What happens when you tell a superhero story without the superhero, and all you have are the villains? Well, if you’re smart enough to do it with an outfit like the Rogues, if you’re Joshua Williamson, you get a pretty great comic out of it.
The Rogues are the collection of villains who’ve bothered the Flash since the Silver Age. They’re chock full of gimmicks, but what sets them apart is that as the Flash’s enemies, they always get to operate as just this side of the real world’s petty criminals, so that the jobs they pull are bad enough to keep them on the wrong side of the law, but never give them the image of psychopaths, like, ah, the Joker, or killers.
And enough writers have been giving them enough attention as fleshed out characters that it was just about time someone came along and told their story this way. Williamson has been working his way to the top for years, and hit the jackpot when he scored his own Flash gig, and Rogues is perhaps his crowning achievement, at least in this corner of the DC landscape, to date.
The Black Label comics aren’t necessarily part of continuity, but it doesn’t matter. The bad guys got old, got tired of losing, and so they try one last desperate stab for glory, and of course it goes horribly wrong. A good villain keeps popping up because it’s always fun to see them, but in the movies it’s usually easier to just take care of business, which is why so many of them just die at the end. They made their mark. The end. So Rogues is kind of a movie experience. Make a movie of it and I think people would be interested. I know, there’re some Suicide Squad movies that cover similar ground, but honestly I think none of those have been as successful as they could be because general audiences just can’t wrap their heads around them. This is straightforward stuff, here. The story is familiar, but context is everything.
That’s not being cold. That’s just seeing things as they are.