranteed to entertain, and just possibly inspire some of those you give it to on a new hobby, habit, obsession even. And that, my friends, is because the author did his job: He brought faces, stories, and his own heart to all his readers. Come and enjoy.
In recent years, cosplay—the practice of dressing up in costume as a character—has exploded, becoming a mainstream cultural phenomenon. But what are the circumstances that made its rise possible?
Andrew Liptak—a member of the legendary 501st Legion, an international fan-based organization dedicated to the dark side of Star Wars—delves into the origins and culture of cosplay to answer this question. Cosplay: A History looks at the practice’s ever-growing fandom and conventions, its roots in 15th-century costuming, the relationship between franchises and the cosplayers they inspire, and the technology that brings even the most intricate details in these costumes to life.
Cosplay veterans and newcomers alike will find much to relish in this rich and comprehensive history.
I RECEIVED A DRC FROM THE AUTHOR. THANK YOU.
My Review: Cosplay, literally a portmanteau of "costume" and "play", is very much part of the science fiction, horror, and fantasy subcultures. Any time you see TV reporters at events like ComicCons in San Diego or New York, they're there to see how many salaciously boob-exposing Sailor Moons or Elvira Mistress of the Dark cosplayers they can get B-roll from. That is, then, what the normies look at and think of as "cosplay."
Whereas the *actual* field of cosplay is immense. It is multi-gendered. It is inclusive, it is vastly and richly endowed with niches and rivalries and personalities that can't find easy outlets in a world of mundanes. (This is where I'd usually put in "muggles" but Rowling's determined to die on a hill I don't want to climb.)
I blame Jules Verne. He held that dinner party (which Author Liptak tells us about) where guests came as his novel's characters! In the stodgy nineteenth century! Only it was not really so stodgy, just not public in its peculiarity the way we ever-increasingly are giving ourselves permission to be. In fact, cosplay has quite a history and Author Liptak quite a nose for what to look for, where to find it, and how to explain it.
A lifetime spent in the 501st Legion, the greatest and most active cosplaying organization in the Star Wars universe, has given him not only the joys of solidarity and fellowship with his fellow ubergeeks, but a keen grasp of what makes cosplay a Thing. It's an appeal that begins with an IP or "intellectual property"...that's a story, to the rest of us...that fires imaginations all over the spectrum of its genre's fandom. (If I need to explain "fandom" to you, you're reading the wrong review. Flip back a page and go from there.)
The 501st is a charitable organization; it's a profit-spinning offshoot of Star Wars's films and books that isn't completely controlled by the Mauschwitz people; it's a found family for its heading-for-20,000 members. Many people, especially those with the kind of passion and focus that makes cosplay appealing, aren't very comfortable in their families of origin. Many times they've left them whether voluntarily or not. Cosplay organizations are alternative affectional groups centered on a shared vision. Often they're of practical support as well, when crises strike. It's been my own experience that these groups (the Browncoats in my case) will do so much to assist their fellows that it is quite overwhelming and heartening.
After all, when a bunch of folks in the salad days spend the time, the energy, the money, and the social capital to make outfits like these, they're already among Nature's aristocrats. The desire to Do It Right, the get the details exactly as they should be drives many cosplayers to research films and TV shows and comic books and manga and games and...well, everything...for the smallest, least-visible detail that a particular character's presentation requires to be *just*so*. Equally there are interpreters whose idea of character's presentation of self could use some, well, tweaking to be just exactly perfect. The two camps have equal access to the starting imagery, and they share the modern world's astonishing array of personalizable, customizable anything. Technology has afforded the cosplayers 3D printing options that were once the province of the studios who created the films they obsess over. Makeup for special effects? Several generations of Fangoria magazine and its ilk readers have made careers of their obsession and remain in the cosplay community.
Naturally, this being Murruhkuh, we need to acknowledge the cosplay community has a lot of racist and sexist people in it; in fact, there is considerable gatekeeping on multiple fronts. Societal, institutional racism is part and parcel of fandom just like it is of every other aspect of our culture. More prevalent still is sexism's idiocy, and that's a fandom issue going back to the Futurians in the 1930s. Author Liptak doesn't dwell on these unpleasant realities but he doesn't ignore their existence and takes the quietly expressed stance I trust anyone reading my words would: "You do realize how stupid this behavior is, right?"
Unless a character requires one, no one in the cosplay world should be required to wear a mask.
"What to get your geek giftee" is a problem now solved. Twentyish bucks, ordered right now, and you're home free. It will, I can damn near guarantee, hit their fandom. It is likely to amuse, guaranteed to entertain, and just possibly inspire some of those you give it to on a new hobby, habit, obsession even. And that, my friends, is because the author did his job: He brought faces, stories, and his own heart to all his readers. Come and enjoy.
August 11, 2022
Who is this book for? It claims to be a historical text but it lacks an index or bibliography! Instead it opts to put each citation in footnotes, making it pretty much impossible to look up any specific subject. So if you want to use it for any kind of reference, you would have to read it cover to cover, and add sticky notes as you go. Good luck, because it is dense and long, and weirdly organized. I noticed a mistake in one of the few pages I read (Esperanto is a constructed language, not a fictional one), so perhaps the lack of any way to look up anything specific is to keep anyone from checking up on this work.
It feels like this may have been a dissertation that the author decided to publish, which is not a bad idea, but for the love of god make it actually usable!
It feels like this may have been a dissertation that the author decided to publish, which is not a bad idea, but for the love of god make it actually usable!
May 3, 2022
Cosplay: A History by Andrew Liptak is an enjoyable and informative look at what has become the larger and more visible aspects of cosplay. As the title says, this is 'a' history not 'the' history.
One of the things that made this an even more interesting read than I expected was the attention given to creating the costumes and trying to be as accurate as possible. While the fans/cosplayers are what makes the get togethers and conventions fun, the costumes are what make them special, so credit to the (re)creators was nice. The legal aspects also made for interesting reading, particularly the way the parties have found ways to coexist.
As expected from Liptak's biographical blurb, the emphasis here is mostly science fiction with some fantasy. The history portion even leans that way pretty heavily. That is certainly justifiable since it is that genre that really, especially in the US, took cosplay into the mainstream. But many small areas are glossed over at best and some omitted. Partly by creating a definition that allows sidelining groups like Rocky Horror Picture Show cosplayers (yes, we met for parties, met those from other towns who did the same, and went out as characters, not just reenacting during midnight showings) and partly just because his interest and love is science fiction. That is really a small negative about the book, Liptak doesn't make a claim that his is 'the' history of cosplay, it is 'a' history of his favorite area, and the area that has really taken off.
I would recommend this to both fans of cosplay as well as those who don't understand it and think it is just some casual thing. The chapters are fairly short and to the point so it reads rather quickly.
Reviewed from a copy made available by the publisher via NetGalley.
One of the things that made this an even more interesting read than I expected was the attention given to creating the costumes and trying to be as accurate as possible. While the fans/cosplayers are what makes the get togethers and conventions fun, the costumes are what make them special, so credit to the (re)creators was nice. The legal aspects also made for interesting reading, particularly the way the parties have found ways to coexist.
As expected from Liptak's biographical blurb, the emphasis here is mostly science fiction with some fantasy. The history portion even leans that way pretty heavily. That is certainly justifiable since it is that genre that really, especially in the US, took cosplay into the mainstream. But many small areas are glossed over at best and some omitted. Partly by creating a definition that allows sidelining groups like Rocky Horror Picture Show cosplayers (yes, we met for parties, met those from other towns who did the same, and went out as characters, not just reenacting during midnight showings) and partly just because his interest and love is science fiction. That is really a small negative about the book, Liptak doesn't make a claim that his is 'the' history of cosplay, it is 'a' history of his favorite area, and the area that has really taken off.
I would recommend this to both fans of cosplay as well as those who don't understand it and think it is just some casual thing. The chapters are fairly short and to the point so it reads rather quickly.
Reviewed from a copy made available by the publisher via NetGalley.
July 9, 2022
A highly readable, very interesting, and just plain fun dive into nerd culture. I’ve never been into cosplay myself, but I have been to many conventions and could easily relate to the storytelling impulse and the community celebrations of characters and universes like Star Wars. Liptak did a good job of tapping into some of the big picture motivations that bring fans together. For me, the history of really early sci-fi fandom in the early 20th century was a particular highlight.
Full disclosure: I have known the author for many years now.
Full disclosure: I have known the author for many years now.
July 13, 2022
In the Year of Our Lord 2022, “cosplay” is a part of the vernacular, especially if you’re a sci-fi or fantasy fan. Only a handful of years ago, it was hotly debated in some subsections of fandom—costume-makers rejected the term as being an “anime” thing, or a “young fan” thing. Regardless of your personal stance, the act of making and wearing costumes to demonstrate your love of a character or series is long and storied… more so than many would think.
This new book by Andrew Liptak delves into (as the title states) the history of cosplay, but also the social and cultural aspects, the many facets of the craft, and the unique complexities of the hobby. His status as a member of the 501st Legion both places him in an ideal situation to write this history, and guarantees that much of it will be rooted in Star Wars. But it’s hardly a one-note book, paying significant homage to every influence.
Reading Cosplay: A History is an unexpected tumble down a historical rabbit hole, with the first section alone covering what many writers would consider the entire breadth of the topic. Liptak pushes further back, into historical reenacting and European street theater, finding what compels us to pursue the hobby. But his Stormtrooper helmet isn’t fitted with rose-colored lenses: the book acknowledges the harder issues that have come with the hobby’s growth, from copyright to consent. Whether you’re an avid cosplayer or completely in the dark, it’s an eye-opening read.
(This review was scheduled to be featured in the Fall 2022 issue of Sci Fi Magazine before the publication's cancellation, and would have received an A+.)
This new book by Andrew Liptak delves into (as the title states) the history of cosplay, but also the social and cultural aspects, the many facets of the craft, and the unique complexities of the hobby. His status as a member of the 501st Legion both places him in an ideal situation to write this history, and guarantees that much of it will be rooted in Star Wars. But it’s hardly a one-note book, paying significant homage to every influence.
Reading Cosplay: A History is an unexpected tumble down a historical rabbit hole, with the first section alone covering what many writers would consider the entire breadth of the topic. Liptak pushes further back, into historical reenacting and European street theater, finding what compels us to pursue the hobby. But his Stormtrooper helmet isn’t fitted with rose-colored lenses: the book acknowledges the harder issues that have come with the hobby’s growth, from copyright to consent. Whether you’re an avid cosplayer or completely in the dark, it’s an eye-opening read.
(This review was scheduled to be featured in the Fall 2022 issue of Sci Fi Magazine before the publication's cancellation, and would have received an A+.)
June 29, 2022
6/28/2022 Full review tk at TheFrumiousConsortium.net.
6/29/2022 Wow, what a comprehensive look this is at the past and present of cosplay!
I've always loved dressing up, ever since my parents bought me a gorgeous Snow White dress that I was forbidden to wear except on Special Occasions, so I maybe got to wear it twice before outgrowing it as a child (which absolutely underscores for me the fact that you shouldn't save your pretty clothes for other people's "occasions" but should wear them when you feel you want to.) But wearing fancy dress or even a costume is quite different from cosplaying in this day and age. The closest I got to it was me being entirely meta and cosplaying as my own original character Soshi Idaurin after she made her way onto a Legend Of The Five Rings card, my prize for winning a role-playing competition at Origins some time before. I had no say in the art on my card, but did my best to combine the outfit depicted there with my character's later RP developments for the costume I eventually wore to GenCon a few years later. People stopped me for photos and I had a lovely time, tho cosplay was 100% incidental to why I was there. And in fairness, my outfit was more for the purposes of LARPing than anything else, tho I imagine in my case that there was a pretty thin line between the two to begin with.
Anyhoo, this is all to say that I've never super felt interested in dressing up as someone else's character but I can absolutely understand the impulse to get dressed in costume when it is, perhaps, less than socially acceptable to do so. Fortunately, it is getting more and more socially acceptable with the rise of geek culture, as Andrew Liptak masterfully illustrates in this very thorough look at the hobby. From the first European masquerade balls where Jules Verne encouraged attendees to dress as characters from his novels, to the first science-fiction fan conventions in mid 1900s America, to the very coining of the term "cosplay" by a Japanese writer seeking to translate the American scene for manga- and anime-loving readers back home, Mr Liptak vividly describes the birth of cosplay and its struggles towards mainstream acceptance along the way.
As a member of the 501st Legion, a group of diehard Star Wars fans who dress up as Stormtroopers and have strict standards for uniforms and "trooping", as their particular form of cosplay is known, Mr Liptak speaks knowledgeably from the inside. He's also done a ton of research, not only plunging into the historical archives but also interviewing dozens of cosplayers who've been active since at least the late 20th century. In addition to covering the sociological aspects (including the growth of communities dedicated to the hobby,) he touches on changes in technology and design and what that's meant and continues to mean for cosplayers. He also discusses the relationship between historical reenactments and modern cosplay and how the two often overlap.
If you're interested in learning more about cosplay, whether you're already part of the scene or just interested in finding out what all the fuss is about, this is a fantastic place to start. With color photographs throughout, it's a smart, thoughtful overview of how the hobby began and developed and where it is today. You won't find instructions on how to build your own costumes and props here -- there are plenty of other books that do that already -- but you will find a wonderful resource on the motivations and philosophies of the movement, as well as plenty of entertaining and encouraging anecdotes from experienced cosplayers through the ages.
Cosplay: A History by Andrew Liptak was published yesterday June 28 2022 by Gallery/Saga Press and is available from all good booksellers, including Bookshop!
6/29/2022 Wow, what a comprehensive look this is at the past and present of cosplay!
I've always loved dressing up, ever since my parents bought me a gorgeous Snow White dress that I was forbidden to wear except on Special Occasions, so I maybe got to wear it twice before outgrowing it as a child (which absolutely underscores for me the fact that you shouldn't save your pretty clothes for other people's "occasions" but should wear them when you feel you want to.) But wearing fancy dress or even a costume is quite different from cosplaying in this day and age. The closest I got to it was me being entirely meta and cosplaying as my own original character Soshi Idaurin after she made her way onto a Legend Of The Five Rings card, my prize for winning a role-playing competition at Origins some time before. I had no say in the art on my card, but did my best to combine the outfit depicted there with my character's later RP developments for the costume I eventually wore to GenCon a few years later. People stopped me for photos and I had a lovely time, tho cosplay was 100% incidental to why I was there. And in fairness, my outfit was more for the purposes of LARPing than anything else, tho I imagine in my case that there was a pretty thin line between the two to begin with.
Anyhoo, this is all to say that I've never super felt interested in dressing up as someone else's character but I can absolutely understand the impulse to get dressed in costume when it is, perhaps, less than socially acceptable to do so. Fortunately, it is getting more and more socially acceptable with the rise of geek culture, as Andrew Liptak masterfully illustrates in this very thorough look at the hobby. From the first European masquerade balls where Jules Verne encouraged attendees to dress as characters from his novels, to the first science-fiction fan conventions in mid 1900s America, to the very coining of the term "cosplay" by a Japanese writer seeking to translate the American scene for manga- and anime-loving readers back home, Mr Liptak vividly describes the birth of cosplay and its struggles towards mainstream acceptance along the way.
As a member of the 501st Legion, a group of diehard Star Wars fans who dress up as Stormtroopers and have strict standards for uniforms and "trooping", as their particular form of cosplay is known, Mr Liptak speaks knowledgeably from the inside. He's also done a ton of research, not only plunging into the historical archives but also interviewing dozens of cosplayers who've been active since at least the late 20th century. In addition to covering the sociological aspects (including the growth of communities dedicated to the hobby,) he touches on changes in technology and design and what that's meant and continues to mean for cosplayers. He also discusses the relationship between historical reenactments and modern cosplay and how the two often overlap.
If you're interested in learning more about cosplay, whether you're already part of the scene or just interested in finding out what all the fuss is about, this is a fantastic place to start. With color photographs throughout, it's a smart, thoughtful overview of how the hobby began and developed and where it is today. You won't find instructions on how to build your own costumes and props here -- there are plenty of other books that do that already -- but you will find a wonderful resource on the motivations and philosophies of the movement, as well as plenty of entertaining and encouraging anecdotes from experienced cosplayers through the ages.
Cosplay: A History by Andrew Liptak was published yesterday June 28 2022 by Gallery/Saga Press and is available from all good booksellers, including Bookshop!
June 26, 2022
This is the most comprehensive dive into cosplay that I've ever seen. Written by an established enthusiast, this covers not only the history of cosplay (including the roots of fandom and conventions) but also construction, ethics, technology, monetization, and the future of cosplay. There is a definite focus on all of the good things that come from cosplay, including creative expression, the formation of communities, and the group experience of celebrating together.
I appreciated the joyful, affirming tone, though there was also a good exploration of issues plaguing cosplay communities such as racism, misogyny, and gatekeeping "true" fans. (It curled my hair when Adam Savage said, in his foreword, that cosplay was inclusive. I'm sure that's most people's ideal, but it would be hard to keep a straight face saying it's a reality as a POC or person in a larger body.) The ample selection of photos, both current and from the past, also make this fun to read. It would be a great pick for anyone interested in cosplay, cons, fandom or pop culture!
Many thanks to the publisher and NetGalley for the opportunity to read and review!
I appreciated the joyful, affirming tone, though there was also a good exploration of issues plaguing cosplay communities such as racism, misogyny, and gatekeeping "true" fans. (It curled my hair when Adam Savage said, in his foreword, that cosplay was inclusive. I'm sure that's most people's ideal, but it would be hard to keep a straight face saying it's a reality as a POC or person in a larger body.) The ample selection of photos, both current and from the past, also make this fun to read. It would be a great pick for anyone interested in cosplay, cons, fandom or pop culture!
Many thanks to the publisher and NetGalley for the opportunity to read and review!
September 1, 2022
This book is a fairly exhaustive history of the phenomenon known as "cosplay," short for "costume play." This is where fans of a certain franchise--Marvel, Star Trek, or in the case of the author, Star Wars--replicate the onscreen costumes of their favorite characters and show them off. In many cases this takes place at conventions, most famously San Diego Comic Con. The author also belongs to the 501st Legion, and organized group of fans who build their own Stormtrooper costumes and do charity work.
Physically, the book is hefty and gorgeous, printed on heavy stock paper because of the many photographs, most from the author's own collection. The writing is....well, let's just say it lives up to its title. This is first and foremost a history, with the dry and sometimes bland and plodding writing style that would follow. Which is kind of sad, because it seems like there would be a lot of fun to be had with this, if the subject was approached with a little more irreverence. Also, there are extensive footnotes, but what kind of non-fiction book doesn't have an index? That seems a pretty glaring omission.
Anyway, this book took me quite a while to get through, which didn't happen with the last non-fiction book I read. The topic is worth a book-length treatise. I just wish the narrative was a little more lively.
Physically, the book is hefty and gorgeous, printed on heavy stock paper because of the many photographs, most from the author's own collection. The writing is....well, let's just say it lives up to its title. This is first and foremost a history, with the dry and sometimes bland and plodding writing style that would follow. Which is kind of sad, because it seems like there would be a lot of fun to be had with this, if the subject was approached with a little more irreverence. Also, there are extensive footnotes, but what kind of non-fiction book doesn't have an index? That seems a pretty glaring omission.
Anyway, this book took me quite a while to get through, which didn't happen with the last non-fiction book I read. The topic is worth a book-length treatise. I just wish the narrative was a little more lively.
September 14, 2022
An extremely thorough history describing the rise and development of cosplay as a hobby and in some cases a profession. I learned a lot, especially about the early days of sci-fi conventions in the 1930s. It's already gotten me reading C. L. Moore's Northwest Smith stories.
The one area I felt this didn't cover very much wax anime cosplay. I don't think the author does anime cosplay and likely doesn't have as many contacts/sources relating to it, but that part felt a little light.
I also would have enjoyed more pictures, but I also know that wasn't really the point or focus of this book and I bet it would be really hard to decide who to put in and where to draw the line.
This is a great primer for anyone curious about cosplay, how it got started, and how it has evolved due to technology etc.
The one area I felt this didn't cover very much wax anime cosplay. I don't think the author does anime cosplay and likely doesn't have as many contacts/sources relating to it, but that part felt a little light.
I also would have enjoyed more pictures, but I also know that wasn't really the point or focus of this book and I bet it would be really hard to decide who to put in and where to draw the line.
This is a great primer for anyone curious about cosplay, how it got started, and how it has evolved due to technology etc.
May 25, 2023
This was a great look into cosplay and fandom, and it covers many themes from identity, politics, charity, storytelling, technology, creation, community, and even Covid-19. However, it doesn’t discuss much history prior to the 1950/60s, and much of the book focuses on Star Wars since the writer is a member of the 501st Legion. I wish it had included more history regarding how costuming led into cosplay. A few of the chapters were also uninteresting to me because they discussed material companies and social platforms without focusing on the larger impacts. However, overall an interesting book!
July 28, 2022
This was a thorough, researched exploration of the history and origins of cosplay, including the meaning and effects on today's culture. I was fascinated by the history behind the events and norms we see today, and the variety of inspirations people draw upon for their cosplay, whether it be historical or fictional. I was also really moved to see sections on Identity, Gender, Women's Movements, Race, and more in Cosplay, and the awareness that Andrew has of those affected.
August 30, 2022
Very informative on the topics covered, but it didn't feel well-organized. Also, the author is a member of the 501st Legion, so it is VERY Star Wars heavy.
June 29, 2023
A beautifully written and produced book that appeals to both casual and serious fans and participants of cosplay. It emulates all the best parts of this longstanding pop culture phenomenon, covering the historical precedence you might not be aware of, all the way to the modern derivations and gender-bending adaptations of characters from popular media. You can tell this book was a labor of love, just like it is for many of the artisans who create their costumes.
September 16, 2022
This book is a fun read while also being a great resource for the histories of why we still play dress up and how vital that act can be to fully forming who we are and how we connect.
August 11, 2022
A very Star Wars-focused history of cosplay, padded somewhat by potted histories of related phenomena, including historical reenactments. Very much about franchise toleration and less about fair use, though also clearly written from a place of love. (There is discussion of the Lucasfilm litigation against the creator of the original Stormtrooper helmet; Lucasfilm won in the US—on trademark grounds—and lost in the UK—on copyright.) Significant quote from an insider: “We’re not interested in shutting anyone down unless we see someone trying to turn a real profit. When someone sells stormtrooper armor for under a grand, we know that no one’s making any money in that transaction. But as soon as you’re selling twenty or thirty suits a year for more than that, that’s when we want to come in and stop them.” Lucasfilm’s compromises were to “allow” a lot of cosplay, but prohibit appearances with politicians or “in places like strip clubs or bars,” while relying on cosplayers to help promote the franchise/take credit for things like visits to sick kids. Likewise, members of the main Star Wars cosplay organization could “make and sell their own merchandise like patches and coins internally, but not to the general public or for a profit.”
Other brief notes: Cosplay is another kind of performance, copying to achieve something new. Bjo Trimble shows up as an early technological innovator. I liked learning that, with the arrival of Blu-Ray, people identified parts of the original Boba Fett suit, including a dental expander and a Casio calculator pad. I also learned of the “cosplay music video,” a new-to-me cousin of the vid, described variously as “a trailer of sorts for the season’s cosplay and convention scene” and as reenacting or creating scenes but “stopping short of a proper fan film, which would have a longer story and plot. These instead act as more of a character study.”
The discussion of licensed versus unlicensed costume/parts makers is interesting though clearly muted; licensing means negotiations and slow going, as well as fitting into a niche so that you don’t compete with the mass market Halloween costumes. On the other hand, buying from a small business is risky, not just because of scammers but also because builders get overwhelmed by trying to turn a hobby into a business. There’s also a concept of unfair copying of work by cosplayer insiders—“recasting”—which insiders consider different from copying costumes from franchises themselves because it skips a bunch of hard work. And former cosplayers now can professionalize, not just among cosplayers but also by taking the skills they learned to make costumes, special effects and props on different pro productions. There, they may find frustration since cosplayers often have longer timelines and less interest in creating something that is imperfect but durable, cleanable, and adjustable enough to survive a shoot.
Other brief notes: Cosplay is another kind of performance, copying to achieve something new. Bjo Trimble shows up as an early technological innovator. I liked learning that, with the arrival of Blu-Ray, people identified parts of the original Boba Fett suit, including a dental expander and a Casio calculator pad. I also learned of the “cosplay music video,” a new-to-me cousin of the vid, described variously as “a trailer of sorts for the season’s cosplay and convention scene” and as reenacting or creating scenes but “stopping short of a proper fan film, which would have a longer story and plot. These instead act as more of a character study.”
The discussion of licensed versus unlicensed costume/parts makers is interesting though clearly muted; licensing means negotiations and slow going, as well as fitting into a niche so that you don’t compete with the mass market Halloween costumes. On the other hand, buying from a small business is risky, not just because of scammers but also because builders get overwhelmed by trying to turn a hobby into a business. There’s also a concept of unfair copying of work by cosplayer insiders—“recasting”—which insiders consider different from copying costumes from franchises themselves because it skips a bunch of hard work. And former cosplayers now can professionalize, not just among cosplayers but also by taking the skills they learned to make costumes, special effects and props on different pro productions. There, they may find frustration since cosplayers often have longer timelines and less interest in creating something that is imperfect but durable, cleanable, and adjustable enough to survive a shoot.
October 26, 2022
I really wanted to like this, but mostly I just found it dull. The pictures are nice, but I don't really care all that much about Star Wars cosplay and, like 80% of this book is dedicated to Liptak's experiences with the 501st Legion, a group of cosplayers I didn't really need to know all that much about.
It took me so long to slog through all of this. There are some interesting sections, but it just wasn't for me.
Please include an index next time.
Also, I feel like there wasn't a ton on Superhero or Anime Cosplay in this, which I think has bigger representation in Cosplay universe than Star Wars does. But this is often what happens when someone actively engaged in a specific community writes what is supposed to be a comprehensive history. It's also repetitive.
It took me so long to slog through all of this. There are some interesting sections, but it just wasn't for me.
Please include an index next time.
Also, I feel like there wasn't a ton on Superhero or Anime Cosplay in this, which I think has bigger representation in Cosplay universe than Star Wars does. But this is often what happens when someone actively engaged in a specific community writes what is supposed to be a comprehensive history. It's also repetitive.
July 19, 2022
Thank you for an ARC in exchange for an honest review.
So I say this only half in jest: This book is clearly written by a member of the 501st, if you don't know what that means then this book is for you!
Cosplay is a very overarching topic with so many subcategories to discuss that I am not shocked there were a few topics missed. However, this was only a history in technicality. Some homage to Adam Savage was a huge plus for any fan. I do feel that some aspects such as competitive cosplay were brushed over. For those who don't know, the 501st is a star wars cosplay faction. Most anime cosplayers associate them as "other" in cosplay style. They have rigid rules on what must be a costume and who may cosplay it. This is atypical to classic cosplay which is a free for all, where multiple of the same character is frequent and expected. Creation of cosplay is it's own whole book and I can understand where that may not have been a focus for the author. (Again, it's called a history) That being said, I would not recommend this as a book to site for sources. It is more of an interesting read with some fun pictures (implicit bias in the pictures). I struggled to give this book a rating as there was clear and good effort involved but it didn't quite hit the mark for me as a cosplayer myself. That in and of itself is the joy of cosplay though, everyone is different and interacts with cosplay for different reasons! If you are new to cosplay or was to know some cool facts then please give this book a read. However, if you're already encroached in the culture, then this might be a good gift to give to family or friends who just don't quite get it!
So I say this only half in jest: This book is clearly written by a member of the 501st, if you don't know what that means then this book is for you!
Cosplay is a very overarching topic with so many subcategories to discuss that I am not shocked there were a few topics missed. However, this was only a history in technicality. Some homage to Adam Savage was a huge plus for any fan. I do feel that some aspects such as competitive cosplay were brushed over. For those who don't know, the 501st is a star wars cosplay faction. Most anime cosplayers associate them as "other" in cosplay style. They have rigid rules on what must be a costume and who may cosplay it. This is atypical to classic cosplay which is a free for all, where multiple of the same character is frequent and expected. Creation of cosplay is it's own whole book and I can understand where that may not have been a focus for the author. (Again, it's called a history) That being said, I would not recommend this as a book to site for sources. It is more of an interesting read with some fun pictures (implicit bias in the pictures). I struggled to give this book a rating as there was clear and good effort involved but it didn't quite hit the mark for me as a cosplayer myself. That in and of itself is the joy of cosplay though, everyone is different and interacts with cosplay for different reasons! If you are new to cosplay or was to know some cool facts then please give this book a read. However, if you're already encroached in the culture, then this might be a good gift to give to family or friends who just don't quite get it!
May 28, 2023
I wish this book was billed as "The History of Cosplay in the United States" because there is so little mention of cosplay outside of the United States, despite "cosplay" being a Japanese term.
"Cosplay: A History" felt more like a way for Andrew Liptak to flaunt his geekery than to provide readers with a broad overview at the past and present of cosplay. The book has nearly as many photos of Liptak and his friends as it does other cosplayers—it even includes several photos of his son's Halloween costumes, including one of a Spiderman costume that he bought off Amazon, like... who cares?!
"Cosplay: A History" felt more like a way for Andrew Liptak to flaunt his geekery than to provide readers with a broad overview at the past and present of cosplay. The book has nearly as many photos of Liptak and his friends as it does other cosplayers—it even includes several photos of his son's Halloween costumes, including one of a Spiderman costume that he bought off Amazon, like... who cares?!
June 30, 2023
This review originally published in Looking For a Good Book. Rated 3.5 of 5
It's hard to imagine anyone in today's society who is in any way active on social media or watches science fiction or fantasy television or movies to not be familiar with 'cosplay'. Cosplay is a big deal and it's been around a lot longer than people might imagine.
What we are mostly familiar with are the fans with incredibly elaborate recreations of their favorite Hollywood characters (often - but not always - superheroes) in full costume and gear walking around a comic convention and spotlighted on the evening news for a closing 'isn't that fun' piece. Given the popularity, I'm only surprised it's taken this long to get a book, this complete, out in the world.
Today's cosplayers have resources unparalleled to what those of us, who 'showed up in costume' at small regional conventions back in the 1970's. The internet itself allows fans to find the people who can help design and make all the pieces necessary for that perfect Captain America costume or the Blade Runner blaster or ... . We're drawn to gadgets and pageantry and cosplay allows adults (and kids) to live out their Halloween fantasies all year round.
Author Andrew Liptak gives us a very thorough, well-researched history of the cosplay concept. Showing up at conventions dressed as a favorite character from a book has been going on since at least the 1939 World Science Fiction Convention. These conventions would often have a costume parade and/or contest (they still do) and more people got interested as science fiction became more popular on television and has grown with the movies.
Liptak covers this early period well and works all the way through the impact of the COVID-19 pandemic on cosplay. He nicely touches on copyright infringement and lawsuits from the big studios as some people have turned the hobby of cosplay into a business, making money off selling their work ... which are designs created by someone else for someone else. There is a special mention of the Axanar fan film (this was a special Star Trek fan film that hired professional actors and raised over $1M to produce a Star Trek 'fan' feature film and which spawned a major lawsuit and a new set rules by which all fan films must now adhere to) - all as part of the legal aspects of cosplay.
I did feel that there was significant (ie: too much) attention paid to a certain group of Star Wars cosplayers. In part this comes from Liptak's own interest and membership in the group. Certainly they've taken cosplay to an extreme with their pomp and display, but I didn't need the detail we got on this organization.
I also got pretty bored in the middle of the book. The whole of Part II: Traditions was slightly interesting as a prelude to cosplay, but I did wonder if I needed that much information about something that wasn't really cosplay, while later chapters on the making of costumes went by a little quickly.
Overall, this was comprehensive, but perhaps more than necessary. The book features many fine photographs.
Looking for a good book? Cosplay: A History by Andrew Liptak is likely a good resource for any student writing a paper on cosplay, but pure fan interest readers might find this a slight bit of slog.
I received a digital copy of this book from the publisher, through Edelweiss, in exchange for an honest review.
It's hard to imagine anyone in today's society who is in any way active on social media or watches science fiction or fantasy television or movies to not be familiar with 'cosplay'. Cosplay is a big deal and it's been around a lot longer than people might imagine.
What we are mostly familiar with are the fans with incredibly elaborate recreations of their favorite Hollywood characters (often - but not always - superheroes) in full costume and gear walking around a comic convention and spotlighted on the evening news for a closing 'isn't that fun' piece. Given the popularity, I'm only surprised it's taken this long to get a book, this complete, out in the world.
Today's cosplayers have resources unparalleled to what those of us, who 'showed up in costume' at small regional conventions back in the 1970's. The internet itself allows fans to find the people who can help design and make all the pieces necessary for that perfect Captain America costume or the Blade Runner blaster or ... . We're drawn to gadgets and pageantry and cosplay allows adults (and kids) to live out their Halloween fantasies all year round.
Author Andrew Liptak gives us a very thorough, well-researched history of the cosplay concept. Showing up at conventions dressed as a favorite character from a book has been going on since at least the 1939 World Science Fiction Convention. These conventions would often have a costume parade and/or contest (they still do) and more people got interested as science fiction became more popular on television and has grown with the movies.
Liptak covers this early period well and works all the way through the impact of the COVID-19 pandemic on cosplay. He nicely touches on copyright infringement and lawsuits from the big studios as some people have turned the hobby of cosplay into a business, making money off selling their work ... which are designs created by someone else for someone else. There is a special mention of the Axanar fan film (this was a special Star Trek fan film that hired professional actors and raised over $1M to produce a Star Trek 'fan' feature film and which spawned a major lawsuit and a new set rules by which all fan films must now adhere to) - all as part of the legal aspects of cosplay.
I did feel that there was significant (ie: too much) attention paid to a certain group of Star Wars cosplayers. In part this comes from Liptak's own interest and membership in the group. Certainly they've taken cosplay to an extreme with their pomp and display, but I didn't need the detail we got on this organization.
I also got pretty bored in the middle of the book. The whole of Part II: Traditions was slightly interesting as a prelude to cosplay, but I did wonder if I needed that much information about something that wasn't really cosplay, while later chapters on the making of costumes went by a little quickly.
Overall, this was comprehensive, but perhaps more than necessary. The book features many fine photographs.
Looking for a good book? Cosplay: A History by Andrew Liptak is likely a good resource for any student writing a paper on cosplay, but pure fan interest readers might find this a slight bit of slog.
I received a digital copy of this book from the publisher, through Edelweiss, in exchange for an honest review.
July 27, 2022
Andrew Liptak’s newest work is an incredibly comprehensive, momentous celebration and history of cosplay. Cosplay: A History: The Builders, Fans, and Makers Who Bring Your Favorite Stories to Life is a beautifully realized history of cosplay, largely from the gaze of the science fiction community in the US.
Complied into 352 glossy, photo-filled pages wrapped in a paperback cover with French flaps, the physical product is beautiful, every photo gleaming off the gloss-covered pages, while remaining at a very affordable $24.99 in the US. This inherent affordability of what would usually be an expensive hard-bound book is something inherent to cosplay itself—creating something inherently unique that will wow an audience all at an affordable price—a neat little nod to the subject matter, even if unintentional.
Cosplay: A History is just that. A history, one that begins with science fiction fandom in the 1800s, masquerades, and those first individuals who donned outfits for events—what today would be called cosplay. Largely, this gaze remains through the lens of science fiction, more specifically science fiction within the US. This is one of the main avenues that led to the rise in cosplay in the region, and it is through this lens that cosplay as we know it is born.
Much of what would be suspected is discussed. The 501st Legion, the Star Wars Stormtrooper legion that spans the globe. The Rebel Legion, also of Star Wars fame. Halo’s 405th Infantry Division. And, of course, the myriad of now-famous cosplayers, makers, franchises, conventions, and more.
This, by and large, is a celebration of cosplay and fandom as a whole. It is an ode to the history of finding joy in stories, of wanting to be part of something larger than yourself, and of wanting to see the joy and awe on others’ faces when they see you in costume. Perhaps more importantly, it gathers together much of this history in one place, replete with photos, personal stories, anecdotes, and an inherent sense of why cosplay matters, why it’s such an integral part of modern fandom as a whole.
The not-quite-as-wholesome aspects of cosplay are spoken of as well. Sexism and racism have been issues across cosplay for, well, forever. These topics aren’t ignored. Nor is the complicated relationship between cosplayers, IP holders, makers, and makers who attempt to profit off others’ hard work. The book is an insightful look not only into the good, happy, and historical but everything. Though these topics may not have “right answers”—there is no “one-size-fits-all” solution to systemic racism or misogyny, after all—it addresses them in a clear, confident manner and makes its stance apparent.
On a similar note, other aspects of cosplay and costuming that aren’t always brought to the forefront are discussed as well. The more ancient roots of donning costumes and their part in storytelling are looked at—costuming as part of rituals and religion, textiles as part of cave art, the history of masks. Perhaps more prolific are more modern instances of various versions of costuming outside of the popular convention scene. The history of Halloween is discussed. Historical reenactments and Renaissance Fairs are discussed and how they differ from both cosplay and museum employees and educators that use living history as a teaching device.
The rise in the popularity of anime and the cosplay based on anime properties also has a place within these chapters. Despite cosplay based on anime being huge at modern conventions, this is not the main focus of the book. It is A History, after all. The history of cosplay would need to be a multi-volume, globetrotting, history-spanning, likely hair-pulling odyssey, taking perhaps multiple lifetimes to fully complete for we have always loved stories, and we have always loved being a part of them, bringing them to life.
Cosplay: A History is an extremely well-researched and much-needed compiled history on a part of fans’ lives that makes up what is a much bigger, more important part of our lives than most outside of science fiction, fantasy, superhero, comics, and anime fandom probably realize or understand. It perfectly ties together the modern Maker community, the evolving of technology and its influence on prop and costume making, and what stories mean to the people who consume them with cosplay as a whole. It’s a fantastic book, one inherent readable with oh-so-wonderful photography, and it’s a book that cosplayers, con-goers, and anyone who’s found themselves awed by the silver screen or stories at their parents’ knee must read.
I received this book from the publisher in exchange for an honest review.
This review is originally found at Looking Glass Reads.
Complied into 352 glossy, photo-filled pages wrapped in a paperback cover with French flaps, the physical product is beautiful, every photo gleaming off the gloss-covered pages, while remaining at a very affordable $24.99 in the US. This inherent affordability of what would usually be an expensive hard-bound book is something inherent to cosplay itself—creating something inherently unique that will wow an audience all at an affordable price—a neat little nod to the subject matter, even if unintentional.
Cosplay: A History is just that. A history, one that begins with science fiction fandom in the 1800s, masquerades, and those first individuals who donned outfits for events—what today would be called cosplay. Largely, this gaze remains through the lens of science fiction, more specifically science fiction within the US. This is one of the main avenues that led to the rise in cosplay in the region, and it is through this lens that cosplay as we know it is born.
Much of what would be suspected is discussed. The 501st Legion, the Star Wars Stormtrooper legion that spans the globe. The Rebel Legion, also of Star Wars fame. Halo’s 405th Infantry Division. And, of course, the myriad of now-famous cosplayers, makers, franchises, conventions, and more.
This, by and large, is a celebration of cosplay and fandom as a whole. It is an ode to the history of finding joy in stories, of wanting to be part of something larger than yourself, and of wanting to see the joy and awe on others’ faces when they see you in costume. Perhaps more importantly, it gathers together much of this history in one place, replete with photos, personal stories, anecdotes, and an inherent sense of why cosplay matters, why it’s such an integral part of modern fandom as a whole.
The not-quite-as-wholesome aspects of cosplay are spoken of as well. Sexism and racism have been issues across cosplay for, well, forever. These topics aren’t ignored. Nor is the complicated relationship between cosplayers, IP holders, makers, and makers who attempt to profit off others’ hard work. The book is an insightful look not only into the good, happy, and historical but everything. Though these topics may not have “right answers”—there is no “one-size-fits-all” solution to systemic racism or misogyny, after all—it addresses them in a clear, confident manner and makes its stance apparent.
On a similar note, other aspects of cosplay and costuming that aren’t always brought to the forefront are discussed as well. The more ancient roots of donning costumes and their part in storytelling are looked at—costuming as part of rituals and religion, textiles as part of cave art, the history of masks. Perhaps more prolific are more modern instances of various versions of costuming outside of the popular convention scene. The history of Halloween is discussed. Historical reenactments and Renaissance Fairs are discussed and how they differ from both cosplay and museum employees and educators that use living history as a teaching device.
The rise in the popularity of anime and the cosplay based on anime properties also has a place within these chapters. Despite cosplay based on anime being huge at modern conventions, this is not the main focus of the book. It is A History, after all. The history of cosplay would need to be a multi-volume, globetrotting, history-spanning, likely hair-pulling odyssey, taking perhaps multiple lifetimes to fully complete for we have always loved stories, and we have always loved being a part of them, bringing them to life.
Cosplay: A History is an extremely well-researched and much-needed compiled history on a part of fans’ lives that makes up what is a much bigger, more important part of our lives than most outside of science fiction, fantasy, superhero, comics, and anime fandom probably realize or understand. It perfectly ties together the modern Maker community, the evolving of technology and its influence on prop and costume making, and what stories mean to the people who consume them with cosplay as a whole. It’s a fantastic book, one inherent readable with oh-so-wonderful photography, and it’s a book that cosplayers, con-goers, and anyone who’s found themselves awed by the silver screen or stories at their parents’ knee must read.
I received this book from the publisher in exchange for an honest review.
This review is originally found at Looking Glass Reads.
March 2, 2024
Learn about the history of dressing up for fun…to express your fandom…
Cosplay: A History: The Builders, Fans, and Makers Who Bring Your Favorite Stories to Life by Andrew Liptak is a wonderful quasi history book about the history of costumed play, following the inspiration, creativity, and myriad people involved.
The history of cosplay is debated though some historical evidence links it to the 19th century (and possibly Jules Verne, one of the masters of steampunk), but lets be honest that dressing up in costumes was anything new…but dressing up as CHARACTERS or ideas you liked…that was. Doing masquerade balls or fancy ball gown parties is one thing…but gathering for a special party as some kind of character to hang around fellow enthusiasts is something we can all get behind…
Anyway, this book does a great job covering many of the fandoms, private organizations, and reasons that people dress up (be they cons, holidays, or whatever).
Tons of photos are provided throughout, some dating back to the early 20th century (with the 19th century depicted in surviving sketches and such).
It’s a lot of get into, but there’s a ton of fun material that will likely scratch the itch of even those with only slight interest in the field of cosplay.
Sorry my review was kind of rambling and repetitive…
Cosplay: A History: The Builders, Fans, and Makers Who Bring Your Favorite Stories to Life by Andrew Liptak is a wonderful quasi history book about the history of costumed play, following the inspiration, creativity, and myriad people involved.
The history of cosplay is debated though some historical evidence links it to the 19th century (and possibly Jules Verne, one of the masters of steampunk), but lets be honest that dressing up in costumes was anything new…but dressing up as CHARACTERS or ideas you liked…that was. Doing masquerade balls or fancy ball gown parties is one thing…but gathering for a special party as some kind of character to hang around fellow enthusiasts is something we can all get behind…
Anyway, this book does a great job covering many of the fandoms, private organizations, and reasons that people dress up (be they cons, holidays, or whatever).
Tons of photos are provided throughout, some dating back to the early 20th century (with the 19th century depicted in surviving sketches and such).
It’s a lot of get into, but there’s a ton of fun material that will likely scratch the itch of even those with only slight interest in the field of cosplay.
Sorry my review was kind of rambling and repetitive…
November 24, 2022
While sections of the book were interesting, I wish it had spent more time on the cultural, societal, and historical aspects. I found the parts talking about fabrication techniques or technology (internet, social media) rather uninteresting. The section talking about historical forms of costuming and cosplay was too brief, feeling almost perfunctory.
Also, when talking about cosplayers individually or as a group, it was heavily tilted towards Star Wars. While that may be somewhat understandable given the author’s history in that fandom, in a book billed as a general history of cosplay, I wish it didn’t constantly use one fandom as the exemplar while other fandoms were quick mentions without depth. By the end, it was alienating because I’m not personally in that fandom and don’t much care about cosplay relating specifically to it.
The author’s passion for the subject is obvious but I honestly enjoyed the podcast the author guested on (talking about the book) more than the book itself.
Also, when talking about cosplayers individually or as a group, it was heavily tilted towards Star Wars. While that may be somewhat understandable given the author’s history in that fandom, in a book billed as a general history of cosplay, I wish it didn’t constantly use one fandom as the exemplar while other fandoms were quick mentions without depth. By the end, it was alienating because I’m not personally in that fandom and don’t much care about cosplay relating specifically to it.
The author’s passion for the subject is obvious but I honestly enjoyed the podcast the author guested on (talking about the book) more than the book itself.
August 18, 2022
I have mixed feelings about this book. On the one hand, it's well-written and delves into all the different facets of cosplay. On the other hand, it is clear the author puts the 501st legion (of which he is an active member) front and center in the story, devoting several chapters to it. Maybe it would've been better as an anthology with different chapters written by people involved in each genre/area of cosplay? It was clear there were chapters he was more and less enthusiastically writing about. On the other, other hand, the point of the book is about the active participation of fans and so it stands to reason that a cosplayer should write the book and put themselves into the story. But his mentions of the 501st Legion and quoting Adam Savage got tiring at times.
ETA: please include an index and bibliography next time!
ETA: please include an index and bibliography next time!
August 26, 2022
We have a military history and 501st person writing a supposed compete history of cosplay. We get a forward from Adam Savage, a weird bit about astronauts as an excuse to show more photos of Adam Savage, then cut to the roots of western costuming traditions, much of which I've previously read in articles around the Internet. Which of course, includes the 501st. And yes, they are a part of cosplay history. But then we cut to Japan and get barely a page on the entire history of japanese traditions of art and animation, then another oneish page of Japanese cosplay history. Then we cut to a chapter called 'identity' to talk about cosplay as a way to show or explore identities. Unfortunately there's a paragraph that minimizes and excuses blackface as the result of unknowing college students or overzealous cosplayers so...I stopped reading. I'm done. I'm good.
October 26, 2024
This book focuses heavily on american way to cosplay. 50% of the book was about to how to make Star wars cosplay, which isn't the only possible source material.
There was very little about sewing cosplay, or cosplay competitions which are big thing in Europe and Asia. There was very little about anime and japanese games as an source material
Cosplay is much more than putting on Stromtrooper armor, and book doesn't acknowledge that there are so much more.
Magic in cosplay is that you can be anything and this book doesn't show it.
There was very little about sewing cosplay, or cosplay competitions which are big thing in Europe and Asia. There was very little about anime and japanese games as an source material
Cosplay is much more than putting on Stromtrooper armor, and book doesn't acknowledge that there are so much more.
Magic in cosplay is that you can be anything and this book doesn't show it.
December 17, 2022
I got this as a goodreads giveaway in exchange for my review.
This book has its good points and bad points. It’s very informative about the history of cosplay and costuming and that is part that was very interesting to me.
However, this book is way to Star Wars focused and there is a lot of different information and it’s not super organized.
Overall average as informational text and average as reading material
This book has its good points and bad points. It’s very informative about the history of cosplay and costuming and that is part that was very interesting to me.
However, this book is way to Star Wars focused and there is a lot of different information and it’s not super organized.
Overall average as informational text and average as reading material
December 12, 2022
A read once sort of book, it's comprehensive, but much of the history is of passing interest. There's enough info to get you started as well. This book does cover historical reenactors as well, something that's not covered by many cosplay books.
January 24, 2023
Really enjoyed this book! I will say I think you’ll get a bit more out of it if you’re familiar with Star Wars (which I’m lacking on) but it’s still a great book for an overall history of cosplay. I learned a lot I didn’t know about some of the origins of this hobby.
January 28, 2023
This is very Star Wars heavy, which as someone who isn’t particularly interested in the franchise made it a bit of a slog to get through. However the research on the early history of cosplay, particularly from the first half of the twentieth century is absolutely fascinating.
May 9, 2023
I’m pretty neutral on this one. I didn’t really know anything about Cosplay before reading. It was interesting and I have a true cosplay fan that I’ve passed it along to that I’m sure will enjoy it more than I did.
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